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Can anyone explain the vinyl renaissance?

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eg for how many flippin' decades did we read reviews of CD players where "more analog sounding" was the highest praise? What do you think that sets up in the readers' minds about the sound quality of vinyl?
Right on point!
And also what is the driving story behind what has gone on at the bibles of snake-oil idiocy, Stereophile and TAS ???
Making analog their holy grail leaves them now stuck in a position of what to do with the real boom in High Fidelity audio today, multich and Atmos?
At Stereophile, first Atkinson ran off J Gordon Holt for attempting to push the superior immersion presentation of quad. More recently they trash canned Kal Rubinson "In The Round" column.
At TAS, they were falling behind in advertising income so they stole the "Jim Jones" of analog kool-aid fame, Mikey Fremer, hoping to pick things up.
There's a money trail here and it lay's at the foot of $ five & six figure TT's, preamps, and needles, along with LP's and RTR tapes in the hundreds of dollars.
But seeing the streamer's all wanting to get in on multich sound, and new gear from soundbars to the very top of the "high end", looking to get in on the future, they may be painted into a corner.
Never mind where the REAL SOTA in music reproduction is.
Talk a bunch of BS Smack to the sheep with deep pockets to waste on a 100yo tech of dragging a rock thru a ditch. :facepalm:

Peter Aczel was soooo ahead of his time.
"The gullibility of audiophiles is what astonishes me the most, even after all these years. How is it possible, how did it ever happen, that they trust fairy-tale purveyors and mystic gurus more than reliable sources of scientific information?
 
Where in Sal's post does he deny the sales stats or contradict them? I don't see it.
I guess the argument is "there should not be a vinyl renaissance"? Let's drop this
It is valid to discuss whether the reasons for the renaissance include sound quality, or don't. How is that off-topic?? I mean, how many people in this thread have already said, "I love the sound of vinyl, I just love it", and you say that's irrelevant? Tell them!
Okay. I happen to like the "sound of vinyl" after a day of skiing, making fire in the stove (the place has automatic heating), and put on a record. I also like it some other select times when we put on a record when we hang out with friends. I associate crackles and pops with "good times" that occasionally are good to hear.
It has nothing to do with the objectively worse sound quality. But that is fine, most of my listening is digital after all.
Please relate that back to your definition of science. Or are you saying those stories are off-topic because they are not following a systematic methodology and hence not science? Now that's a point I can agree with!

I don't know what the point is that you make above...
Point is that nobody here - at least since I joined the discussion - is making claims that vinyl is anywhere close to theoretical performance of digital. It is not.
I have seen arguments that some perceive it as "good enough" or "difficult to distinguish in the real world" considering real-world dynamic range and city noise floor.
I have asked myself if some select records are mastered better because of limitations of the media.
...but let's go back to your opening statement, "The title of this thread is a valid scientific question." OK, but it is a scientific question on the social science question, "Why do people buy what they buy, when they buy things that cost more and perform less, with less convenience?"
Purchasing decisions are not scientific (unfortunately). We can advise against vinyl - which is probably the correct thing for most people.
However, there are also reasons for it: I like the educational component of having a disk/album that is played on a sensitive mechanical device that must be looked after. Kids learn stuff, have favorite albums, and develop a taste/appreciation that (this is purely my own opinion) I think is difficult to develop on infinite-scrolling streaming playlists.

Vinyl is also returning for DJs and their marketing/purchasing decisions are vastly different.
To which I say, let's look at marketing, ie the science of creating desire, for answers to a question about a sales success. Note, I am a distant observer of marketing at work, so I would love to see citations, but based on advertising campaigns as evidence, I can offer the following answers to the question:-
  1. Because retro stuff and retro looking stuff sells.
  2. Because being cool and being seen to be cool sells.
  3. Because ritual is a sellable proposition, despite convenience also being a sellable proposition.
  4. Because bigger and heavier things are generally seen as better quality.
  5. Because high price can be sold via an assumed connection to high quality.
  6. Because media influence works. *
Which pretty much lines up with my earlier summary. Although citations would be nice, and I am not close enough to social science research to know them, I can also ask which of the above reasons do you think are so controversial? After all, advertising is expensive, and people in business don't waste money on things that don't work, so I'll take it as evidence that they work until I see citations to the contrary.
Yes, high-cost vinyl sales/marketing is really really bad. Probably worse than hifi in general which is already really bad.
cheers

