• Welcome to ASR. There are many reviews of audio hardware and expert members to help answer your questions. Click here to have your audio equipment measured for free!

Best Guitarists Evah!!!

Nice list.
Derek Trucks is arguably one of the, if not the top slide player on the scene today.
He’s amazing. :) He doesn’t play much slide in this video, but what he does play, o'boy the precision, feeling and tone are superb. From the 4:50 mark onwards. His wife sings in the same video, by the way.


I'm also a huge fan of John Sykes, ......
When Thin Lizzy wanted a heavier sound, they brought in John Sykes. I remember the first time I heard him play guitar on "Cold Sweat" (which I believe he co-wrote). Superb guitar playing, a superb solo. I think it still holds up today.:)

 
Last edited:
Nice list.
Derek Trucks is arguably one of the, if not the top slide player on the scene today.

I'll be using this thread as a reference when I want to search up some guitarists I haven't heard in a while, or have never heard of.

I'm also a huge fan of John Sykes, and I liked Randy Rhodes as well.
Country music and it's artists rarely get the credit due.
 
That guy who always plays the right notes at the right time, can’t think of his name.
 
How about Keith Richards with all his great riffs, Duane Allman short life but a great player, Derek Trucks, Dickie Betts. Riche Blackmore, Joe Bonamasa( owns more vintage Fender amps then anyone else). Leo Kottke great 12 string acoustic player, Gerry Garcia ...
If you listen to the solos on Sympathy for the Devil on Get Yer Ya-Ya’s Out!, Keith plays in the right channel at the 3:12 mark. It then switches to Mick Taylor taking the lead in the left. Mick’s is much more fluid and technically better, imo. However, Keith’s lead is more aggressive and biting. Less can be more.
 
I recommend to all guitar music lovers a 1997 compilation "Rattlesnake Guitar: The Music of Peter Green" a number of artists were asked to give their interpretation of his songs and it is a well produced effort. It reintroduced me to much of Peter Green's music and also some very fine guitarists I did not know about. While I'm about it I am a fan of Kenny Wayne Shepherd and can recommend "10 days out: blues from the backroads" a video as well as album, he catches up with a number of old timers. Both albums are available on Spotify
 
Country music and it's artists rarely get the credit due.
I agree, and also the true forgotten players are the studio musicians. Artists you see if you read the credits on an album but have no idea who they are.

GE Smith was the Saturday Night Live band leader but her played on so many great songs and with so many great artists. He could adapt to almost any style.

I think for guitar, the rock and heavy metal "guitar hero" types got all of the spotlight and were always talked about. Early MTV had a lot of influence.

"Popular" music or Top 40 back in the day didn't give the country musicians a lot of exposure although that has changed a bit these days.
 
Jerry Douglas on Dobro. WOW!
Yeah. And a lot of artists employ him. Nearly 1300 credits on Discogs so far.

Also this...

 
Last edited:
Just when people were saying that rock—and by extension, the rock guitar solo—was dead, Nuno Bettencourt unleashed a monster solo that generated a huge buzz a few years back.:)

Rick Beato interviewed Nuno Bettencourt about it, among other things.

You can hear the solo in this song (Extreme-Rise), starting at the 2:20 mark:

 
Just when people were saying that rock—and by extension, the rock guitar solo—was dead, Nuno Bettencourt unleashed a monster solo that generated a huge buzz a few years back.:)

Rick Beato interviewed Nuno Bettencourt about it, among other things.

You can hear the solo in this song (Extreme-Rise), starting at the 2:20 mark:

I was actually going to post something by Nuno but you got the jump.
He's a very talented player and for a while he played/toured with somebody that wasn't a rocker although very TOP 40.

 
I agree, and also the true forgotten players are the studio musicians. Artists you see if you read the credits on an album but have no idea who they are.

GE Smith was the Saturday Night Live band leader but her played on so many great songs and with so many great artists. He could adapt to almost any style.
Those Nashville Cats !

 
It was easy to anticipate (and entertaining to watch) where this thread wound up...next stop: "best" flavor of ice cream :cool:

Double Rainbow, Dark Dark Chocolate, Haight & Ashbury.

Done and dusted.

Right, questioning a blues player of this caliber indicates either deafness or outright ignorance.

I vote for the latter, the man should know better but obviously doesn't.

Rude, I'd say.

Or ignorant.

Six of one . . .
 
I give Iommi props also for technical innovation, in playing and use of equipment, and, of course, influence. In a sense he's a bit like Django.

