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Canton speakers.

They look real classy i think. A bit like the Yamaha NS-3000:
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I think in the lower end of their stuff i would agree. No experience with their better offerings.
imo their mid end stuff (veNTOS) measure better than the 'refernce' line!! LOL! Apart from the glossy finish those two speakers have nothing in common by the way! and there are tones of glossy speakers on the market. I like the look and built of the cantons but performance subjectively is liked by many , objectively is not the best.
 
I bought a pair of Canton 9K reference off Audiogon over a year ago, they are powered by my technics SUG700 integrated amp 75watts Great looking and sounding amp built like tank but Technics absolutely sucks at consumer support I mean terrible. But I digress, Wow great detailed sound with all the attributes of a stand-mounted speaker coming forth at a high level plus a surprisingly powerful tight bass. Then I bought a Schiit's Loki equalizer and I was stunned it took those Cantons to another level of performance. I guess what I'm saying is these speakers are only limited by the electronics used to drive them. I heard them compared to their peers from B&W, Revel, Focal great speakers in their own right and they were by far to my ears the most pleasing to listen. If you can buy used jump at the deal. oh and parts quality in the crossover and outward appearance in piano black are top shelf.
PARTS QUALITY doesnt equate to sound quality. Reference 9k has the nasty midband distortion like all cantons with K drivers.
 
Do you have measurements that show it?
Yes. Please buy tests of Any Canton speaker with Ceramic drivers from websites like Audio.de or Stereoplay.de Check out the distortion graphs at the 2khz to 4khz region. You can see that when you hit 105db loudness the distortion on all those speakers are around 3 percent which is audible. With a music signal with 10 db dynamics, at 95db its clearly audible as 10 db more is 105 db. Check out the discussion of reference 7k here in this forum. For comparison the LS50 Meta which is a tiny bookshelf has it at 0.1 percent at this loudnes!!!

This is one example from SE40K which is a typical Canton with Ceramic Driver. You can pay for any models review and see the same problem with every one of them:
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I have the Canton Vento Reference 9.2 DC bookshelf speakers. They don't show any sign of audible distortion at normal listening levels or higher volumes than I care to listen to. They definitely have the ability to get you moving and dynamics are great. I prefer the BMR Monitor to the Canton Vento Reference 9.2 DC now but it wasn't until I experienced the BMR Monitors for a month that I changed my preference.
 
I have the Canton Vento Reference 9.2 DC bookshelf speakers. They don't show any sign of audible distortion at normal listening levels or higher volumes than I care to listen to. They definitely have the ability to get you moving and dynamics are great. I prefer the BMR Monitor to the Canton Vento Reference 9.2 DC now but it wasn't until I experienced the BMR Monitors for a month that I changed my preference.
9.2 doesnt have ceramic drivers. I issue is only there with speakers with Ceramic Drivers. Vento and older Ref series are just fine.
 
9.2 doesnt have ceramic drivers. I issue is only there with speakers with Ceramic Drivers. Vento and older Ref series are just fine.
The 9.2 has also increased distortion at the mids at the Audio/Stereoplay 100 dB measurement https://www.testberichte.de/a/lautsprecher/magazin/audio-12-2009/185612.html but as said the question is how much this is audible, especially at normal listening levels and considering the rather closer to pink noise spectrum of most music.
 
The 9.2 has also increased distortion at the mids at the Audio/Stereoplay 100 dB measurement https://www.testberichte.de/a/lautsprecher/magazin/audio-12-2009/185612.html but as said the question is how much this is audible, especially at normal listening levels and considering the rather closer to pink noise spectrum of most music.
These are words from jackocleebrown in another thread:
"I presume you're talking about the LS50 META? The speaker sensitivity is about 85dB SPL/2.83V/1m. To achieve 96dB SPL/1m average you need 10Vrms, which is 25.6W average into 3.9Ohms. I must say though that 96dB average SPL is rather a high replay level. The peaks in music will be at least 9dB higher than the average level, so you'd be hitting peak SPLs of ~105dB/1m and you would be at the clipping point of a 100W/4Ohm amp."


The context is different. But the part in bold is the exact same scenario with music. So, even at 96db canton can hit the 3% mark. If you try out 3 % distortion in this band with music its audible as something like a thin film of plastic put on your mouth while talking!
 
If you try out 3 % distortion in this band with music its audible as something like a thin film of plastic put on your mouth while talking!
What kind of harmonic distortion (2nd, 3rd? order) and do you have some files to demonstrate it? I just added out of curiosity 3% full band(!) 2nd harmonic distortion to a music track and it doesn't sound at all like you say, even 3% 3rd doesn't although it should be more easily detectable in an ABX test.
 
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Seems like Canton is busy ignoring this problem and keeps continuing with the same drivers over and over again!! :facepalm::facepalm: https://www.canton.de/de/produkte/online-exklusiv/a-65.

The A45 was Anniversary 45 which came out as a celebration model of their 45 years in 2017! The naming is funny now as the new one 65! Ceramic midbass = pass for me again!
The current Audio issue has measured it and the upper mid THD bump reaches around 1% at 95 dB and around 2% at 100 dB, no comment on it from me as I don't want to discuss it all over again. By the way since some years also a A55 model exists.
 
