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Component(s) you would induct into a "Hi-Fi Hall of Fame"?

Nakamichi System One a winner on looks alone
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It’s not fair to judge HiFi of the past by today’s standards. Even these sounded great to teenagers of the time. (Apologies if someone posted one already and I missed it.)
1787846893796.jpeg
 
It’s not fair to judge HiFi of the past by today’s standards. Even these sounded great to teenagers of the time. (Apologies if someone posted one already and I missed it.)
View attachment 554703
Nothing says COOL like chrome ;)
 
If you go by technical definition, no cassette tape media can be high fidelity, just like no vinyl media can be high fidelity.

The players can still go on the hall of fame list though.
This is the best that I have ever seen a cassette tape do (yes, not "High Fidelity" by todays standard of that).
(But, is that better than an album and Turn Table from the time?)
The tapes' Maximum Output Level (400Hz) and Saturated Output Level (10kHz) was referred to the input signal, after compensation for the tapes' sensitivities.

BASF Metal Maxima TPIV (1995)​



Relative bias: +1
Relative sensitivity: +0.5dB
THD @ Dolby level: 0.44%
MOL400(1%) : +4.5dB
MOL400(3%): +9.0dB
MOL1k(3%): +9.5dB
SOL10k: +0.8dB
Bias noise: -53.0dB, -56.9dB(A)
Dynamic range: 65.9dB

I found another one that was damn good also (and referenced to the 'possibilities of using the EQ section of a certain cassette deck to fix a dip)
a record performance in terms of distortion, MOLs, and dynamic range. Sadly the frequency response is dished, much like the TDK MA-XG, almost begging for a recorder with adjustable equalization. Imagine this tape, combined with a Nakamichi 1000ZXL:

Relative bias: +2
Relative sensitivity: +1.2dB
THD @ Dolby level: 0.29%
MOL400(1%) : +6.2dB
MOL400(3%): +10.0dB
MOL1k(3%): +9.2dB
SOL10k: -0.2dB
Bias noise: -53.7dB, -58.4dB(A)
Dynamic range: 68.4dB
 
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I had AI scan this thread and count the recommended components:

Recommended 7​

  • Technics SL-1200/SL-1210 family: 7

Recommended 5​

  • AR turntable, including the AR-XA: 5
  • JBL Paragon: 5
  • Linn Sondek LP12: 5
  • NAD 3020: 5
  • Quad ESL-57/original Quad electrostatic: 5

Recommended 4​

  • Altec Voice of the Theatre/A7: 4
  • B&W 801/Nautilus 801: 4
  • Klipschorn: 4
  • Nakamichi Dragon: 4
  • Room EQ Wizard, REW: 4
  • Sony CDP-101: 4
  • Williamson amplifier: 4

Recommended 3​

  • Altec Duplex/604: 3
  • Crown DC-300: 3
  • Genelec 8030 family: 3
  • JBL L100 Century: 3
  • McIntosh MC275: 3
  • Nagra portable tape recorder: 3

Recommended 2​

  • Apple iPod: 2
  • BBC LS3/5a: 2
  • Compact disc/CD format: 2
  • Denon DL-103: 2
  • Dolby noise reduction: 2
  • Dynaco/Dynakit products generally: 2
  • Dynaco ST-70: 2
  • Infinity IRS-V: 2
  • IMF Compact/SuperCompact II: 2
  • Koss Pro4AA: 2
  • Large Advent loudspeaker: 2
  • Magnetic tape/tape recorder: 2
  • MBL 101 Radialstrahler: 2
  • NE5532 operational amplifier: 2
  • Philips CD100: 2
  • Philips CD303: 2
  • Purifi Eigentakt amplifier modules: 2
  • Quad II amplifier: 2
  • Quad 303 amplifier: 2
  • Quad 606 amplifier: 2
  • Sennheiser HD414: 2
  • Sennheiser HD580/600/650 family: 2
  • Shure V15 cartridge family: 2
  • SME 3009 tonearm: 2
  • Sony PCM-F1: 2
  • Sony TA-E1000ESD: 2
  • Sony TA-N88: 2
  • Technics EPA tonearms: 2
  • Technics SL-M3: 2
  • Technics SP-10 family: 2
  • Wharfedale Diamond, original: 2
  • Yamaha DSP-1: 2

