Welcome to ASR! I am FAR from an expert, and many people here are recording engineers, reviewers, and even speaker designers, but I will do my best, based on MY several years reading this forum. KEF speakers generally measure far better than Tritons, and are among the more neutral-measuring brands out there. The measurements I am referring to are 1) flat frequency response (meaning minimal deviation from the input signal) both on-axis (the listener is facing the speaker directly), and off-axis (the listener is off to one side - if you point speakers directly into the room (not pointing at the listener) and sit between them, you are listening to their off-axis performance), AND 2) uniform directivity: this means that across the frequency spectrum (excepting deep bass which is omnidirectional by default) the amount of direct and reflected sound reaching you ears remains constant, which preserves tonal accuracy. KEF are known to excel in both of these areas (along with a few other brands), while the Tritons are simply far less accurate. SO, the KEFs with a sub will meet all of those criteria better, especially with it coaxial driver set-up (tweeter in the center of the mid/bass driver creates a “point source” speaker where the sound is all radiating from a single point, as opposed to multiple points in conventional speaker layouts), means that everyone on your couch is hearing essentially the same thing.
HOWEVER, regarding the last item on your list - holography - having speakers close to the rear wall (with the exception of a few odd brands that design for this) will tend to flatten the soundstage - it can also impact the bass output of a speaker in a negative way (boomy sound instead of clean bass). While the LS50 doesn’t get too low in the bass - so the boominess issue may not be a concern; you might even like what it does to the bass in your room - you will still lose out on soundstage depth (again, this is true for almost ANY speaker you buy, including the Tritons). Also the higher you cross over your sub, the less bass will be coming from the KEFs. I have the active LS50Wii, which have built-in amps and streaming, and the ability to tell the system how close to the wall they are. They are, of course, much more expensive than the regular LS50, and you will still need a sub (or several!) for movies. I have 2 KC62 subs, which get the job done in my space, but would be too small for larger rooms. Hope this helps!
As the owner of both brands, I would never detract from the KEFs, but I also would not undersell the measurements of the Tritons. The OP is looking at two excellent choices.
Here are the NRC measurements for both the KEF LS50 Meta and the Triton Three+. You can see both are flat speakers, with different characteristics. The KEFs have an edge on controlled directivity across the listening window for sure, but the Tritons are also a seriously performing speaker, and they add integrated bass for music listening, which many of us appreciate accomplishing without sub(s).
Triton Three+ (NRC measurements): https://www.soundstagenetwork.com/i...n-three-plus-loudspeakers&catid=77&Itemid=153
KEF LS50 Meta (NRC measurements): https://www.soundstagenetwork.com/i...ef-ls50-meta-loudspeakers&catid=77&Itemid=153
Triton Three
Frequency response and sensitivity
Sensitivity: 87.4dB (averaged 300Hz-3kHz on Listening Window, 2.83V/1m)
Chart A: 20Hz - 20kHz (measured @ 2m, plotted @ 1m)
Top curve: on-axis response
Middle curve: 15 degrees off-axis response
Bottom curve: 30 degrees off-axis response
Chart B: 20Hz - 20kHz (measured @ 2m, plotted @ 1m)
Top curve: 45 degrees off-axis response
Middle curve: 60 degrees off-axis response
Bottom curve: 75 degrees off-axis response
Listening window
20Hz - 20kHz (measured @ 2m, plotted @ 1m)
Response curve is an average of five measurements: on-axis, 15 degrees left and right off-axis, 15 degrees up and down off-axis
Total harmonic distortion + noise
Chart A: @ 90dB, 50Hz - 10kHz (measured @ 2m)
Top curve: frequency response @ 90dB SPL
Bottom curve: THD+N @ 90dB (50Hz - 10kHz)
Deviation from linearity
Chart A: Difference @ 90dB from 70dB, 50Hz - 20kHz (measured @ 2m)
KEF LS50 Meta
Frequency response and sensitivity
Sensitivity: 83.2dB (averaged 300Hz-3kHz on Listening Window, 2.83V/1m)
Chart A: 20Hz - 20kHz (measured @ 2m, plotted @ 1m)
Top curve: on-axis response
Middle curve: 15 degrees off-axis response
Bottom curve: 30 degrees off-axis response
Chart B: 20Hz - 20kHz (measured @ 2m, plotted @ 1m)
Top curve: 45 degrees off-axis response
Middle curve: 60 degrees off-axis response
Bottom curve: 75 degrees off-axis response
Listening window
20Hz - 20kHz (measured @ 2m, plotted @ 1m)
Response curve is an average of five measurements: on-axis, 15 degrees left and right off-axis, 15 degrees up and down off-axis
Total harmonic distortion + noise
Chart A: @ 90dB, 50Hz - 10kHz (measured @ 2m)
Top curve: frequency response @ 90dB SPL
Bottom curve: THD+N @ 90dB (50Hz - 10kHz)
Deviation from linearity
Chart A: Difference @ 90dB from 70dB, 50Hz - 20kHz (measured @ 2m)