Robin L
Master Contributor
Today is Schubert's birthday. Schubert: Schwanengesang, D. 957: III. Frühlingssehnsucht · Elly Ameling · Dalton Baldwin:
Today is Schubert's birthday. Schubert: Schwanengesang, D. 957: III. Frühlingssehnsucht · Elly Ameling · Dalton Baldwin:
I'm going to guess that these are compositions by 20th century composers who are working with (or against) Schubert's music?I was not aware of that but, just by chance, I played an old favorite "Schubert" album today. (Not for everyone.)
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Adaptations and rearrangements. Mostly quite fascinating, to me.I'm going to guess that these are compositions by 20th century composers who are working with (or against) Schubert's music?
I thought that Webern's arrangements of Schubert's German Dances would turn out to be something really strange, turns out to be some pretty stuff:Adaptations and rearrangements. Mostly quite fascinating, to me.
The Szell/Concertgebouw recording remains my strong favorite since I first heard it. Szell captures the spirit of the work from the festive opening to the end of the last movement.Mozart: Symphony No. 34 in C Major, K. 338: III. Allegro vivace · Sir Charles Mackerras · Prague Chamber Orchestra
George Szell's Concertgebouw recording of Mozart's 34th symphony has been one of my favorite recordings since I first heard it back in the 1970s. But Charles Mackerras' reading for Telarc has even more of what I love in Szell's recording—swift pacing, lots of energy, precise playing. And Telarc's engineering is better, though this You Tube transfer leaves a bit to be desired compared to the Tidal stream:
Mackerras' later Mozart Symphony recordings with the Scottish Chamber Orchestra are slightly better in all regards, emphasis on "slightly". Really fine sound and dynamics on these recordings, same caveat as regards the You Tube transfer:
I am addicted to his Danzón No. 2.A few months ago, we herd at the Hollywood Bowl the Fandango by Marquez. We really enjoyed it!
This made me think of an Alfred Brendel recording I heard for the first time only recently, his last studio recording of Beethoven's Waldstein sonata. This is the first time I've run across a problem cited by others regarding streaming—sometimes the recordings can completely disappear, at least from Tidal. Fortunately, You Tube still has it. This is just about as graceful as this sort of thing ever gets:A shame it hasn't been recorded in a better quality... Simply stunning.
Glenn Gould X Beethoven
As a bonus, a speech on Beethoven
That's what Youtube is great for, even though in this case I found it on Spotify, and it's quite good thank you.This made me think of an Alfred Brendel recording I heard for the first time only recently, his last studio recording of Beethoven's Waldstein sonata. This is the first time I've run across a problem cited by others regarding streaming—sometimes the recordings can completely disappear, at least from Tidal. Fortunately, You Tube still has it. This is just about as graceful as this sort of thing ever gets:
The soloist Anne Akiko Myers and Marquez weresiwning autographs after the concert. I went to chat with them. Marquez was surprised I spoke Spanish and complimented it. Then, I told him I was from Argentina. He laughed!I am addicted to his Danzón No. 2.