Buying the AHB2 for me was prompted by rave recommendations from the owner of very costly speakers from the same stable as my own speakers. He had deep pockets and had previously used numerous very costly amps of all types, so (before hearing them and before any worthwhile reviews were released) I bought this amp.
This rash purchase proved both good and bad:
Bad because it sounded so dull and lifeless compared with my previous SETs. It was an amp that never encouraged me to turn up the volume - on the contrary, it sounded little more exciting than "elevator music", even though it may be deadly quiet and accurate elevator music! Kiss of death as far as I'm concerned, whatever the spec says or test instruments say. A pity because it offers a great package on paper, in an attractive case, at a sensible price, with nice features such as adjustable gain - and it subsequently received excellent reviews in places where measurements are as important or even (it sometimes seems) more important than what reaches our ears!
Good because it propelled me into a practical and exhaustive search for a much better sounding amplifier that would genuinely offer as exciting and goosebump-inducing music as the best of my SETs, but without trying to mimic their sound characteristics.
The AHB2 was returned to the dealer after a few months for a greatly appreciated full-value credit note. Over the next many months, I bought (new or used) or borrowed a dozen solid state amps of all persuasions to find one that equalled or exceeded the musical satisfaction of my previous amps. I was not interested in their Class or their measurements - solely in their ability to provide a superb match for my speakers and deliver the most convincing, exciting and natural sounding music I could achieve. However, I was expecting that a Class A may well be the winner and indeed one of these (the excellent Accuphase A-36) was kept for over a year, but in the end, it was a little too "polite" despite its superb construction, features and sound.
Amps from Devialet, Red Wine, Quad, Masterclass Sugden, and Lyngdorf were also quickly eliminated for one reason or another - not necessarily on sound quality grounds.
Mark Levinson, Bakoon, GamuT, Micromega, Valvet and NAD fared better, but the winners on sheer musical enjoyment boiled down to the GamuT D200 Mk III and the recently released NAD M33. Because of the GamuT's bad manners (an alarming thump on powering up or down), it was reluctantly sold to someone with less sensitive speakers. Because the M33 offered superb sound and was so much better value with it's built-in streamer, DAC and (best not engaged) Dirac Live DSP, I went for the NAD M33.
No regrets whatsoever over the 3+ years I've been using this excellent amp, that went on to be awarded Stereophile's Best Amplifier and Best Component of the Year and Editor's Choice. However, it may soon be changed for the new M66 plus a pair of mono amps in all probability - but only if the new combo actually sounds better!
Apologies to owners of the AHB2 (or Sugden, etc) and anyone putting too much faith in measurements but, when all is said and done, it's what things sound like that really matters most. I guess I'll have to take cover having told this tale on this particular forum.