I Bought a pair of Canton Reference 9 k in piano black on audiogon with stands for just under two grand. The built quality is superb the internal parts and wiring looks top shelf just as they state. I use them with a Technics SUG 700 integrated amp and Marantz CD. the imaging is outstanding and the detail as well so much inner detail woo. They are not forward rather the sound seems to begin at the speaker and go back. The sound stage is limited to the distance between the speakers. They have a very limited off-axis response I mean limited to the seating position plus a few inches either way, I do have them toed in as I listen nearfield.speakers 7 ft apart I'm sitting 8 ft from them they are two ft. from front wall . 6 from the sides. The soundstage is also limited in its height.
My prior setup was Adcom amp, preamp and cd player driving Snell 2c mark 2 speakers( those speakers were to big for my room but man they could shake the walls with Respighi's Pines of Rome. the snells bass was superior as was their dynamic range everything else was no contest the Cantons were in a different class. Now my digital amp was not as full-bodied as the class b amp from Adcom.
The canton's really shine with small groups jazz, rock, vocals and for stand-mounted I was surprised at how deep and articulate they play, seriously. I still bought an SVS SB 1000 plus and frankly it does not add much.
The cantons disappear when playing music. As you can surmise my system is not warm total SS. I would like to hear them with tubes someday. I can say this I went to a local dealer and listened to B&W, Focal, Paradigm, and two others Warfdale? I forgot but the Cantons for my ears were tops both in sound and bracing the knock test on the Cantons was like knocking on a brick. Though I'm not sure the speakers I was listening to were in the same price range as the Cantons as I do not recall model numbers. I remember the B&W was a 700 something nice looking with that tweeter outside the box that caught my eye, they sounded brighter. thats about it.
 
The current Audio issue has measured it and the upper mid THD bump reaches around 1% at 95 dB and around 2% at 100 dB, no comment on it from me as I don't want to discuss it all over again. By the way since some years also a A55 model exists.
I am aware of the A55, but Canton marketed A45 as a celebration model! Then they forgot about it and made a A55! and now a 65! Infact there is a hidden model SE40K which is exclusive to a store, with one less Ceramic woofer! https://www.hifi-schluderbacher.de/de/product/canton-se-40-k-auspackware-schwarz-hochglanz-27659/. Think we wont see it in the stores. Hope they fix it this year with their 50 anniversary model atleast.
 
The current Audio issue has measured it and the upper mid THD bump reaches around 1% at 95 dB and around 2% at 100 dB, no comment on it from me as I don't want to discuss it all over again. By the way since some years also a A55 model exists.
2% at a frequency range where its easily audible was the problem. with bass 2 percent isnt audible.
 
2% at a frequency range where its easily audible was the problem. with bass 2 percent isnt audible.
2% at 100 dB and about the audibility we had above a discussion which I won't repeat.
 
May be true, but generally now Canton is bad with upper mid distortion. Its there on their every modern speakers with Ceramic drivers, which is a shame that their own aluminum cone models performed superior. For the money there are tones of non flawed options.
I'm 75 my ears do not pick up any distortion but then again I'm 75. Yes no doubt there are better speakers but the availability of them, the effort put forth finding and auditioning them, their cost, their look including WAF. Here is a popular highly positive reviewed speaker Harbeth P3ESR for around 3 grand sorry to say ugly all those screws staring at you in a common-looking box. I'll take the Canton's high mid distortion. And who said distortion is bad look at all those tube guys they buy nothing but distortion, to each his own.

 
I'm 75 my ears do not pick up any distortion but then again I'm 75. Yes no doubt there are better speakers but the availability of them, the effort put forth finding and auditioning them, their cost, their look including WAF. Here is a popular highly positive reviewed speaker Harbeth P3ESR for around 3 grand sorry to say ugly all those screws staring at you in a common-looking box. I'll take the Canton's high mid distortion. And who said distortion is bad look at all those tube guys they buy nothing but distortion, to each his own.

if your take is a mediocre performing speakers with good looks, well Canton is a good option. I admire their design too. Looks super cool. But unfortunately for me when it comes to a speaker sound is the prime thing then comes look. So happy with my KEF R11 although it look ugly in my opinion.
 
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I had (still have) a pair of quite old “Fonum 200” 3way bookshelves, but one tweeter dead. The mid and tweeters measure very well. I might be able to repair the tweeter.
 
if your take is a mediocre performing speakers with good looks, well Canton is a good option. I admire their design too. Looks super cool. But unfortunately for me when it comes to a speaker sound is the prime thing then comes look. So happy with my KEF R11 although it look ugly in my opinion.
They have to look good to sound good and mine sound and look marvelous. My take is to buy local top-quality used, and save thousands lol.
The KEF R 11 are fine speakers not so ugly they look like all the other multi-driver designed boxes and cost 3 times as much as my 9K Cantons with subs.
Show me the research supporting your view that the 9k sound bad not in my house? I listen nearfield 7' ft apart- and 7' from me. Canton corp. controls all the means of production so everything is done in-house which is a big deal. A final word from me Nobody bats 100% there are poor performers in each brand KEF included.
As an aside I wanted to know the best crossover setting for my SVS subs and emailed Canton in Germany and got a response the next day and welcomed any other questions I might have.
You might want to read this if you think they are just mediocre sounding.
https://stereo-magazine.com/archive/articles/2016/4/cantons-k-question-66507
 
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