Andolink
Active Member
Today’s listening from the deep recesses of my CD collection - -
and this new release - -
and this new release - -
Biber: Sonata violino solo representativa, C. 147: VII. Die Katz · Musica Antiqua Köln · Reinhard Goebel
This has been a favorite Baroque work since the first time I heard it. Biber's Sonata Representativa has the sounds of frogs, hens and, in this case, cats. I could have guessed that Reinhard Gobel would have "covered" it, and here it is:
You could like this 2 things then"Michael Schäffer played French Baroque Lute Suites", Sony-SEON SBK 62952, ASIN : B0000029VU, recorded in 1977.
I once described about this wonderful CD in my post #38 on my hosting thread "Lute Music and Other Early Music: Stunning Recordings We Love".
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You can hear the entire album on YouTube;
and,
Jaroussky is the best at the moment and has been for a while imo.You could like this 2 things then
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was able to see it live too - just breathaking experience, I love Jaroussky and how he communicates witj the audience and makes the early music so accessible. Having one of the best counter-tenor voices also helps a lot.
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And worth listening - Gabriell in Venice, also available as MCH disc, give it a try, beautiful stuff.
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I find the end of Harnoncourt's performance here quite strange. He plays the last few notes like they were from the finale of Sibelius 5th. Weird.View attachment 506877
This version of the 5th Symphony, in the 3rd movement, repeats the section that precedes the big build up to the 4th movement.
Apparently, Beethoven directed this in the original score, but most Conductors omit it.
This isn’t the best recording of Beethoven’s 5th (IMHO) but the repeated section is my favourite part of the symphony. So I do play it a lot.
Maybe I should get my audio editor out and add in the repetition to Jarvi’s recording![]()
I hadn’t picked up on that. The again, I’ve not heard Sibelius’ 5th for years… I’ve only got back into serious audio listening in the last year, after a long break. Have much catching up to do.I find the end of Harnoncourt's performance here quite strange. He plays the last few notes like they were from the finale of Sibelius 5th. Weird.
Karajan's 1960's BPO recording is all that:I hadn’t picked up on that. The again, I’ve not heard Sibelius’ 5th for years… I’ve only got back into serious audio listening in the last year, after a long break. Have much catching up to do.
Thanks - I’ve added that to my todo listKarajan's 1960's BPO recording is all that: