• Welcome to ASR. There are many reviews of audio hardware and expert members to help answer your questions. Click here to have your audio equipment measured for free!

Capitol Audio Fest - CAF 2024 Nov 8-10th - thread for reviews, observations, meet-ups, favorite rooms

cavedriver

Addicted to Fun and Learning
Joined
Jul 10, 2020
Messages
923
Likes
1,129
Location
Maryland, USA
The Capitol Audio Fest show in DC is just around the corner. It's getting to be a fairly large show. I'm always interested in hearing what people here in ASR are thinking of the different systems and speakers they hear at the show. Personally I plan to attend all day Friday because it's busier on Sat/Sun and waiting for a chair or having no chance of choosing a song is not ideal.

 
I will be at the show again this year — room 308 which I am sharing with Philharmonic Audio.

Personally I plan to attend all day Friday because it's busier on Sat/Sun and waiting for a chair or having no chance of choosing a song is not ideal.
I agree, Saturday is typically the busiest day at these shows, if Sunday is going slow exhibitors will start to pack up early.
 
The Capitol Audio Fest show in DC is just around the corner. It's getting to be a fairly large show. I'm always interested in hearing what people here in ASR are thinking of the different systems and speakers they hear at the show. Personally I plan to attend all day Friday because it's busier on Sat/Sun and waiting for a chair or having no chance of choosing a song is not ideal.

Hopefully I can make it early afternoon on Friday. I’ve missed it the last few years
 
I should get there tomorrow 11ish. Philharmonic is always a must-see. I’d really like to hear the D&D 8Cs and this is the one show where they don’t ever get exhibited. Hopefully someone will correct me if I’m wrong
 
just bought my ticket, was going to be there from the opening tomorrow to get in a bunch of rooms in the morning but now I have a meeting in the morning so I'll come when that finishes around 10:30.
 
I made it for about 2.5 hours today. Haven’t made it in a few years but seems there isn’t much new in terms of loudspeaker vendors. Hotel rooms are tough. The speakers that I listened to that didn't sound wrong to me today were the Von Schweikerts, Vivid Giya 3s, little Cheskys, Harbeth bookshelves with cylindrical subwoofer stands. My favorite show speakers are still the Philarmonic BMR towers; they sound great to me. I heard the BMR HTs today (dual Purifis) but they just didn’t do it for me today. Think the regular BMR monitors sounded better than the HTs as well. There were a number I heard that I couldn’t tell much based on the music choices.
IMG_1299.jpeg
 