War Pigs. Every part of that song is the best.
Particularly when performed by Spongebob and crew:

 
If you were to define best, the criteria would probably have to be based on the technical aspects of playing.
Yup.
Classical guitar has a very "schooled" approach.
Nope, sprezzatura is the word. Good Guitarists/Lutists play looser than "Rock" players, use a lot of expressive rubato. So do blues players.
I play a species of Renbournish extemporizations, usually in D. Sounds mighty "classical" to these very well-trained ears.
The blues,,, not so much.
The blues, much more so:
But can the true classical musician go play the blues and blow you away?
Charlie Parker had 150% of the "chops" of "a true classical musician."
I've recorded hundreds of 'em/ Peter Green beats the holy fuck out of them.
He had true musical skill, unlike most rock guitar wankers.
Different horses for different courses, not every key will unlock that door.

Just sit on the tonic 'til you know where you are
 
Right, questioning a blues player of this caliber indicates either deafness or outright ignorance.
Now your showing your understanding of the blues is somewhere between you butt cheeks.
 
It's very difficult to name only one favorite ... Listened to Alaska by BTBAM today (for the 1XX time in the last 15 years maybe), especially the solo by Paul Waggoner in "Selkies" is exceptional. He is technically proficient while also having a feel for the music.
 
Yup.

Nope, sprezzatura is the word. Good Guitarists/Lutists play looser than "Rock" players, use a lot of expressive rubato. So do blues players.
I play a species of Renbournish extemporizations, usually in D. Sounds mighty "classical" to these very well-trained ears.


The blues, much more so:

Charlie Parker had 150% of the "chops" of "a true classical musician."
I've recorded hundreds of 'em/ Peter Green beats the holy fuck out of them.
He had true musical skill, unlike most rock guitar wankers.
Different horses for different courses, not every key will unlock that door.

Just sit on the tonic 'til you know where you are
I'm probably misunderstanding you.
I won't disagree as I was speaking in very general terms so don't be offended or think I'm dismissing the blues. I find it one of my favorite styles for guitar players and I usually prefer the blues based players over all others. There are exceptions but "feeling" is subjective, and I feel the blues. Therefore I love the style.

Classical IS schooled. Use your term, use another, I don't need to get into semantics. The majority of classical players go through some type of formal training. If you want to point out examples of self taught modern classical musicians, I'm interested and would love to know how they got interested in the classical style and how they learned it. I'd probably go buy their music as well if you link a good video track.

Usually for classical music, students go to a school and are taught proper technique, whatever that may be, and learn how to read music to play intricate pieces. Two of my cousins did it for piano. They played at Carnegie years back. One of my uncles was a professional sax player and was not a classical musician. The phrase "Classically trained" floats around quite a bit in the music world and usually the players that carry that label are well respected for their versatility.

This isn't the best example, but the movie CROSSROADS pits two blues players against each other. Everything goes down to the wire until the classically trained fella pulls out some magic from his "schooled" background. Steve Via and Ry Cooder were the actual players in that movie. The schooled musician won out that day. I know it is a movie but they tried to send a little message that a well schooled player can be very well rounded.


My earlier point was that I don't picture Muddy Watters, Buddy Guy, or John Lee Hooker opening up a music sheet and being able play Beethoven's 9th or anything similar to Malmsteen's neo-classical licks. I do picture a classical guitar player mimicking the blues however. Maybe without the same feel, but I don't see them hitting technical boundaries. I've seen Buddy Guy live several times and have always dug his vibe and feel but I never walked out thinking I witnessed the greatest guitar player ever.

Your Charlie Parker post was pure saxophone for 3 minutes 24 seconds. Did you wrongly assume I was generalizing about ALL blues players and all instruments? I failed to see the relevance of that in a guitar thread but maybe your point was missed.

If you can point out some players of that style (blues) that can easily crossover and play pure classical I'm all ears.

So again,

I would say the "best" guitar players if there is a such thing would be the players that can easily play ALL styles of music. From classical, to country picking, to blues, jazz and fusion and whatever else is out there. But mimicking styles is a lot different than coming up with your own music.

Earlier in the thread I cited the unknown studio musicians that show up in the credits of records we all love, or at least know that still remain a mystery, are some of the unsung heroes. If you can play it all without breaking a sweat you are probably pretty damn good. The studio musicians are the sleepers.

At the moment, I'm extremely into David Gilmore. He has something special in my opinion that goes beyond shredding. His solos are incredible and they compliment the music without saying "hey look at me", yet at the end of the solo, you are definitely looking at him.

There isn't a best IMO.
 
Last edited:
It makes me wonder: does being a great guitarist mean having mind-blowing technical skill, or must it also include song-writing ability—one that doesn't necessarily rely on unachievable virtuosity, but can be simple and still hit you right in the heart and soul? Or can you be just as great having the latter without the former?
 
Back
Top Bottom