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Buckeye 3 Channel Purifi Amp Review

Rate this amplifier:

  • 1. Poor (headless panther)

    Votes: 18 6.8%
  • 2. Not terrible (postman panther)

    Votes: 66 24.9%
  • 3. Fine (happy panther)

    Votes: 147 55.5%
  • 4. Great (golfing panther)

    Votes: 34 12.8%

  • Total voters
    265

Ajax

Active Member
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Aug 14, 2018
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Byron Bay, Australia
I'm not sure why some are concerned about aesthetics as my understanding is that the Hypex modules run very cool and are happily placed in a cabinet. Obviously it does not have to be expensive furniture as shown in the photo above and needs some slots at the back for some air.

All my gear are in such a cabinet with the book shelf speakers speakers on top, sounds & works great.
 

IRG

Member
Joined
Feb 17, 2022
Messages
5
Likes
0
Just read this whole thread, phew. As someone who’s not an engineer or all that technically inclined, I do have some basic questions and maybe they are covered elsewhere. First off, I actually like the looks of these Buckeye amps. I hadn’t heard of them before but having the founder/ceo involved here, and describing the issue and how it will be fixed, gives me some sense of assurance. I tend to focus on name brands that have long(er) history; Yamaha, Marantz, NAD, Rega, etc. and most of these focus on class AB amps, with NAD moving to class D. I have no bias against a class D amp, never owned one but would like to try one. Actually my Fender Rumble bass amp is class D and works well, and is super light. But right above it is a little 5w Fender Vibro Champ Reverb tube amp which sounds great, and my other (guitar) amp is in neither camp, but is a solid state Roland BLues Cube Artists 80w (attenuated down to 1/2 w) but I digress with the guitar amp talk, only to say, I have spent large amounts of $ to add distortion that is pleasing to my ears, lol. Different purposes I know,

So I have two really basic questions for Buckeye (or others). I am a 2 channel guy, and am fairly set in some of my analog ways. I buy and enjoy vinyl still, also have and still buy CD’s, and use Spotify on my phone but will move into more streaming options soon when I move my audio system from a little man cave I have in the basement, into the main living room. So space and size of components is a consideration for me.

1) Difference between the Purifi 1ET400A 2 channel amp and the HypexNC252MP, besides price, the Purifi is rated with more watts but I don’t get hung up about that too much, either should be able to power whatever speakers I end up with. I understand the Hypex amp doesn’t have the current issue of the Purifi, so tonally, what are the differences if any?
2) both amps have only XLR outputs, which won’t work with my current integrated amp (Musical Fidelity M2Si) which has only RCA preamp outs. I’m thinking of moving on from this amp anyway, although it has served me well (power amp section not reviewed well by Amir), so I’d need a new preamp, one with XLR inputs for the amp, and I want tone controls (just personal preference). And I need the preamp to have analog connections,mlooking at a Vincent offering, but I believe it’s a hybrid, with some tubes in it, but maybe there are other preamps I should look at.

So that’s where I’m at, I like what I see from this amp, I like that it’s in the US, like that the issue (which doesn’t seem to have sonic issues) is being resolved, just curious how this might work in my analog 2 channel system. Sorry for lack of brevity.
 

Rottmannash

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Just read this whole thread, phew. As someone who’s not an engineer or all that technically inclined, I do have some basic questions and maybe they are covered elsewhere. First off, I actually like the looks of these Buckeye amps. I hadn’t heard of them before but having the founder/ceo involved here, and describing the issue and how it will be fixed, gives me some sense of assurance. I tend to focus on name brands that have long(er) history; Yamaha, Marantz, NAD, Rega, etc. and most of these focus on class AB amps, with NAD moving to class D. I have no bias against a class D amp, never owned one but would like to try one. Actually my Fender Rumble bass amp is class D and works well, and is super light. But right above it is a little 5w Fender Vibro Champ Reverb tube amp which sounds great, and my other (guitar) amp is in neither camp, but is a solid state Roland BLues Cube Artists 80w (attenuated down to 1/2 w) but I digress with the guitar amp talk, only to say, I have spent large amounts of $ to add distortion that is pleasing to my ears, lol. Different purposes I know,

So I have two really basic questions for Buckeye (or others). I am a 2 channel guy, and am fairly set in some of my analog ways. I buy and enjoy vinyl still, also have and still buy CD’s, and use Spotify on my phone but will move into more streaming options soon when I move my audio system from a little man cave I have in the basement, into the main living room. So space and size of components is a consideration for me.