* eg for how many flippin' decades did we read reviews of CD players where "more analog sounding" was the highest praise? What do you think that sets up in the readers' minds about the sound quality of vinyl?
The sound has to become analog somewhere. Early digital was not perfect. There was quantization noise, jitter, issues with reconstruction filters. Most studios still need word clock to prevent digital artifacts. Clean analog is a good thing.
It is an issue if marketing inflates analog to be vinyl .. or tape .. or cassettes.
 
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Right on point!
And also what is the driving story behind what has gone on at the bibles of snake-oil idiocy, Stereophile and TAS ???
Making analog their holy grail leaves them now stuck in a position of what to do with the real boom in High Fidelity audio today, multich and Atmos?
At Stereophile, first Atkinson ran off J Gordon Holt for attempting to push the superior immersion presentation of quad. More recently they trash canned Kal Rubinson "In The Round" column.
At TAS, they were falling behind in advertising income so they stole the "Jim Jones" of analog kool-aid fame, Mikey Fremer, hoping to pick things up.
There's a money trail here and it lay's at the foot of $ five & six figure TT's, preamps, and needles, along with LP's and RTR tapes in the hundreds of dollars.
But seeing the streamer's all wanting to get in on multich sound, and new gear from soundbars to the very top of the "high end", looking to get in on the future, they may be painted into a corner.
Never mind where the REAL SOTA in music reproduction is.
Talk a bunch of BS Smack to the sheep with deep pockets to waste on a 100yo tech of dragging a rock thru a ditch. :facepalm:

Peter Aczel was soooo ahead of his time.
"The gullibility of audiophiles is what astonishes me the most, even after all these years. How is it possible, how did it ever happen, that they trust fairy-tale purveyors and mystic gurus more than reliable sources of scientific information?
Okay. What is REAL SOTA in music reproduction for you? (genuine question)
 
The title of this thread is a valid scientific question.
Purchasing decisions are not scientific (unfortunately).
??? The title of this thread is about purchasing decisions. (The vinyl renaissance is nothing but purchasing decisions.)

Yet you say the title of this thread is a valid scientific question and purchasing decisions are not.

I don't get it.
 
When people constantly want to debate or deny the measurable and verifiable facts of vinyl's highly audible flaws,
unfortunately there is little else left but ridicule.
Possibly - but as I said a page or two back i am consistently failing to find people doing that. Plenty of people saying "I like it because" or "under these conditions I preferred..."

Almost no-one (and none of the regulars) saying "it is objectively better" or even "as good"
 
Denying that it sounds worse is much like asserting that it is better. After all, "exactly equal" is pretty unlikely; most people can tell them apart.

Some of us can see though an argument that goes, "I never said it's any better! I just want to argue that all its deficiencies don't matter!"
 
More like the opposite, if they are real scientists.
I don't know about scientists, I don't think the "science" of CDs or Vinly Records is very interesting.Their engineering is for sure is interesting though, at least to me. And I see a point to the argument made; not that the technology and engineering wise TTs are more impressive than CDs, but I think precision of digital systems is usually taken for granted and does not impress much, yet I always find precise analogue electro-mechanical systems a bit more intriguing personally, maybe because I can actually see it working or maybe because I understand electronics better than mechanics :) I was watching a video about how a jukebox works the other day for example, and all the relays and motors and switches and levers and how they were combined to create an algorithm that is executed based on user input were super impressive - although you probably can program all that and a lot more into a $5 PIC in a day or two. But when a microcontroller does it, its not that impressive somehow.
 
