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BACCH4 Mac ORC recommended recordinings?

Found a review of B4M that makes my enthusiasm for the product shy in comparison…


(in Someday my prince will come) “Although Miles remained centered and fixed, his instrument had gained a new sense of depth and texture. Paul Chamber’s bass had an added weight that sounded far more authentic. Ditto Jimmy Cobb on the drums. His snare and cymbals had the most natural, organic 3-D sound, giving this recording a new sense of reverberation and PRaT. More surprisingly, the enhanced reverberation had enveloped my listening space, as if I were in the recording studio. More impressive, the added reverb sounded neither processed nor gimmicky; it sounded like missing information that was always in the mix. In fact, I never heard this recording sound so unrestricted, free from colorations or distortions, and with such an enveloping sense of width and three-dimensional realism”….

Then, in his vote for 2024’ best products…

“Not only did the BACCH4Mac earn my vote for this year’s Publisher’s Choice, but I also nominated it for Best Stereo Enhancer since the invention of stereo. I’ve tried to think repeatedly over the past 30-plus years about what has created such an incredible life-like performance. Nothing has surpassed the BACCH4Mac.“

I agree.
 
Any technical information on this Atmos feature out there?

Of limited usefulness to me, as 99%+ of my collection is 2-channel, and the remainder is rips of MCH SACDs (yes, I was an an enthusiastic SACD adopter and at one time owned three players).
 
Any technical information on this Atmos feature out there?

Of limited usefulness to me, as 99%+ of my collection is 2-channel, and the remainder is rips of MCH SACDs (yes, I was an an enthusiastic SACD adopter and at one time owned three players).
I don’t have any details but from what I know it will be compatible with the surround formats on tidal.
 
A record I didn’t like becomes simple irresistible: Pink Floyd - The Wall. I just can’t describe how much better it sounds with B4M.
Edgard should demo Bacch with this. The whole 4 sides of it.
 

Soon I hope we get more information on stratosonic. As an aside I wish another audio influencer would be the informal spokesperson for BACCH. He isn’t the worst for this, but I’m tired of the rich guys rubbing elbows with other rich guys discussing their expensive hobbies designed almost solely for conspicuous consumption.
 

Soon I hope we get more information on stratosonic. As an aside I wish another audio influencer would be the informal spokesperson for BACCH. He isn’t the worst for this, but I’m tired of the rich guys rubbing elbows with other rich guys discussing their expensive hobbies designed almost solely for conspicuous consumption.
The problem is this - tech like Bacch is expensive. Even the VST for windows users is expensive as far as VST's go. They will not make a version of Bacch4Mac for windows...which is sad for windows users. I'm just not seeped into the apple universe, so going to a Mac would be a cost, not including the hardware layout for Bacch4Mac. So I'm just going to enjoy what I have.
 
The problem is this - tech like Bacch is expensive. Even the VST for windows users is expensive as far as VST's go. They will not make a version of Bacch4Mac for windows...which is sad for windows users. I'm just not seeped into the apple universe, so going to a Mac would be a cost, not including the hardware layout for Bacch4Mac. So I'm just going to enjoy what I have.
AFAIK the Theoretica team is very small so even Edgar wanted to I don’t think he has time to reprogram B4M for windows. I have had BACCH for 6 or so years in some form and in that time Edgar has clearly been more busy and supported has become slower and harder to get.
 
AFAIK the Theoretica team is very small so even Edgar wanted to I don’t think he has time to reprogram B4M for windows. I have had BACCH for 6 or so years in some form and in that time Edgar has clearly been more busy and supported has become slower and harder to get.
True, I'm loving UBacch so I'm alright (even though looking that the GUI on B4M makes a person drool)!
 
True, I'm loving UBacch so I'm alright (even though looking that the GUI on B4M makes a person drool)!
I’m red green colorblind so the b4m interface is hard to use at times for me due to poor contrast. Otherwise I like all the graphics and buttons.
 
