The main problem is that most HDMI is encrypted, copy protected, and "encoded" as Dolby or some other format that most stand-alone DACs can't decode (or convert).

And, S/PDIF doesn't support most of the Blu-Ray formats.
I respect that you are are skilled audio engineer but it's
impossible to digital to get "accidently" corrupted like that.

Of course, if you down-sample to 8kHz you'll lose all the highs, but
anything digital can go down to DC (zero Hz) although the DAC (or other analog electronics) will likely filter-out DC. Anything 44.1kHz or higher contains the full audible range. If you down-sample to 8-bits you'll hear quantization noise. (Most people don't realize what "low resolution" sounds like).
Proper-scientific, blind,
blind ABX tests can be VERY humbling!
You MIGHT be surprised how carefully you have to listen to hear the difference between a high-resolution original and a high-bitrate MP3 copy, if you can reliably hear a difference at all. We've all heard poor quality MP3s and I used to be a "snob" about MP3. But sometime after I got my 1st DVD player I found out that Dolby Digital is also lossy compression... Some of the best sounding and most enjoyable music I own is on concert DVDs with surround sound.
"Warmth" and "detail" aren't well defined. I used to think warmth was a mid-bass boost, but to some people it means slight "pleasing" distortion. I usually associate "detail" with high frequencies but Dan Clark (headphone manufacturer) says that headphones with more distortion are often described as having "more detail". So I now try not to use those words, or I'll describe what I mean. Sometimes I'll say "bright" or "dull" in regard to high frequencies, but I
try to remember to say specifically what I'm trying to describe.
Of course "soundstage" is an illusion (with the sound
really coming from a pair of speakers or headphones) so your brain is involved and can't be measured or quantified. It's mostly in the mix/production, but the speakers and the room also have an influence. Although I enjoy the stereo (or surround sound) I don't pay much attention to the soundstage... Like everybody else, I'm almost always listening to studio recordings where the soundstage is artificially created anyway.
With headphones, very few people get a realistic soundstage illusion. The most common perception is that the sound is coming from inside the listener's head. I usually perceive it coming from somewhere around my forehead except for hard-panned sounds which perceive as coming directly from the headphone and "injected" into my ears.