Denying that it sounds worse is much like asserting that it is better. After all, "exactly equal" is pretty unlikely; most people can tell them apart.

Some of us can see though an argument that goes, "I never said it's any better! I just want to argue that all its deficiencies don't matter!"
Again with the straw man. "Deficiencies objectively don't matter" clearly not acceptable, but no-one is arguing that. "Deficiencies don't matter to me" or, more often "I can live with the deficiencies" - clearly unarguable.

People are generally expressing enjoyment of the format - in spite of the deficiencies. That the deficiencies are insufficient to detract from that enjoyment. Or are irrelevant to their personal enjoyment, or a part of the enjoyment. (See my post #574 in this thread - nearly two and a half thousand posts ago FFHFS :facepalm: - "lost in books and crackling vinyl")

Just as (as has also often been pointed out frequently here) people can enjoy many other technically inferior older technologies for all sorts of reasons. (read cars, bikes, steam powered vehicles FFS etc etc and so on ad infinitum). Bizarrely it seems to be only enjoyment of vinyl that attracts derision. What is it with the people here having such a problem with others enjoying something they don't.

Fucking fun police is what I call it. :p

Anyway - I'm wasting far too much time trying to keep up with this ludicrous thread. Going to unwatch it again and try to ignore.
 
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Anyway - I'm wasting far to much time trying to keep up with this ludicrous thread. Going to unwatch it again and try to ignore.
Please do. Nobody needs to read your "I'm above this topic" condescension. It's a bad look.
 
OMG, when I just opened the thread this morning, I was almost slain by the amount of text.
Turntable Art came to mind. Yes there is.
I remember gallery openings where that played a role. Maybe later I'll find some picture examples in my old data files.
 
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Please do. Nobody needs to read your "I'm above this topic" condescension. It's a bad look.
And this from one of the masters of condescension. The degree to which you and Sal1950 are bothered by people who enjoy listening to records as well as CDs and digital streams would be hilarious if it wasn’t also so sick.
We got what you’re saying about three thousand posts ago but still you go on and on and on.
Digital sources measure better than analogue ones?
OK I’m a believer.
The Manic Street Preachers of ASR. As I said you’re preaching to the choir. Take the gospel to the unbelievers on Vinyl Engine, please.
 
Anyway - I'm wasting far too much time trying to keep up with this ludicrous thread. Going to unwatch it again and try to ignore.
That is totally understandable but a little sad. The question is totally valid. Many people, for various reason, will be wondering and genuinely be curious on what is triggering the vinyl renaissance. It is sad that this thread is polluted, again and again and again by the same 2 members who admittedly do not even understand the appeal to vinyl in the first place. Maybe the moderator can help here?
One take away I have from this thread, among many, is that all cannot be explained by just an objective perspective. What we enjoy is not dictated by reason only. Not just listening to music, almost anything we enjoy, food, wine, arts, motorcycle, sports car, etc......
Music can be enjoyed and is enjoyed in many different ways, from streaming from a smarts phone to a Bluetooth speakers or earbuds, to attending to a musical program in a multi million dedicated venue played by a full philamormic professional orchestra, with everything in between. Vinyl, which at one point in time, not such along time ago, was the preferred way to listen at home has been replaced by more practical, less expensive and better performing options, yet, in the last decade, it is experiencing a revival. That tells a lot about what motivate us (as humans) to do what we do. Totally justifying this thread which is not just about vinyl. It also can shed lights on the many ways our brain and ears interpret the musical message, that, as the science as clearly demonstrated, is much more subjective than objective.
We can objectively measure performance aspect, but at the end of the day, when comparing, item a to item b, we need to do it in away that prevent our brain to subjectively cloud our perception to have a scientifically valid answer. When knowingly listening to a vinyl records, humans, and I am one of them, find the experience quite appealing, and many have decided, for many reasons, to keep spending time, or restart spending time spinning plastic slices dragging a rock on them to experience musical pleasure. If this is not worth exploring in a thread, then I don’t know what is.
 
