Sounds tempting!Masaaki Suzuki (here at least) shows little of what Shinichi Suzuki had in such abundance - humanity. The performance is beyond historically constrained. It's sterile - a Missa Marcato. The orchestra plays all the notes (with admirable rapidly), the chorus faithfully barks the text, and the soloists, seemingly against all odds, try to make music, but to no avail. I'd rather hear a fist fight between the Madison Scouts and Santa Clara Vanguard.
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I guess if I want to hear this performance, I'll need to get the CD as the video link has nasty mono sound.Many recording of the Missa almost ignore the singers, concentrating on the orchestra. If anything, this recording errs in the other direction, almost ignoring the orchestra, while highlighting the chorus and the astoundingly good quartet instead. (I heard Moser at The Bayerische Staatsoper in 1976, where she absolutely stopped the show.) Bernstein really gets it right, here. I may like this Missa even better than the 1966 von Karajan recording.
Love Debussy solo Piano works. Didnt know Bavouzet was starting a cycle. I have several of the discs in his Haydn cycle
Not only did he start a Debussy solo piano cycle, he completed it in 2012. Very well recorded and reasonably economical; $51and change on Amazon for 5 discs.Love Debussy solo Piano works. Didnt know Bavouzet was starting a cycle. I have several of the discs in his Haydn cycle
It is the Ansermet recording, it seems. It is interesting and remains one of the few good versions of this work. Carlos Kleiber's radio recording with the SDR in Stuttgart in 1972 is also worth knowing. Kleiber plays the card of continuity of melody and lightness which makes his interpretation very singing. Russian versions often have very different interpretive options with much more choppy or sequential phrasing that can seem heavy.Alexander Borodin - Symphony No. 2
I also have these cds. Indeed, it is a very well balanced and realized interpretation that is worth the pleasure of discovering.I don’t know how these 2005-07 vintage recordings of F. X Richter Symphonies escaped my attention all these years but I’m sure glad they presented themselves a couple of days ago.
These luscious examples of the infancy (or toddlerhood, more accurately) of symphonic composition should be heard by anyone with the least amount of interest in this kind of thing.
Perfomances are excellent and the sound is very good except for the mistake of opting for a church acoustic which tends to obscure some of the finer details of Set 1, the earlier recording. Set 2, recorded two years later, is fine in every respect.
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