Attachments

  • IMG_1298.jpeg
    IMG_1298.jpeg
    359 KB · Views: 88
  • IMG_1297.jpeg
    IMG_1297.jpeg
    282.6 KB · Views: 90
  • IMG_1296.jpeg
    IMG_1296.jpeg
    179.4 KB · Views: 89
  • IMG_1295.jpeg
    IMG_1295.jpeg
    279.3 KB · Views: 105
  • IMG_1290.jpeg
    IMG_1290.jpeg
    286 KB · Views: 94
  • IMG_1294.jpeg
    IMG_1294.jpeg
    418.7 KB · Views: 108
I made it for about 2.5 hours today. Haven’t made it in a few years but seems there isn’t much new in terms of loudspeaker vendors. Hotel rooms are tough. The speakers that I listened to that didn't sound wrong to me today were the Von Schweikerts, Vivid Giya 3s, little Cheskys, Harbeth bookshelves with cylindrical subwoofer stands. My favorite show speakers are still the Philarmonic BMR towers; they sound great to me. I heard the BMR HTs today (dual Purifis) but they just didn’t do it for me today. Think the regular BMR monitors sounded better than the HTs as well. There were a number I heard that I couldn’t tell much based on the music choices.
I also made it, heard a bunch, didn't get to a few others. I would agree that a bunch of speakers and vendors were disappointingly absent. Devore rarely attends, but this year Mofi also didn't attend and I wanted to hear the 888's. Here's a quick rundown fwiw:
-I did hear the new SVS's and boy are they bass monsters, jeez, but not speakers I would want to own for all music.
-I heard some smaller Vivid Giya's (the green ones that were either G3's or G4's). I thought they sounded both bright and harsh. Star Wars' opening theme should be joyous when cranked and even I, the requester, wanted to leave the room.
-I would agree the Harbeth's sounded good, but so did the Martin's and the Fisher&Fisher's that were similar in size and price but on a different floor I think.
-Since I have listened to Dennis's speakers extensively I only stopped in to say hi to him. Same for the Von Schweikert's. I've listened to their E-3 SE's extensively and I love them, but the new VE-30's I mostly skipped (out of my price range).
-I just had to stop and listen to the GIANT Sound Lab electrostatics despite their price. Holy crap they were huge, at least 9 feet tall and 3 feet wide, and had a big sound to match, but happily the sound was not smeared across the plane and had a surprisingly coherent, if not price-justifying, soundstage.
-I also had to stop and listen to the Stenheims for a bit ($73k iirc). They were very good.
-The Bacch room was cool- his demo with Pink Floyd's Time is great and really demonstrates what his technology does. Not sure it's the best way to listen to many types of music but want to hear it more. I screwed up and missed listening to the Linkwitz system again. Really need to hear them.
-I tried to give horn systems fair time but after 3 rooms of horribly narrow soundstages I gave up and skipped the rest.
-I wandered in and out of a bunch of rooms that either sounded lousy right away, or were obviously out of my price range, or had speaker topologies that were completely uninteresting to me such as the Acora standmounts and so on.
-wandering into the Matterhorn room with the Kroma Ateliers I was reminded of how "big" and room filling a speaker with larger drivers and plenty of dynamic range can sound in a large room. totally outside my budget.
-There was a new speaker company called Innovo with their first product- a 3 way fully powered tower at around $40k. I had sympathy for their inexperience and liked the tight fast bass from the eight side-firing woofers, but they were a little harsh and didn't image with the best.
-I heard some new huge high-efficiency Altec Lansing's. They are apparently very new because there is nothing on the Altec web page yet, they had no product literature, and I didn't get a model name. All I know is they were a positively huge box with a ~15" vented woofer, a dome mid, and a planar tweeter, and they had an efficiency of around 96 dB. They were being driven with a pair of 300B ~10 wpc tube monoblocks. I loaded up their VU meters with Immigrant Song and the tubes managed to power the speakers to quite high volumes with balanced bass. Not sure I like the dispersion pattern on the tweeter/mid combo- they are offset like on the Super Denton.
-I got to hear the Dan Clark $5,000 Expanse and Stealth headphones that Amir raved about and I have to say I'm checking under the couch cushions for spare change. Damn they sound good.
 
Thanks for the write-ups. Couldn't break out of work today to get up there, and tomorrow is looking iffy.
 
I heard some new huge high-efficiency Altec Lansing's. They are apparently very new because there is nothing on the Altec web page yet, they had no product literature,
The ones in that dark room? Those were huge! Another one where it was tough to assess with the too small room and the big width between them. Kind of liked them which is the best I could say
 
The ones in that dark room? Those were huge! Another one where it was tough to assess with the too small room and the big width between them. Kind of liked them which is the best I could say
yeah I had about the same feeling. the best seat was the one in the back row against the wall and even then the best thing I could say about the soundstage was that it was pleasantly wide enough to get away with the too-wide spacing, but couldn't really judge the limits of the speaker. I would have needed more time with them in a better setting to seriously judge them, but they had potential, especially for 300B users where I already know I don't want Klipsch's or Zu's or some of the other high-sensitivity tube-friendly speakers that often measure poorly or have other significant compromises.
 
it's reassuring that no matter how many years I go to this show, the Philharmonic BMR Monitors are my highlight
 
Sound and Vision just put out a show report. I have to add that when I listened to the $6k Audeze headphones, it was almost impossible to judge them with their sales rep yelling/talking to someone the whole time at their table, but the Dan Clark's did sound a bit better from what I could tell. Also, blown away that the Vivid room was running over $160k in components and yet when I requested one of my test tracks I was so disappointed that even I was embarrassed by how bad those speakers sounded. Thinking back on it, I think it was the main opening theme to Star Wars. On good speakers you should want to turn it up, but on the Vivids it was harsh and unpleasant and I almost asked the rep to turn it down. At the time I noted the metal domes but I really don't know what was wrong with that system. 800 watts claimed power handling on the G3's and >40dB noise floor on the larger G2's in NRC's testing at 95 dB so by the numbers I really should be able to hear breakup or harshness in those tweeters, but it was unmistakably bad. I suppose there's a small chance that room reflections from that small room were ruining it. As you can see from the edge of the photo I think they had draped some packing cloth over the artwork on the walls. If I did shows I would definitely bring my own wideband 1" and 2" sound absorbing panels for those tiny rooms.

 
Back
Top Bottom