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Can anyone explain the vinyl renaissance?

Real text sent to me by an acquaintance, enjoy:

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And it doesn't of course - for well understood reasons. It would take a lot of willing suspension of disbelief to get accustomed to the sound of vinyl.
Care to listen to the samples I posted on a regular stereo? My opinions on this matter have been made explicitly clear in recent pages so I am not arguing any position here. I'm sincerely interested in your thoughts.

 
And it doesn't of course - for well understood reasons. It would take a lot of willing suspension of disbelief to get accustomed to the sound of vinyl.
I think this very much depends on the music you listen to. I will occasionally listen to an LP on headphones. When the needle drops the surface noise is terrible! As soon as the music starts playing, I can't hear it, no matter how much I try to ignore the music and listen FOR the noise. Even at only 30-40 dB below signal, I just can't hear it, my brain tunes it out instantly. I also can't hear wow and flutter (my TT is apparently running about 0.025%) maybe if I listened to piano concertos both of those flaws would be apparent. I'm not even sure what to listen for in terms of hearing IGD. Nor do I notice high end fall off on inner tracks. I know all these things exist. I have no doubt they are audible to some people under some conditions, but I would love to learn more about the when and why of it. Maybe I'm lucky enough to have normal hearing (as tested) but my brain latches on to the music rather than the flaws. I don't know. Certainly some people seem to hear the flaws and it drives them nuts.

Anyway, it might be suspension of criticality, but it isn't willing. I honestly just can't hear most of the issues. The one thing I can hear is clicks and pops, so I remove those digitally in real time. I also use digitization since room corrections seems to make a much bigger difference than the gaps between digital and vinyl.
 
And it doesn't of course - for well understood reasons. It would take a lot of willing suspension of disbelief to get accustomed to the sound of vinyl.

Speaking for yourself, right? ;-)

My "tests" playing vinyl for guests doesn't support your thesis. It doesn't take any "willing suspension of disbelief" - the high quality sound coming from the speakers
strikes them immediately. And often they didn't know it was a record playing - because my source room is in a different room from the speakers so they don't see what medium I'm selecting. (And sometimes I turn down the volume at first so there isn't an obvious needle drop).
 
Oh my. A disservice to recorded music as an art form (I actually saw Gilels & Amadeus Qt live when I was young). Now, the may shout 'pure analog' 'til their face is blue, but there still is not any special purity in analog - only accumulating layers of noise, distortion, wow and flutter. If you have a historically important recording to preserve you release it on digital. Anything elese is cultural barbarism.
I don't care.
 
No, analog - vinyl, cassettes and tape are never lossless, never have been and never will be.
I am not sure the word lossless as it is usually used in the digital world can even be applied to analog. What would lossless (or lossy) mean for analog?
 
I am not sure the word lossless as it is usually used in the digital world can even be applied to analog. What would lossless (or lossy) mean for analog?
Analog vs digital, lossless vs lossy, smooth vs jagged. You know, those darned digital stair steps. ;)

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Fad, fashion, coolness, wrong-headed technical beliefs and various extra-musical passions surrounding the cult. There is also the mistaken idea that just because one prefers the sound of vinyl it must be better. None of these will make vinyl a 'valid high end medium'. That ended in 1983.
As it has been stated again and again there is no cult belief that vinyl is superior. Or that is superior for that fact.. Why you and others can't get that through your heads is sad. That nonsensical lie is only being spread by that "cult" that doesn't like vinyl don't get it and can't let it go. Stop making things up. Go back and reread Adam's (Moderator) comments.

Even in the days of vinyl I remember most preferring live music when available. Even then vinyl was surpassed by tape format. Hard to beat 15 in/sec.

Whine and criticize elsewhere. Maybe a digital thread? As Adam said this thread is for those that like vinyl. If you don't and just want to troll and criticize you have no business being here. Free country or not. Reread the title of this post. It's not "Is Vinyl Better Than Digital" Start your own Let's Rant about Digital thread. This is like a car conversation where those that drives trucks keep butting in saying trucks are better.

Can't we just get along? Sheesh.
 
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As Adam said this thread is for those that like vinyl. If you don't you have no business being here.
Yeah, I don't think that's how this works. I don't like vinyl, but I would like to learn and participate in the discussion. Is that all right with you?
 
