How this works with subwoofers? So if we have a sub connected to subwoofer out?Here's how it's implemented in RME DACs:
View attachment 342064
I'm not sure whether this is the same on older amps with a loudness button, or whether this digital implementation is more sophisticated, but you can see that the level of boost varies according to the level of attenuation. In addition, the bass boost is below 200Hz and the treble boost above 1kHz. Where those points are with your bass and treble controls might be quite different.
so is a cheap mans man loundness control button. I think listening to music at low volumes when family is sleeping is very importantYes, in principle, you can emulate the function of the Loudness control with the bass and the treble controls. However - a well implemented Loudness will boost with shelving filters at particular frequencies - 70 Hz for the low, 3500 for the high in the case of the CamillaDSP implementation - and will apply gain to those shelves proportionate to the overall volume. Which is to say - very quiet volume, lots of loudness boost. Turn up the overall volume, and the shelves shouldn't be quite as heavily boosted. When the overall volume gets to a nominal "loud enough" baseline - 83 dB or so - the filter stops applying boost entirely.
Therefore, there are two problems with using bass & treble controls - One, the shelving frequencies chosen by the manufacturer for the tone controls may not align well with the desired loudness shelves. Second, adjusting the correct amount of T&B boost as a function of overall volume would be finicky and virtually impossible to duplicate consistently day after day, short of building yourself a chart and painting calibration marks on your knobs.
some REW measurements can show the "truth" then? One can remember where to put bass and treble dials to have this loudness effect thenYes, in principle, you can emulate the function of the Loudness control with the bass and the treble controls. However - a well implemented Loudness will boost with shelving filters at particular frequencies - 70 Hz for the low, 3500 for the high in the case of the CamillaDSP implementation - and will apply gain to those shelves proportionate to the overall volume. Which is to say - very quiet volume, lots of loudness boost. Turn up the overall volume, and the shelves shouldn't be quite as heavily boosted. When the overall volume gets to a nominal "loud enough" baseline - 83 dB or so - the filter stops applying boost entirely.
Therefore, there are two problems with using bass & treble controls - One, the shelving frequencies chosen by the manufacturer for the tone controls may not align well with the desired loudness shelves. Second, adjusting the correct amount of T&B boost as a function of overall volume would be finicky and virtually impossible to duplicate consistently day after day, short of building yourself a chart and painting calibration marks on your knobs.
HiHere's how it's implemented in RME DACs:
View attachment 342064
I'm not sure whether this is the same on older amps with a loudness button, or whether this digital implementation is more sophisticated, but you can see that the level of boost varies according to the level of attenuation. In addition, the bass boost is below 200Hz and the treble boost above 1kHz. Where those points are with your bass and treble controls might be quite different.
It doesn't (to my better knowledge on most devices that are primarily stereo, don't know about RME multichannel interfaces or Denon AVR's). You need software implementation and multichannel interface/sound card or DSP for distribution. EQ-APO and JRiver have ISO 226 2003 loudness implemented.How this works with subwoofers? So if we have a sub connected to subwoofer out?
On the RME, you can also adjust some of the parameters of the loudness function - within limits.I resisted for a long time, but the RME is on my to-buy-soon list.
It's designed for speakers at low volume, when listening to headphones or IEM, you're not likely to disturb anyone else, so you don't need to listen at low volume, surely?Strangely, listening though headphones or IEM , I don't feel the need for loudness compensation...
No it's for full range FR but doesn't translate to line out/sub out on most stereo implementations up to date. So you have to do it elsewhere and that it does to full FR in any configuration that is more than 2.0 stereo.Ok so loundness is more for 2.0 systems, for 2.1 and 2.2 will lead to weird results....
Depends how your 2.1 or 2.2 system is implemented.Ok so loundness is more for 2.0 systems, for 2.1 and 2.2 will lead to weird results....
so two subs connected via a splitter to the sub out of the amplifierDepends how your 2.1 or 2.2 system is implemented.
it was also for me almost to understand the "theory" so the basic dials are the bass and treble control and on top of those you build the loudness one (of course with some modifications)A ten band graphic equalizer is an easy way to build your own loudness control. A little more flexible than just using bass and treble controls. But yeah, you can do what you like at low volume with the bass and treble controls and see what you think.
You've not described your system yet, and it depends on the details. If the loudness and volume control happens before the amp input then it should be fine. If the loudness happens before the amp, but you use the amp's volume control then you need to adjust both to get something that sounds right. If your amp has pre-outs that loop back to the power stage you could use these for the loudness, but depending on where the sub out is connected you might need a 2-channel or 3-channel device to do process loudness.so two subs connected via a splitter to the sub out of the amplifier