However, there are also reasons for it: I like the educational component of having a disk/album that is played on a sensitive mechanical device that must be looked after. Kids learn stuff, have favorite albums, and develop a taste/appreciation that (this is purely my own opinion) I think is difficult to develop on infinite-scrolling streaming playlists.
Yea yea, kids should be driving Model T's so they learn how to fire up a crank start car.

Some of us can see though an argument that goes, "I never said it's any better! I just want to argue that all its deficiencies don't matter!"
That hits the arguments nail on the head
" I don't say it sounds better, I just enjoy listening to music with it more." :facepalm:
The Manic Street Preachers of ASR. As I said you’re preaching to the choir.
Then why do you and others here continue to debate us. ???
When knowingly listening to a vinyl records, humans, and I am one of them, find the experience quite appealing, and many have decided, for many reasons, to keep spending time, or restart spending time spinning plastic slices dragging a rock on them to experience musical pleasure. If this is not worth exploring in a thread, then I don’t know what is.
That's what we're asking, what is listening to it that makes it so appealing to you sonicly?
Surface Noise
Pop & clicks
Wow and flutter
Mono'd bass
Inner groove distortion
Managed high frequencies
????

Okay. What is REAL SOTA in music reproduction for you? (genuine question)
Easy, The most transparent, true to the master tape/file, source and gear I can afford.
 
Yea yea, kids should be driving Model T's so they learn how to fire up a crank start car.


That hits the arguments nail on the head
" I don't say it sounds better, I just enjoy listening to music with it more." :facepalm:

Then why do you and others here continue to debate us. ???.
I‘m following the thread because as Cote Dazur said it’s an interesting question and pretty much all the other contributors apart from you and Newman are making interesting points.
To be honest I can’t remember if I’ve ever actually responded directly to one of your posts before and life is too short to check.
Matt keeps saying how highly he respects your opinion so I guess in your time you’ve made some worthwhile contributions to this forum. But your monotonous, snide, condescending and actually ignorant contributions to this thread obviously aren’t.
I wouldn‘t normally use language like that on a forum but honestly I don’t know how else to describe what you’ve said:
Monotonous: the same old points over and over and over again to infinity and beyond. We really do get it, digital measures better than analogue sources. Nothing new whatsoever after your first few posts.
Snide and condescending: all those gratuitous face slaps just for instance.
Ignorant: you’ve dismissed every honest attempt by contributors to explain why they enjoy listening to LPs - you really just don’t get it and you’re not willing to listen.
 
We really do get it, digital measures better than analogue sources.
This is very close to the heart of the matter.
It doesn't just measure better, but do to the very significant improvement in measurable performance, it sounds better in all areas. Loudness wars or not, even a badly compressed CD that's minus all of the LP's crippling audible performance issues, is still the superior listen..
 
That is totally understandable but a little sad. The question is totally valid. Many people, for various reason, will be wondering and genuinely be curious on what is triggering the vinyl renaissance. It is sad that this thread is polluted, again and again and again by the same 2 members who admittedly do not even understand the appeal to vinyl in the first place. Maybe the moderator can help here?
One take away I have from this thread, among many, is that all cannot be explained by just an objective perspective. What we enjoy is not dictated by reason only. Not just listening to music, almost anything we enjoy, food, wine, arts, motorcycle, sports car, etc......
Music can be enjoyed and is enjoyed in many different ways, from streaming from a smarts phone to a Bluetooth speakers or earbuds, to attending to a musical program in a multi million dedicated venue played by a full philamormic professional orchestra, with everything in between. Vinyl, which at one point in time, not such along time ago, was the preferred way to listen at home has been replaced by more practical, less expensive and better performing options, yet, in the last decade, it is experiencing a revival. That tells a lot about what motivate us (as humans) to do what we do. Totally justifying this thread which is not just about vinyl. It also can shed lights on the many ways our brain and ears interpret the musical message, that, as the science as clearly demonstrated, is much more subjective than objective.
We can objectively measure performance aspect, but at the end of the day, when comparing, item a to item b, we need to do it in away that prevent our brain to subjectively cloud our perception to have a scientifically valid answer. When knowingly listening to a vinyl records, humans, and I am one of them, find the experience quite appealing, and many have decided, for many reasons, to keep spending time, or restart spending time spinning plastic slices dragging a rock on them to experience musical pleasure. If this is not worth exploring in a thread, then I don’t know what is.
Look. Newman listens to vinyl. I posted not that far up here that a case for vinyl has been made here. You might want to check it. Newman liked the post, at least implying approval for some of it.

