DanielT
Master Contributor
I thought that class B based amplifiers advantage were a lot of power in combination with the disadvantage of high distortion. To solve the negative aspect class A design was integrated, creating the classic combination: Class AB amplifier.
BUT why bother with this AB combination if it can be solved in another way? Just add plenty of feedback and suddenly a class B amplifier, (Topping B100), with incredibly low distortion appears.
(note that what I mentioned above is as I understood it all. Correct me if I'm wrong).
How is it technically possible to create a class B amplifier with extremely low distortion? I warmly leave it to you more technically savvy to explain this. I think there are more people than me who are interested in this.
The class B amplifier I am referring to is Topping B100. Read about the test results here:
Here is a Wikipedia link for those who want to read about different amplifier classes:
BUT why bother with this AB combination if it can be solved in another way? Just add plenty of feedback and suddenly a class B amplifier, (Topping B100), with incredibly low distortion appears.
(note that what I mentioned above is as I understood it all. Correct me if I'm wrong).
How is it technically possible to create a class B amplifier with extremely low distortion? I warmly leave it to you more technically savvy to explain this. I think there are more people than me who are interested in this.
The class B amplifier I am referring to is Topping B100. Read about the test results here:
Topping B100 Amplifier Review
Not saying it’s what you mean, but to me that reads a bit like “can we only talk about the good things” Nah :) i just thought the power argument was done by now ...
audiosciencereview.com
Here is a Wikipedia link for those who want to read about different amplifier classes:
Power amplifier classes - Wikipedia
en.wikipedia.org