Thank you very much, Amir, for taking the time and effort to carry out this review.
The detail and reliability of your measurements are invaluable and truly appreciated.
I’ll address a few of the comments here - please feel free to ask if you have any other questions.
The subwoofer output is full-range, while the LBM includes a 100 Hz high-pass filter that can be enabled by turning the ‘Boundary’ control fully clockwise.
I really appreciate the EQ suggestions. The step in directivity around 1 kHz is mainly due to baffle step. I realise it’s unusual to see it that high — it’s typically around 300–500 Hz — but the LBM’s front baffle is only 12 cm wide. Below is the simulated ‘baffle response’ of a 12 × 20 cm baffle (with no edge rounding).
There’s also a small, sharp feature in the directivity near 1.1 kHz. I believe this comes from the woofer’s large-roll surround, as I’ve observed the same behaviour even on a wider baffle.
Since this is a DSP-based design, it would be straightforward to implement @Maiky76’s EQ suggestions directly in the product. I’d be interested to hear the general view on whether that would be desirable.
Just because it's pretty - individual 'score' EQ filters:
Not that anyone asked, but for reference, there’s a ¼-inch UNC threaded insert on the bottom of the LBM, allowing it to be mounted on most photographic stands or arms.
Finally, those who enjoy the technical side might like to read the >white paper< I prepared for the LBM.
The current USD price for the product version inc. shipping to the USA is $777 (Oct '25).
The detail and reliability of your measurements are invaluable and truly appreciated.
I’ll address a few of the comments here - please feel free to ask if you have any other questions.
The subwoofer output is full-range, while the LBM includes a 100 Hz high-pass filter that can be enabled by turning the ‘Boundary’ control fully clockwise.
I really appreciate the EQ suggestions. The step in directivity around 1 kHz is mainly due to baffle step. I realise it’s unusual to see it that high — it’s typically around 300–500 Hz — but the LBM’s front baffle is only 12 cm wide. Below is the simulated ‘baffle response’ of a 12 × 20 cm baffle (with no edge rounding).
There’s also a small, sharp feature in the directivity near 1.1 kHz. I believe this comes from the woofer’s large-roll surround, as I’ve observed the same behaviour even on a wider baffle.
Since this is a DSP-based design, it would be straightforward to implement @Maiky76’s EQ suggestions directly in the product. I’d be interested to hear the general view on whether that would be desirable.
Just because it's pretty - individual 'score' EQ filters:
Not that anyone asked, but for reference, there’s a ¼-inch UNC threaded insert on the bottom of the LBM, allowing it to be mounted on most photographic stands or arms.
Finally, those who enjoy the technical side might like to read the >white paper< I prepared for the LBM.
The current USD price for the product version inc. shipping to the USA is $777 (Oct '25).