Recommended 1​

Loudspeakers​

  • Acoustic Research AR-1: 1
  • Acoustic Research AR-3/AR-3a: 1
  • Allison One: 1
  • Altec 620A: 1
  • Altec Model 19: 1
  • Aurasound 1808 driver: 1
  • B&W DM70: 1
  • B&W original 800: 1
  • BMR Monitor: 1
  • Bose 901: 1
  • Bose Acoustimass: 1
  • Dutch & Dutch 8C: 1
  • Dynaco A25: 1
  • Genelec 1031: 1
  • Genelec 8050/first 80x0 model: 1
  • Gradient Revolution: 1
  • Infinity Kappa 9: 1
  • JBL 250Ti: 1
  • JBL L300: 1
  • JBL Olympus S8R: 1
  • KEF Blade series: 1
  • KEF Q15: 1
  • KEF Reference 105: 1
  • Klein + Hummel O98: 1
  • Klipsch Heresy I: 1
  • Klipsch La Scala: 1
  • MartinLogan CLS: 1
  • NHT 3.3: 1
  • Ohm Model F: 1
  • Peerless XLS/XXLS subwoofer drivers: 1
  • Philips Motional Feedback loudspeakers: 1
  • Polk SDA: 1
  • Quadral Titan: 1
  • Revel F52: 1
  • Revel Ultima Salon2: 1
  • Sony SS-G7: 1
  • Sony SS-G9: 1
  • Sony SS-G333ES: 1
  • Sony SS-G777ES: 1
  • Tannoy Dual Concentric: 1
  • Tannoy Westminster: 1
  • Velodyne ULD-18: 1
  • Wharfedale Linton: 1
  • Well-designed bass-reflex or transmission-line loading: 1

Amplifiers,​

  • Adcom GFA-5x5 amplifier family: 1
  • Advent 300 receiver: 1
  • Ampzilla: 1
  • Bryston 4B: 1
  • Carver Cube: 1
  • Carver transfer-function amplifiers: 1
  • Dyna Mark III: 1
  • Early Mark Levinson products generally: 1
  • Futterman H-3: 1
  • Hafler DH-200: 1
  • Harman Kardon Citation amplifiers: 1
  • Harman Kardon’s first integrated receiver: 1
  • HeadRoom AirHead/BitHead: 1
  • Hypex UcD: 1
  • Krell KSA family: 1
  • Marantz 8B: 1
  • McIntosh MC240: 1
  • miniDSP 2x4 Balanced: 1
  • Mullard 5-20: 1
  • NwAvGuy Objective2/O2 headphone amplifier: 1
  • Phase Linear 700: 1
  • Pioneer A-400: 1
  • Pioneer Elite C-91/Reference C-90a: 1
  • Quad 66 preamplifier: 1
  • RME ADI-2: 1
  • TAG McLaren AV32R/TMREQ: 1
  • The Tiger amplifier: 1
  • Threshold Stasis: 1
  • Yamaha integrated amplifier used in the Maki/Nousaine comparison: 1
  • Yamaha MX-10000: 1

Turntables,​

  • Audio-Technica AT91/AT3600 family: 1
  • Bang & Olufsen Beogram 4000: 1
  • ELP laser turntable: 1
  • Garrard 301: 1
  • Garrard Zero 100: 1
  • Lenco L75: 1
  • Melco 3560: 1
  • Ortofon SPU: 1
  • Rega Planar 3: 1
  • Sony PS-X800: 1
  • Stanton 681EEE: 1
  • Technics direct-drive technology generally: 1
  • Technics EPC-100C Mk4: 1
  • Technics EPC-205C Mk3: 1
  • Technics EPC-300MC: 1
  • Technics EPC-305MC: 1
  • Thorens TD-150: 1

Digital​

  • 8-track cartridge: 1
  • Apple AirPlay: 1
  • Compact cassette: 1
  • DAT format generally: 1
  • Edison cylinder: 1
  • Ghetto blaster/boombox: 1
  • LP record: 1
  • Marantz CD-63 MkII KI Signature: 1
  • Mono-compatible stereo: 1
  • MP3 codec: 1
  • Oppo DV-980H: 1
  • Panasonic SV-3700 DAT recorder: 1
  • Philips TDA1540 DAC: 1
  • Radio broadcasting: 1
  • Revox B77: 1
  • Sequerra Model One FM tuner: 1
  • Sony Walkman concept: 1
  • Sony WM-D6C: 1
  • Sony WMD-DT1: 1
  • Streaming: 1
  • Tandberg TCD-300: 1
  • Tandberg TCD-440A: 1
  • Tandberg TCD-3014A: 1
  • Tandberg TCD-910: 1
  • THX cinema-sound system: 1

Headphones​

  • AKG K240: 1
  • DPA 4006: 1
  • Measuring microphone, generic: 1
  • Neumann U47: 1
  • Panasonic electret omnidirectional microphone capsule: 1
  • Sony MDR-7506/MDR-V6: 1

Measurement,​

  • 2A3 power triode: 1
  • Bwaslo IMP measurement system: 1
  • Canadian NRC loudspeaker research: 1
  • Class-D amplification generally: 1
  • FuzzMeasure: 1
  • KT66 tube: 1
  • KT88 tube: 1
  • MathAudio Room EQ: 1
  • Pentode tube: 1
  • RoomPerfect: 1
  • Transistor: 1
  • Ultralinear output stage: 1
This may be the first time I've seen a forum post generated by AI that didn't immediately fill me with fear and loathing and rage.

