Not to mention sony walkmans and cheap car stereos.
In the audio context, can I distinguish A from B using my subjective evaluation? Or show a consistent preference between them. If I can do this under ears only conditions, then my subjective judgment is objectively verified.What is your definition of "subjective"?
In the audio context, can I distinguish A from B using my subjective evaluation? Or show a consistent preference between them. If I can do this under ears only conditions, then my subjective judgment is objectively verified.
I grew my love of music on vibrator/tube car radios, but thats also what set me on the road to seeking better sound..Not to mention sony walkmans and cheap car stereos.
If done under blind conditions yes, if sighted then it remains s subjective preference.In the audio context, can I distinguish A from B using my subjective evaluation? Or show a consistent preference between them. If I can do this under ears only conditions, then my subjective judgment is objectively verified.
The true subjective as found on the web will tell you "trust your ears only". That measurements mean nothing and he/she can hear much more than we can measure or, we have not yet learned to measure things he can hear. Blind listening tests are without value because --------.What is your definition of "subjective"?
In an audio context, once you achieve your threshold of transparency then further improvement is measurable but irrelevant in terms of just enjoying music.
I think this fight will eventually end when a figure high enough will be a guarantee that all devices reaching it are sounding the same. Which means, will have no 'sound' of their own.There is a good case that a SINAD of 72db is all that is needed, 12 bits, for the average listener, and 13 bits, 78db for those with superior hearing. I think a lot of the fuss is a numbers race. Just because a $100 DAC can do 105db doesn't mean the entire electronic chain needs that performance, especially when considering typical ambient noise levels and distortion levels of loudspeakers which are rarely less than .1% (60db).
One of the problem with "objectivation of subjective difference" is about the (double) blind test method.
How practical is it?
Being member of both "sides", I always wonder how we could do reasonably objective listening tests while less impractical (and stressfull) then fully-compliant-controlled-double-blind-tests.
One of the problem with "objectivation of subjective difference" is about the (double) blind test method.
How practical is it?
And, to be representative, as it is per essence a statistical method, how big has to be the "sample" size?
This is one of the reasons why there seems to be no dialog between the 2 "sides": the "listeners" and the "measurers".
Which is really not helping anybody to progress.
Being member of both "sides", I always wonder how we could do reasonably objective listening tests while less impractical (and stressfull) then fully-compliant-controlled-double-blind-tests.
At least, let's try to publish comparable recordings of some tested devices?
Well, maybe.Do people do better in "non-stressful" but still double-blind tests? As you might have seen from some previous postings, they don't.
I strongly disagree with that.Each person is comfortable in their own 'religion',
That's one of the key "impractical" requirements.always requires 2 people
It's also the essence of "measurephoolery".People desperately want/ask to be fooled but not be aware/told they are.
This is the essence of audiophoolery business.
That's one of the key "impractical" requirements.
Yes. Do you recommend one proper switchbox?When one is not willing to test that way there is no need to start half baked attempts. Testing some components could be done with truly random switch boxes.
It's also the essence of "measurephoolery".
When you don't want your measurements to be checked for relevance.
Real science is continuous questioning (and, possibly, tuning) of the method, by confronting with experience.
That's what Floyd Toole's (and others') work is all about, as far as I understand : identify, by checking it with proper listening tests, what a proper quality speaker should measure like and which measurement is practical and meaningfull to assess the quality.
Those are the ones you'll find here.Those that really want to know