1) Difference between the Purifi 1ET400A 2 channel amp and the HypexNC252MP, besides price, the Purifi is rated with more watts but I don’t get hung up about that too much, either should be able to power whatever speakers I end up with. I understand the Hypex amp doesn’t have the current issue of the Purifi, so tonally, what are the differences if any?
2) both amps have only XLR outputs, which won’t work with my current integrated amp (Musical Fidelity M2Si) which has only RCA preamp outs. I’m thinking of moving on from this amp anyway, although it has served me well (power amp section not reviewed well by Amir), so I’d need a new preamp, one with XLR inputs for the amp, and I want tone controls (just personal preference). And I need the preamp to have analog connections,mlooking at a Vincent offering, but I believe it’s a hybrid, with some tubes in it, but maybe there are other preamps I should look at.

So that’s where I’m at, I like what I see from this amp, I like that it’s in the US, like that the issue (which doesn’t seem to have sonic issues) is being resolved, just curious how this might work in my analog 2 channel system. Sorry for lack of brevity.
Monoprice makes adapters XLR>RCA that work well. Consider the Schitt preamps, the Freya+, Saga, etc. Not sure what you mean when mentioning "the current issue of the Purifi" unless you're referring to the 252 doesn't have the custom buffer?
 

IRG

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Joined
Feb 17, 2022
Messages
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0
Monoprice makes adapters XLR>RCA that work well. Consider the Schitt preamps, the Freya+, Saga, etc. Not sure what you mean when mentioning "the current issue of the Purifi" unless you're referring to the 252 doesn't have the custom buffer?

What I meant about the current issue, is that the 3 channel amp tested here, the Purifi model, Buckeye mentioned that this affects all of their current Purifi amps, but not the Hypex models, I believe that’s what was mentioned. Apologies if I’m misremembering the details here.

Thanks for mentioning the cable from Monoprice, didn’t realize this was an option.
 

IRG

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Joined
Feb 17, 2022
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And yes the Freda S could be a good choice, no tone controls though but otherwise a good value for sure. Suppose I could add the Loki+ as well.
 
Last edited:

Bachemar

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Sep 30, 2019
Messages
50
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80
Just read this whole thread, phew. As someone who’s not an engineer or all that technically inclined, I do have some basic questions and maybe they are covered elsewhere. First off, I actually like the looks of these Buckeye amps. I hadn’t heard of them before but having the founder/ceo involved here, and describing the issue and how it will be fixed, gives me some sense of assurance. I tend to focus on name brands that have long(er) history; Yamaha, Marantz, NAD, Rega, etc. and most of these focus on class AB amps, with NAD moving to class D. I have no bias against a class D amp, never owned one but would like to try one. Actually my Fender Rumble bass amp is class D and works well, and is super light. But right above it is a little 5w Fender Vibro Champ Reverb tube amp which sounds great, and my other (guitar) amp is in neither camp, but is a solid state Roland BLues Cube Artists 80w (attenuated down to 1/2 w) but I digress with the guitar amp talk, only to say, I have spent large amounts of $ to add distortion that is pleasing to my ears, lol. Different purposes I know,

So I have two really basic questions for Buckeye (or others). I am a 2 channel guy, and am fairly set in some of my analog ways. I buy and enjoy vinyl still, also have and still buy CD’s, and use Spotify on my phone but will move into more streaming options soon when I move my audio system from a little man cave I have in the basement, into the main living room. So space and size of components is a consideration for me.