What is going on here is, entirely, that some other posters wish to espouse a case where no post in 152 pages, including many posts that say that the sound quality of vinyl is superior to the poster, are allowed to be read as a statement that the sound quality of vinyl is superior.

None.

Not even the one on the first page that states, in the first two words, that sound quality is a reason for the vinyl renaissance.

Somehow, on this forum, and this forum alone, no matter what is said in every other place in the English speaking audiophile universe, nobody has arrived who believes that the vinyl renaissance is due primarily, mainly, or even partly, because of the claim that the sound of vinyl is superior, even if we allow ourselves to read between the lines in the most generous manner.

Meanwhile, somebody has raised the bar for that even higher, requiring somebody to explicitly claim that "vinyl is the only true way" and have to try to convince us all, at this forum of all places, of its absolute superiority, for us to be in a position to accept that sound quality has anything to do with the expression of the vinyl renaissance here: and it seems from some of the argument, therefore it is not allowed to suggest even that sound quality is a reason for it anywhere else.

It also appears that people are taking the objective argument about sound quality as meant to imply that two people here, one of whom I will remind you listens himself to vinyl, are saying that others should not listen to vinyl purely because it sounds inferior. And if Sal feels the need to keep repeating the sound quality case against vinyl, at least he is being blunt about it in a sea of confusing posts (and I'm being generous to some of you by using that term.

And, having said that, I would also suggest that this is Audio Science Review: not HiFi Science review, not SOTA Science review, not Digital Only Science Review, and not a chamber where sophistry and debating tactics on either side should take the place of proper debate.


@amirm @BDWoody @AdamG247, I don't really have a reason to report this thread, but it has gone downhill fast. I'd suggest that anybody who reads it will get a decent idea of why the vinyl renaissance has occurred, and from here and other publications and forums they can form their own opinion with at least some clear information from ASR members in the mess.

May I request that this thread be closed - there are a number of other threads on turntables as art, record quality and mastering, and technical matters around vinyl playback where people can continue the more interesting aspects of this discussion, without the gainsaying.
 
This isn't rocket science.



IMO Wiki explains the renaissance fairly well under Reasons


en.wikipedia.org

Vinyl revival - Wikipedia


en.wikipedia.org

Reasons


Records are perceived as more durable, come in significantly larger packaging (allowing more detail in the album art to be visible), and may include bonus items absent from a CD copy of the same album (for example, a poster or clothing article, or exclusive liner notes). These factors can cause a CD to be seen as a poor value even if an LP is more expensive.[38][non-primary source needed][14][better source needed]

CDs are capable of more accurate sound reproduction and are effectively free of noise and sound artifacts,[49] but many listeners find records' imperfections more subjectively pleasant than digital audio.[38][27]

In spite of many record sales being modern artists or genres, records may be considered a part of retro style, benefiting from a general cultural interest in the technology and media of the past.[50
 
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Yes you don't.
I find this thread more entertaining than many others in ASR. I would like to oppose its closure for this reason.
I'm not happy watching a group of people who are capable of positive contributions on many matters, at each other's throats. If you find that entertaining, it's up to you.

I've made my point, guess that it's time for me to leave the thread: thank you for some enlightenment on the matter at hand.
 
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