ocinn
Senior Member
lossless in analog means live, acoustic/non-amplified performanceI am not sure the word lossless as it is usually used in the digital world can even be applied to analog. What would lossless (or lossy) mean for analog?
lossless in analog means live, acoustic/non-amplified performanceI am not sure the word lossless as it is usually used in the digital world can even be applied to analog. What would lossless (or lossy) mean for analog?
Care to listen to the samples I posted on a regular stereo? My opinions on this matter have been made explicitly clear in recent pages so I am not arguing any position here. I'm sincerely interested in your thoughts.I indulged in some musical nostalgia in purchasing an album I used to spin a lot when I was young and in to jazz/fusion stuff: Lee Ritenour - The Captain's Journey
The LP, bought through discogs, arrived this week and I gave it a listen last night. A bit of noise at the beginning lead in, but once music started background record noise didn't seem there at all for the most part. It didn't have a lot of low end on some tracks, but was overall very vivid, spacious, palpable and alive sounding.
Afterwards out of curiosity I found the album on Tidal and listened again to lots of the tracks, streamed from my DAC. It sounded a bit smoother on digital, whereas the vinyl was a little more "crunchy on top." The digital was a bit more timbrally nuanced, with occasionally the sense of slightly deeper bass. I could totally see someone preferring the digital. But for me after a while I kept hearing things and thinking "I could have sworn this sounded better - in the sense of more "there" and alive - in my previous listening session. I put on the vinyl and went back and forth and, yup, the vinyl just sounded to me slightly more "real" and "there." The drums and percussion especially. When the fusion drummer was working riffs around his toms, on the digital the timbre of each drum was a teeny bit more distinct, but laid back in the mix. Whereas on the vinyl, the drums sounded more vivid, solid and "there," more real in that sense - they just popped out of the mix with a real sense of "happening now" presence that made the digital sound a little dull and asleep in comparison. Given that trade off, I preferred the vinyl.
These experiences, in my perception, happen often enough that they form part of the motivation for my personal "vinyl renaissance."
"Come at me bro."
Care to listen to the samples I posted on a regular stereo? My opinions on this matter have been made explicitly clear in recent pages so I am not arguing any position here. I'm sincerely interested in your thoughts.
Can anyone explain the vinyl renaissance?
Please can you explain? They are referring to the increased dynamic range on the vinyl version versus digital, due to the digital version being subjected to dynamic compression.audiosciencereview.com
(I know I am copying and pasting, .)
True for a poorly set up or performing TT setup.And it doesn't of course - for well understood reasons. It would take a lot of willing suspension of disbelief to get accustomed to the sound of vinyl.
Is there a method of sharing audio that you know works for you?I appreciate that you did the work of recording/uploading the files. However, they won't play in any of my browsers and I'm very cautious about downloading any files on the interwebs (even though I'm on a mac), so prefer not to go that route.
I just did a search. Zero articles stating vinyl is superior to digital. But admittedly it was only a few minutes. There are many articles discussing the merits of vinyl. Of course i didn't reach the end of the Internet nor will I try. It's all subjective and objective. You are trying to make a case for something that's not there. I agree there's lots of fake claims out there. But I have never found a credible source saying vinyl is a superior platform. And again it's that person's ear not yours.There have actually been many articles in both the audiophile and mainstream press touting the superiority of vinyl over digital (a quick Google search will surface plenty). Those that I’ve read are not based in science and are mostly marketing fluff pieces to take advantage of the resurgence of vinyl, which to me is annoying in the same way that cable and other snake oil claims are annoying.
I just uploaded them as .wav files and they stream on the browser for me.
I couldn’t actually care less if someone does or doesn’t like vinyl. Last I checked we’re all just wasting time here chatting about nothing of significance. Speaking of making up a problem that doesn’t exist…I just did a search. Zero articles stating vinyl is superior to digital. Of course i didn't reach the end of the Internet nor will I try. It's all subjective and objective. You are trying to make a case for something that's not there.
Make up a problem. Try to convince others there's a problem. Offer advice or a solution for a problem that doesn't exist. Look smart.. And it really doesn't matter. If someone does - and I haven't seen anyone making that statement, believe vinyl is superior who cares? I'm sure if one digs deep enough you can find one but really who cares? Who cares what Google or the Internet says? I can find opinions to support any claim. As well as fabricate them.
Why does it bother you so? Why do you care about a resurgence in vinyl? Did some dude with a turntable steal your significant other? I and likely others don't understand this opinionated obsession you (and others) have to purge the non existing belief that there's some kind of digital blasphemy being purportrated by the vinyl crowd.
We're all audio lovers here. Let it go.
It would be helpful to know a little more than that. Is it clear what is vinyl? If so, how can you tell? Is it at all close? (Beyond clicks and pops.) The sort of stuff you describe of your own music. Can you use any of the descriptors you used above? Is it euphonic? It's not the same set-up, I know, but we are trying to have a thread about a particular medium. It shouldn't be a free for all or else there is no reason for all of this in this forum of all places. Then all one can say is that they like their random set-ups, and can't speak about this medium really. Surely there is something that is shared by listeners of vinyl. What is medium specific to the best of our ability to say? It's hard to be the first to say something here but you've never had a hard time with subjective reviews. Think of it as that.
