Why would you need that?Regarding AVR unfortunately you need much higher end Denon like AVR-X6800H that's 3.7K US$ alone
Why would you need that?Regarding AVR unfortunately you need much higher end Denon like AVR-X6800H that's 3.7K US$ alone
Thank you. Amirm is quite negative about this Denon.
The only problem about the Lyngdorf is the amp. Very little power.
Can I like with the Denon bypass and use external amps with the Lyngdorf ?
For 4x independent chenel outs for sub's, rest is in line shared only one chenel on multiple outs.Why would you need that?
Thank you. Amirm is quite negative about this Denon.
The only problem about the Lyngdorf is the amp. Very little power.
Can I like with the Denon bypass and use external amps with the Lyngdorf ?
With DLBC the x3800h has also 4 fully independent sub channels. It really isn’t different from x6800h.For 4x independent chenel outs for sub's, rest is in line shared only one chenel on multiple outs.
Active subs in either mode.The Denon means
my subs can be amplified when you say it can run in pure preamp mode ?
The 3800 has four independent subwoofer outputs, which is why it supports Dirac Live Art.Either way you won't get automatic ELC which is the purpose of hustle of getting 2.2 in the first place.
For 4x independent chenel outs for sub's, rest is in line shared only one chenel on multiple outs.
Older (cuple years) Denon's before switching to Dirac in Audyssey 32 had basic ELC suport at least.
The 3800 has four independent subwoofer outputs, which is why it supports Dirac Live Art.
I consider ART to be the single element that makes the biggest difference in audio quality out of everything we've mentioned in this thread.
Seams you are right (in directional L, R mode).With DLBC the x3800h has also 4 fully independent sub channels. It really isn’t different from x6800h.
You can’t just use any mic. It has to be a calibrated one.I have the mike and will use it for measurements with REW to test my speakers
Perfectly fine as long as you use the calibration file:It is a
DAYTON AUDIO UMM-6 USB
Bought from audiophonics
In more expensive MiniDSP lineup UMIK-1 is included, in more basic ones it's not. We advertise UMIK-1 not because it's outstanding but because it has REW software integration and software calibration for it. So you use it as SPL meter which otherwise is recommend to be a good lv stand alone one (no phone app ones won't cut it). To a good measurements microphone (small capsule condenser one) differences if you know the start bias will be quite small to application purpose of room EQ-ing to shoulder and above frequencies at least to range of highs to need some special calibration to it otherwise. If you want to go into the speaker design you will need both a quasy chamber and better more sensitive (mid sized capsule condenser microphone). Still preferably you do measurements with accustic timing reference (at beginning and end of spectrum).Keep in mind that if you go the route of the MiniDSP you also need to purchase a mic (UMIK-1 is the standard) which also adds cost. I think the Lyngdorf comes with it? If I was starting from scratch I would definitely go with the Lyngdorf, but I have a MiniDSP Flex which I fit into an existing system. No reason to set a budget and feel like you must spend up to it.