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Yeah, I don't think that's how this works. I don't like vinyl, but I would like to learn and participate in the discussion. Is that alright with you?
Yeah. Sorry. As I said before it's this Hatfields vs McCoy's nonsense. Why some in the digital world are so thinned skinned is mind boggling. Some people like vinyl. What's all the shouting about? I haven't read a serious claim here or anywhere that vinyl is superior in sound reproduction. If they are then get your hearing fixed.

I can see some side of the vinyl being better argument after all those electronics are redrawing that sine wave and since it is not sampling it infinitely the record may win. But only on paper. And I have no curves to back that up. It's just a thought.
 
Analog vs digital, lossless vs lossy, smooth vs jagged. You know, those darned digital stair steps. ;)

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I do understand sampling theory and that there are no stair steps, but lossy refers to discarding “unneeded” information in order to reduce file size. Lossless is compression that can be reversed to be bit perfect to the original file. What would be the equivalent of a compression/decompression algorithm (lossless or lossy) in the analog realm?
 
I've started buying some of these new Deutsche Grammophon The Original Source LP releases. Basically 4 track master tapes downmixed to 2 track and cut in real time all analog. Intriguing.

Thank you very much for this great link! I will also have a look where I can buy these records :)
 
I do understand sampling theory and that there are no stair steps, but lossy refers to discarding “unneeded” information in order to reduce file size. Lossless is compression that can be reversed to be bit perfect to the original file. What would be the equivalent of a compression/decompression algorithm (lossless or lossy) in the analog realm?
It was a joke. Sorry I don’t have an answer for you. Just trying to bring a bit of levity to a discussion that feels far too antagonistic given the subject matter…
 
This is an interesting article that contains data about vinyl sales and demographics:


Interesting that 50% of buyers don't have a turn table. I see the stated reasons of owning the music, helping the artist etc.. so I guess they still listen on earbuds and phone?
 
Yeah. Sorry. As I said before it's this Hatfields vs McCoy's nonsense. Why some in the digital world are so thinned skinned is mind boggling. Some people like vinyl. What's all the shouting about? I haven't read a serious claim here or anywhere that vinyl is superior in sound reproduction. If they are then get your hearing fixed.

I can see some side of the vinyl being better argument after all those electronics are redrawing that sine wave and since it is not sampling it infinitely the record may win. But only on paper. And I have no curves to back that up. It's just a thought.
There have actually been many articles in both the audiophile and mainstream press touting the superiority of vinyl over digital (a quick Google search will surface plenty). Those that I’ve read are not based in science and are mostly marketing fluff pieces to take advantage of the resurgence of vinyl, which to me is annoying in the same way that cable and other snake oil claims are annoying.
 
I'm going to go cut the grass. It doesn't argue and say it's better than the flowers. I just have to figure out how to take my turntable with me. :D
 
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Interesting that 50% of buyers don't have a turn table. I see the stated reasons of owning the music, helping the artist etc.. so I guess they still listen on earbuds and phone?
Yeah, it’s hard to say. As Matt and others pointed out earlier in the thread, it’s impossible to know if in those cases the records were bought as gifts, they later bought turntables, etc., or if, in fact, they don’t spin the albums.
 
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I indulged in some musical nostalgia in purchasing an album I used to spin a lot when I was young and in to jazz/fusion stuff: Lee Ritenour - The Captain's Journey

The LP, bought through discogs, arrived this week and I gave it a listen last night. A bit of noise at the beginning lead in, but once music started background record noise didn't seem there at all for the most part. It didn't have a lot of low end on some tracks, but was overall very vivid, spacious, palpable and alive sounding.

Afterwards out of curiosity I found the album on Tidal and listened again to lots of the tracks, streamed from my DAC. It sounded a bit smoother on digital, whereas the vinyl was a little more "crunchy on top." The digital was a bit more timbrally nuanced, with occasionally the sense of slightly deeper bass. I could totally see someone preferring the digital. But for me after a while I kept hearing things and thinking "I could have sworn this sounded better - in the sense of more "there" and alive - in my previous listening session. I put on the vinyl and went back and forth and, yup, the vinyl just sounded to me slightly more "real" and "there." The drums and percussion especially. When the fusion drummer was working riffs around his toms, on the digital the timbre of each drum was a teeny bit more distinct, but laid back in the mix. Whereas on the vinyl, the drums sounded more vivid, solid and "there," more real in that sense - they just popped out of the mix with a real sense of "happening now" presence that made the digital sound a little dull and asleep in comparison. Given that trade off, I preferred the vinyl.

These experiences, in my perception, happen often enough that they form part of the motivation for my personal "vinyl renaissance."

"Come at me bro." :D
 
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