If nothing else, it's a good way for people to begin to understand how we each experience this particular music and can compare and adjust our descriptions. If you have the means you can even record the album you were just discussing. A lot of us have access to the same streaming version and can compare. There has to be a point where we actually try to come to some sort of shared understanding. What good are random anecdotes one way and a list of theoretical limits from people that haven't heard a record in 20 years the other way?
When you can try it on your real system. I'm not egging you on, it would be good to have an opinion as to whether someone thinks it still sounds very close on it. What happens if you do, which is possible and entirely in your rights? Then someone interested has the opportunity to listen to it and compare instead of going by a random post that says you have to suspend your disbelief. They may disagree, but they have a better basis to understand you. I promise I'll provide my opinions later but as the poster I feel I should wait.I only listened on my desktop. I didn't find a major sonic difference. If pressed, I'd guess that the Pasio2 file was the digital and Pasio3 was vinyl, as the 2 seemed to have a bit more of what I hear from digital - seems just a tad tighter and cleaner sounding. But at least on my desktop it's really, really close.
Exactly! I don’t get it either. A is thread opened by someone clearly bemused by the sales revival, and others share their bemusement too. Nothing to get heartburn over.As I've sort of said before, I don't get the heartburn over some resurgence of vinyl. Who the hell does it hurt?
Like many I started with LPs as that was the only choice for most. Records from my childhood to my mid-30s when CDs came around. Even then I still played some LPs. I didn't want to invest the $$ for another decent TT, the space to display/use the LPs, or the time/inconvenience to play them. (My age is pretty easy to guess)
I sold my entire collection to a guy in Chicago sometime around 2010 or so via Audiogon's marketplace. I miss the cover art and notes but not anything else. I understand folks who had and still have a collection and play them.
You like LPs, good on 'ya. You don't? Same thing, good on 'ya. Leave those that like and enjoy them the heck alone.
When you can try it on your real system. I'm not egging you on, it would be good to have an opinion as to whether someone thinks it still sounds very close on it. What happens if you do, which is possible and entirely in your rights? Then someone interested has the opportunity to listen to it and compare instead of going by a random post that says you have to suspend your disbelief. They may disagree, but they have a better basis to understand you. I promise I'll provide my opinions later but as the poster I feel I should wait.
When you can try it on your real system. I'm not egging you on, it would be good to have an opinion as to whether someone thinks it still sounds very close on it. What happens if you do, which is possible and entirely in your rights? Then someone interested has the opportunity to listen to it and compare instead of going by a random post that says you have to suspend your disbelief. They may disagree, but they have a better basis to understand you. I promise I'll provide my opinions later but as the poster I feel I should wait.
I don't expect much response to try. These kinds of tests usually fail to get responses. Especially properly done cartridge comparisons. When push comes to shove most vinyl users refuse to even entertain the thought of popping their world view bubbles.You can create a poll with a blind vinyl test if you’d like. That might get more members to vote.
lossless in analog means live, acoustic/non-amplified performance
Always happy to make someone’s day! Like Dr Toole says in the quote, vinyl only sounds impressive once people achieve a level of self-desensitising great enough to filter out the audible badness.Thank you for this quote from Dr Toole. You made my day.
Technically and audibly.No one here is, or should, argue that Digital is not technically better, more practical and less expensive. It is obvious, or should be, to anyone. It is that fact that makes this thread so intriguing.
I have not seen anyone question anyone’s sanity. I have seen rationality questioned, because for many it is an emotional choice. I have seen people here try to claim emotion-based choices are rational too, but that is not consistent with the normal definition of rational: separating reason from emotion.With digital being so vastly superior, why have we witnessed, for the last 10 years, a steady vinyl revival? Are those people mad, as some here seem to believe? No, they are not, that is a simplistic, childish way to react .
The correct definition of “high end” is expensive, so yes, vinyl is definitely a “high end” medium.Some things are at play, this thread among all the noise, is probably the best place on the internet to have an adult exchange on trying to find out what the mechanism fueling this revival are.
Vinyl listening is a valid high end medium that provide musical listening pleasure to thousands of happy users around the globe, apparently, the numbers of those listeners is growing as part of the vinyl revival.
Please tell that to all the people here who want to make it all about how much and how often they like listening to vinyl! In fact, the more I talk to the actual topic of the thread, the more people start questioning out loud how much and how often I like listening to vinyl. Perhaps the thread has been hijacked?That you like listening to vinyl occasionally, like me, most of the time or none at all, has nothing to do with the subject of this thread.
"Can anyone explain the vinyl renaissance?"
I don't expect much response to try. These kinds of tests usually fail. Especially cartridge comparisons. When push comes to shove most vinyl users refuse to even entertain the thought of popping their world view bubbles.
I'm don't have anyone in mind in saying this, just speaking from experience. I'd rather interest come organically without pushing any agenda. However, it would be funny to call it "vinyl, is it really that bad (on your stereo)?"
I don't expect much response to try. These kinds of tests usually fail. Especially cartridge comparisons. When push comes to shove most vinyl users refuse to even entertain the thought of popping their world view bubbles.
I'm don't have anyone in mind in saying this, just speaking from experience. I'd rather interest come organically without pushing any agenda. However, it would be funny to call it "vinyl, is it really that bad (on your stereo)?"