Back before internet times, I presume!I regret not buying an MC Pro when I had the chance. Now I’ll have to keep a close eye on the next batch from @Michael Fidler ! It feels like waiting in line for tickets to a sold-out concert.
Back before internet times, I presume!I regret not buying an MC Pro when I had the chance. Now I’ll have to keep a close eye on the next batch from @Michael Fidler ! It feels like waiting in line for tickets to a sold-out concert.
Seeing what MF did with the Spartan series, I’d bet the next version will be better than the first.same here...
Or at least more scale-able! I'll post a picture of the new board once it's up and running.Seeing what MF did with the Spartan series, I’d bet the next version will be better than the first.
I have nothing in the MC fight but I like that you are doing this.Or at least more scale-able! I'll post a picture of the new board once it's up and running.
It's going to take a fair few hours to do the layout justice. All the blocks in the schematic are done and dusted. 235 components on the board!I have nothing in the MC fight but I like that you are doing this.
Blimey! Will you be able to make a profit?It's going to take a fair few hours to do the layout justice. All the blocks in the schematic are done and dusted. 235 components on the board!
The original had 135, so almost a 75% increase in parts count, although no more incoming capacitor QC required. Hopefully, the smaller footprints of the 3216 caps and 0204 resistors will help fit it onto the same board size, so I can stick the prototype in the same enclosure.
If it can be automated, it should be OK. No time sifting through film caps matching them up!Blimey! Will you be able to make a profit?
The subsonic filter deals with cutting out tone-arm resonances/record warps/surface effects below 20Hz, while the LF XFEED function reduces stereo field noise below 100Hz or so. They both do different things: one operates outside the audio band, the other within it.I haven't read the entire twenty pages so maybe this was addressed, but what is the point of having two LF filtering approaches. It would seem one, or the other, would be sufficient?
"Super-bombproof"!!It's going to take a fair few hours to do the layout justice. All the blocks in the schematic are done and dusted. 235 components on the board!
The original had 135, so almost a 75% increase in parts count, although no more incoming capacitor QC required. Hopefully, the smaller footprints of the 3216 caps and 0204 resistors will help fit it onto the same board size, so I can stick the prototype in the same enclosure.
TVS + polyfuse on the input side, shunt diodes across first caps in the voltage-doubler "but how does my 24V AC Rega power adaptor SOUND with this unit". Usually I can "best of luck with your next choice" those guys before it comes to payment, but occasionally one will get through, or some predatory little reptile (almost always in the UK) will try and foist some dubious 'upgrade' upon them that results in destruction + it's still remotely possible to connect the wrong power adaptor by accident."Super-bombproof"!!![]()
The subsonic filter deals with cutting out tone-arm resonances/record warps/surface effects below 20Hz, while the LF XFEED function reduces stereo field noise below 100Hz or so. They both do different things: one operates outside the audio band, the other within it.
Full description here...Can you give an example of where there the LF XFEED helps, what sort of album or recording issue it addresses, that the subsonic doesn't?
I guess I'm not familiar with issues between 20 and 100Hz is what I'm saying.
Sadly it's virtually impossible to get custom connectors made that would be cost-efficient while precluding misconnection of dodgy PSUs.I recall when Panasonic and Sony (and everyone else) started making their adapters with proprietary tip sizes/configurations so users couldn't blow-up their gear any more.
Jeez. I even forgot that there's no grounding lug on Rega TTs and you have to (presumably?) use their pre-amps in order to ground the tonearm. Ridiculous!RE: Bombproofing...
Here's one that got Rega'd today! Sadly can happen even to the best of customers.
I wish! Then I'd be left alone... Regrettably, they hum equally well with all brands, depending on which power strip they're plugged into, the length of a piece of string, and which position the moon is in.Jeez. I even forgot that there's no grounding lug on Rega TTs and you have to (presumably?) use their pre-amps in order to ground the tonearm. Ridiculous!