No. It means that I do not expect they will be sufficiently bettered in my lifetime.Do you mean that it's performance won't be bettered in your lifetime?
No. It means that I do not expect they will be sufficiently bettered in my lifetime.Do you mean that it's performance won't be bettered in your lifetime?
4 times the power yes,but what I can't see in NCx's pic is 4 times the thermals (unless there is active which I can't see)Well I believe there’s been a couple of reviews of NCx500 based amps that prove they’re objectively superior. Then they also have 4x the power output. They also have far fewer parts in the BOM. Less parts mean less parts to fail. And even if they do it’s all module based and easy for anyone to repair in the field with minimal skills.
Let’s have a look at the 2 main PCB’s in the AHB2:
View attachment 338352View attachment 338353
Now let’s have a look at an NCx500 example:
View attachment 338354
Far less parts and simple module based. The SMPS1200 power supply has been in production for over 15 years. And has undergone like 7 revisions. So it’s well known for its rock solid reliability. Hypex amp module reliability history has been rock solid since I built my first UCD amp in 2007.
But this one time at band camp...That's the thing about anecdotes. There's always another one that can muddy it up and really leave you no where.
Any measurements for the Nelson Pass model 4 ? from experience our ears often lie to us....I bought one of these a year or so ago, thinking - rather, hoping - it might be an upgrade on my ancient (but beloved) Nelson Pass-designed Forte 4 (just 50 wpc pure class A, but able to carry an enormous amount of current when needed). The Benchmark sounded good, but it was ultimately not in the same cosmos as the Forte in all sorts of ways. Now I have very efficient speakers, and the Forte can drive these easily, and it might struggle with more difficult loads, but the Benchmark could not go as loud as the Forte, nor were instrumental timbres as accurate. I listen to almost exclusively Classical at high-res, mostly via multichannel SACD/Blu-ray audio, so instrumental and vocal timbres are my main focus. The Benchmark was quieter when no music was playing, but I really don't think too many people drop $3,500 on an amp to listen to silence when it is not playing anything, so that is a dumb reason to get it. I am sure this is a fine amp, but, as I said, it was not even close to a design that is getting on for a half-century old now, so maybe there is more to learn still! I have appreciated the Forte even more since trying the Benchmark, however, and they were as good as their word when I returned it for a full refund after a few weeks. No complaints, but for super-discerning listeners this may still not be the answer. I had hoped it would be, but no matter how well it measures, it is the sound in the end that is everything, and this wasn't as good as my (still beloved) Forte. Everyone else who heard it in comparison agreed.
Brand new, drop shipped to me.@amirm how old was the unit from this 2nd review? Was it new or had it been in use for period of time?
Any measurements for the Nelson Pass model 4 ? from experience our ears often lie to us....
In your case, is comment specific to Salon 2's or you want more power in general?The people who have told me they have gone to Benchmark AHB2 have said the analysis paralysis was killing them so they bought that. I congratulate them on that and we go about our ways. It is an incredibly safe decision to buy this amplifier. There is only one model. It has superb performance. And even in absence of hard data, we know there are no riots around it breaking.
My only caution to people is that it may not have enough power. They don't for me in stereo. But if they don't need the power, that is that.
It is general advice I give to people (get more power than you think you need) but in my situation, it definitely applies with Salon 2 in very large space.In your case, is comment specific to Salon 2's or you want more power in general?
Are you kidding? SpeakON connectors are dirt cheap . . . like $3 apiece, last time I looked.I hope this will not get used as evidence for expensive audiophile connectors.
I respect your desire for reliability, and I, too, would prefer to buy from a manufacturer close to me, in case of any issues. I like to buy things I can keep for a long time, and I usually do keep good things for a long time.When I see a long term reliable one, I’ll buy one, I have a few friends that bought them with in the last 2 yrs. One bought one, raved about it, the other rushed to buy them. All of them have failed, none made it a year of normal use. One had smoke pouring out the case vents, one made a huge popping sound and then dead silence, the others failed to power up the next time. Before I bought my AHB2s, I looked at a NAD, Bel Canto and an Elac (all class Ds). I liked the fact the Benchmarks are built about 10-12 miles from my house, did not hurt, I know a couple of the people who work there, if I have an issue, they are local. The concept looks great, but before I buy one, I want to see some long term reliability
March Audio p252 now 4+ yrs with no issues, NAD c298 bought used a year ago, also going strong.I've also several friends with various Class D configurations made by Buckeye, VTV, and others, and none has reported a failure yet.
Here is a good link. There are many available just do a search for how much amp do I need.What would be some rules to help determine in advance if this amp has enough power for the purchaser?
www.crownaudio.com
audiosciencereview.com