I'm getting XTC readings of 15, both channels. I don't know if it's ORC, but I'm loving it. My FR is very close to optimal.

Give Santana "Caravanserai" a listen.
Carlos’ best album in my opinion. Been listening to it since it first came out.
 
The problem is this - tech like Bacch is expensive. Even the VST for windows users is expensive as far as VST's go. They will not make a version of Bacch4Mac for windows...which is sad for windows users. I'm just not seeped into the apple universe, so going to a Mac would be a cost, not including the hardware layout for Bacch4Mac. So I'm just going to enjoy what I have.
Yes it is expensive (in Commercial terms, probably way beyond the optimum in a cost/demand curve).
But as cost effectiveness pov, b4m must be the biggest bargain in audio. I don’t know any us$5k hardware that gives you even a fraction of the improvement of Bacch.

Regarding the Mac: you install a completely silent $700 Mac mini, use it as a Roon server (of you want), file server (if you want), and b4m, even without monitor/keyboard/mouse and leave it on without supervision for months, almost like any appliance in your home. What’s the problem with that?
 
Yes it is expensive (in Commercial terms, probably way beyond the optimum in a cost/demand curve).
But as cost effectiveness pov, b4m must be the biggest bargain in audio. I don’t know any us$5k hardware that gives you even a fraction of the improvement of Bacch.

Regarding the Mac: you install a completely silent $700 Mac mini, use it as a Roon server (of you want), file server (if you want), and b4m, even without monitor/keyboard/mouse and leave it on without supervision for months, almost like any appliance in your home. What’s the problem with that?
On the used market m1 mac mini’s with 16gb can be had for $250 and a new m4 Mac mini can be had for $480. Compared to almost all other audiophile accoutrements that is a bargain.
 
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The "funk" albums of Hancock sound incredible with B4M. Specially "head hunters" (that, btw, was ranked with a 10 in pitchfork).
 
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Amazing more realism in this one. Check out the title song (first one). If after hearing this anyone doubts about Bacch and how XTC is able to improve your listening pleasure... well, hard to understand what he is expecting from audio reproduction.
Those eclesiastic choruses hugely expanded with each singer localized, Cohen -in the most bold contrast possible- whispering just next to you , the organ way back, the big space where the song develops... omg... and I didn't like Cohen...
 
Most good XTC examples transport you to the recording venue.
But there are some that do the opposite: they bring the musicians to your room. This is one of them: Neil Cowley Trio: Touch and Flee. No loudspeakers or "stereo" in your room ... just the musicians. Press the "bypass" bin button and you get your stolen stereo back.

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Most good XTC examples transport you to the recording venue.
But there are some that do the opposite: they bring the musicians to your room. This is one of them: Neil Cowley Trio: Touch and Flee. No loudspeakers or "stereo" in your room ... just the musicians. Press the "bypass" bin button and you get your stolen stereo back.

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This is an amazing album - sonically and musically. Thank you!
 
Echoes of PF, the Live at Pompeii version, in binaural. I listened it first with headphones, then with Bacch and the maggies. Clearly more pleasure and realism listening it with the dsp.
 
Echoes of PF, the Live at Pompeii version, in binaural. I listened it first with headphones, then with Bacch and the maggies. Clearly more pleasure and realism listening it with the dsp.
Is this available on streaming services like tidal? Yes I’m too lazy to look lol.
 
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Nice sounding, as almost every ECM record. Here there are two bass players and/or two drummers at the same time. With B4M you can clearly identify each one, specially on bass: one in middle-right slightly back in the stage, the other way left at 90 degrees, much closer to you, very present ("Sound Creation"). The interplay between both drummers altering trikes each over the other is almost impossible to get it right when you disable the cross-cancellation (ie: listen the last couple of minutes of "For the Love of Paul").
Curioulsy, none of this is even mentioned in one review of this record, which makes me think even professional reviewers are missing something while listening without XTC. ECM records always scarce in comments (I have the LP) , may be the title related with these players being "around you in the room"?
Great music.
 
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