A useful, informative, time-saving data evaluation you can trust a robot to perform efficiently, one that didn't involve plagiarism, hallucinations, or presumably some obscene amount of electricity at one of those godforsaken data centers blighting the landscape.
 
It’s not fair to judge HiFi of the past by today’s standards. Even these sounded great to teenagers of the time. (Apologies if someone posted one already and I missed it.)
View attachment 554703
It was an impactful product -- well, the 8-track cartridge format/car players were, at any rate.

I reckon that the 8-track players of the late-60s into the '70s played a key role in the conception of lots of Americans, and maybe even of folks in other countries. :eek: :cool:

Good old Bill Lear (of, yes, that Learjet) fame, and Earl Madman Muntz (of muntzing fame) were the Zuckerberg and Musk (or whatever/whomever) of the industry.
 
It was an impactful product -- well, the 8-track cartridge format/car players were, at any rate.

I reckon that the 8-track players of the late-60s into the '70s played a key role in the conception of lots of Americans, and maybe even of folks in other countries. :eek: :cool:

Good old Bill Lear (of, yes, that Learjet) fame, and Earl Madman Muntz (of muntzing fame) were the Zuckerberg and Musk (or whatever/whomever) of the industry.
Rich kids had Lear Jet decks. Us peons usually installed Craig decks. Jensen or Craig speakers for the parcel shelf.
 
nothin' wrong with the Jensen coaxials or triaxials. :)
1787877165019.png


whoops! umm, I mean...
1787877226918.png

;)
 
Very hard to think of standout gear. My mind drifts to important firsts in the history books, but when I think about the incremental progress in speaker or electronic design since then it's difficult not to see things as little refinements on older designs. Current speakers are not all that different from the Siemens moving coil design in 1874, other than being better performers.

There's the measurement side of things, a real truncated version of it:
  • (1984) Audio Precision System One: Set a new precedent for measurement of electronics because of computer integration and automation routines.
  • (1987) MLSSA: What we had before the NFS. Equally important in its time.
  • (1995) Earthworks M30: Has been essentially the same since release. Still one of the best, most accurate omnidirectional measurement microphones you can buy.
  • (2016) Klippel NFS: Revolutionized speaker measurement.
I've always viewed the Neumann KH80 DSP, released 2017, as a benchmark: flat phase to 500Hz, usable output to 100dB SPL output across its full range, exceptionally controlled directivity above 1.1kHz, ~1.2dB on-axis consistency, ~0.2dB deviation from one speaker to the next, and 0dBA SPL self-noise at 1m.
 
* Apple iPod, for sure
* Sony Playstation, for memes
* Sony TCD-D7 portable DAT recorder
* Sennheiser HD600
 
KEF coupled-cavity bandpass design was somewhat groundbreaking, despite the theory being well known. Wish they carried on with that technology - beats hands down a reflex design
 
Always looked like something from Bletchley Park to me. :)

I see nothing wrong with that look, Oh wait, their is something wrong: I can't afford it!
On the other hand, IF I could, that is a little large for me.
Maybe triple the land and make the house 1/4 size.
But I am fine with the style.
I'll be happy to accept a Nakamichi One to go inside, also.
 
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The Neumann U 47, the first great condenser microphone, still prized as a vocal microphone:



View attachment 429956
Altough the U47 certainly belongs in the hall of fame, it was not the first good condensor mic. The first good one was the Neumann CMV3, released in 1930, but to much associated with the Nazi's in Germany at that time as Hitler used it for it's speeches. And after the war the factory in Gefell was taken by the communists who renamed it to Microtech Gefell and made their own line of (very good) microphones. Neumann started over in west Berlin with his company and then released the U47 as replacement for that old design, while making it better also. The U47 and the CMV3 are quiet similar in build, with the M7 capsule but a different circuit with different tubes (Telefunken RE084K for the CMV3, Telefunken VF14M for the U47). Both are still in use as they still compete with modern tech and are very expensive second hand.

1787896825612.png
 
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