1) Difference between the Purifi 1ET400A 2 channel amp and the HypexNC252MP, besides price, the Purifi is rated with more watts but I don’t get hung up about that too much, either should be able to power whatever speakers I end up with. I understand the Hypex amp doesn’t have the current issue of the Purifi, so tonally, what are the differences if any?
2) both amps have only XLR outputs, which won’t work with my current integrated amp (Musical Fidelity M2Si) which has only RCA preamp outs. I’m thinking of moving on from this amp anyway, although it has served me well (power amp section not reviewed well by Amir), so I’d need a new preamp, one with XLR inputs for the amp, and I want tone controls (just personal preference). And I need the preamp to have analog connections,mlooking at a Vincent offering, but I believe it’s a hybrid, with some tubes in it, but maybe there are other preamps I should look at.

So that’s where I’m at, I like what I see from this amp, I like that it’s in the US, like that the issue (which doesn’t seem to have sonic issues) is being resolved, just curious how this might work in my analog 2 channel system. Sorry for lack of brevity.
You can use Monoprice RCa to XLR cables. The Buckeye is expecting a higher voltage on the XLR input, so the output of the Buckeye with an RCA (1V) input will likely be around 4 dB lower than your existing amp, assuming it was designed for RCA inputs. This means you need to turn up the volume a little more on your pre amp - Usually it’s not an issue, but if you were close to max volume, you could end up clipping on your preamp.

If you have a sub in the mix, you need to level adjust for the new gain and timing differences


Others can correct me on the specifics of the voltages and gain structure etc.
 

Espiritiv

Member
Joined
Jun 17, 2022
Messages
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15
More of a layout constraint for now....and the cost of bringing it to market. Both of which I planned on addressing sometime this year to get up to a 5ch Purifi.
But obviously all attention is on a fix, first.
It should fit a 5CH in a Rack mount case correct? Ill be your first Guinea pig when it comes time

:)
 

Buckeye Amps

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It should fit a 5CH in a Rack mount case correct? Ill be your first Guinea pig when it comes time

:)
Yes, there shouldn't be any issue fitting 5ch in a rackmount or 17" wide case.

Obviously won't be starting any new protoypes until the current distortion is fixed.
 

droid2000

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@Buckeye Amps i ordered a purify amp several weeks ago. Are you sticking with estimated shipping dates? Or are you holding off on shipments until you figure out the cause of the distortion?
 
Last edited:

Buckeye Amps

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@Buckeye Amps i ordered a purify amp several weeks ago. Are you sticking with estimated shipping dates? Or are you holding off on shipments until you figure out the cause of the distortion?
Sticking with estimated ship dates unless the customer requests holding off
 

Buckeye Amps

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Update:

We have measured a good amount of variables and scenarios. All of the preliminary data we have points to the distortion rise NOT stemming from our input buffer board.

But I am not declaring this as fact. We are sending off a few different test setups to a secondary party for them to measure and make sure they are seeing what we see, to rule out our test bench as a contributing variable.

Again, not at all saying "this is not our fault" and washing our hands of it. The opposite. We are leaving no stone unturned but as you can see it is taking some time.
 

squared80

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Oct 1, 2021
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Update:

We have measured a good amount of variables and scenarios. All of the preliminary data we have points to the distortion rise NOT stemming from our input buffer board.

But I am not declaring this as fact. We are sending off a few different test setups to a secondary party for them to measure and make sure they are seeing what we see, to rule out our test bench as a contributing variable.

Again, not at all saying "this is not our fault" and washing our hands of it. The opposite. We are leaving no stone unturned but as you can see it is taking some time.
Appreciate the update.
 

Audiomn

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Update:

We have measured a good amount of variables and scenarios. All of the preliminary data we have points to the distortion rise NOT stemming from our input buffer board.

But I am not declaring this as fact. We are sending off a few different test setups to a secondary party for them to measure and make sure they are seeing what we see, to rule out our test bench as a contributing variable.

Again, not at all saying "this is not our fault" and washing our hands of it. The opposite. We are leaving no stone unturned but as you can see it is taking some time.
Would it make sense to have Amir test another one? Maybe the first one had something defective.
 
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