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Audio by Van Alstine ABX Comparator Review

amirm

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This is a review and measurements of the Audio by Van Alstine (AVA) ABX Comparator. It is discontinued but I purchased it for US $1,300.
AVA ABX Comparator blind testing Audio Review.jpg

This is a multipurpose AB testing device, capable of switching and level matching both amplifiers and sources:
AVA ABX Comparator blind testing Audio amplifier DAC back panel Review.jpg

This it third and last known ABX comparator that I know of. Reviewer, Josh Mound used this very box to perform blind testing of a few DACs. Results were remarkable with reviewer being able to confidently tell the DACs apart going way past any conventional wisdom. With the exception of two tests which were 15 correct outcomes out of 16, the rest were 16 out of 16! As a trained listener, even when I find differences between files, it is very difficult to get such perfect scores when differences become vanishingly small.

As you can imagine, massive thread was generated on validity of the results and potential for errors that would lead to such extreme results. Ultimately though, we could not get far just reading the words of the self administrating tester. I won't bore you with the details but eventually members and I managed to purchase the comparator to test.

I am going to reveal the punchline now. Josh in his article mentions: " A small, uniform click sounds with every button press, concealing whether an actual switch has occurred." This is key as switching is done by a relay which can naturally sound different when pulled closed by a magnetic field and then let back open via a spring. One of the earliest adopters of ABX testing was the Boston Audio Society. They put a subjectivist under ABX testing with professor Vanderkooy as a guest observer. Even though the subject failed the test, Vanderkooy made this critical observation:

"I expressed my desire to try the test, and Remington went to cue up the record again, but I requested to be allowed to undertake the test with no signal passing though the system. Before realizing the import of what he was saying, Vanderkooy interjected: "Ah! You're going to listen to the sound of the relays." Yes, there is indeed a slight audible difference between the acoustic "click" made when the "A" and "B" relays pull in. This is due to the unavoidable differences in the mounting positions of the relay on the A/B/X box chassis and, although slight, it can be heard if one listens for it. I replied that I was going to listen to the difference in background hiss, and the subsequent series of blind trials showed conclusively that the two signal paths could be reliably distinguished on this basis alone."

Naturally I tested the same by pressing the 1 and 2 buttons on the remote which switch sources. The distinction was clear. In one direct the sound went "up" with more of a high frequency accent and the other more muted droop. I wanted to make sure I was right so I invited my wife to come and listen. I told her to listen to the sound and that there could, or could not be a difference. She immediately said they sounded different. Wanting to make sure I asked her what the difference was and she explained it exactly as I did! I tried recording the sound using my phone but the mic is not good enough to record the full spectrum.

Now, if you have the unit far away and using it to switch amplifiers while playing loud, you may have a hard time hearing the difference. But in close proximity, testing DACs with headphones/IMEs, it would be trivial to intentionally game the system and listen for the relay difference. The device makes this easy as you can go backward in the sequence so even if you forgot what the last relay sounded like, you can refresh your memory.

The system is simply not fit for any testing for external publishing. For your own, you can choose to block the sound and such. But as evidence of audible difference in sources at least, it is useless.

I also have to wonder how someone who says he can tell the difference between DACs can't hear differences between relay clicks!

Basically the job is done now but let's measure the thing while we have it anyway.

Audio by Van Alstine ABX Comparator Measurements
I set the level to max 99 and fed the input A 2 volts and measured output A:
AVA ABX Comparator blind testing Audio Measurement.png

I expected less than stellar performance but this is entirely too much distortion. There is also a bunch of power supply noise which I could not impact with any grounding scheme. I think in the long thread we talked about poor routing of cables and such, making the unit susceptible to noise pick up.

Yes, it is the same impact on both devices under test but surely this level of distortion easily dwarfs distortion spikes in original DACs that are orders of magnitude lower. As a way of reference, this is the dashboard for one of the DACs tested by the reviewer:
index.php


Noise performance is not bad but again not appropriate for testing DACs and some high performance amplifiers:
AVA ABX Comparator blind testing Audio SNR Measurement.png


We were told that there were passive attenuators used for level matching. So I tested frequency response at different levels of attenuation:
AVA ABX Comparator blind testing Audio Frequency Response Measurement.png

If you are a young person and have to really adjust levels down, then it is possible that you can tell the impact on that source due to roughly 0.4 dB extra attenuation at 20 KHz.

I didn't see a reason to keep testing.

EDIT: I performed some listening tests and additional measurements, showing variable output impedance impacting level matching: https://www.audiosciencereview.com/...tine-abx-comparator-review.73737/post-2695263

Conclusions
It should be obvious that there was no reason for us to go through the expense and effort of testing this ABX comparator. There is clear mechanical noise which gives away the identity of the source. The reviewer claim that the sound is "uniform" shows either extremely poor ability to listen for differences, or dishonest reporting of the device characteristic.

Even ignoring that, the measurements show dramatic level of distortion and to some extent, noise, impacting source DACs. We are talking whopping 50 dB extra distortion! Heck, you could almost replace the comparator with a tube amp and more or less be just as badly situated. No way any characteristics of the original DAC sound is left to analyze. Any super human detection ability would be seriously offended by this massive increase in distortion. The fact that the reviewer was not experiencing such, shows lack of ability to hear clear impairments. We could use this as some kind of control and dismiss the listener as not being qualified to enter the next phase of detecting differences in DACs.

Much thanks to member @NTTY for initiating and helping fund purchase of the comparator.

Not that you could buy one but if you wanted to, better wait for the community version being designed.
------------
As always, questions, comments, recommendations, etc. are welcome.
Appreciate any donations using: https://www.audiosciencereview.com/forum/index.php?threads/how-to-support-audio-science-review.8150/
 
Last edited:
This is a review and measurements of the Audio by Van Alstine (AVA) ABX Comparator. It is discontinued but I purchased it for US $1,300.
View attachment 562415
This is a multipurpose AB testing device, capable of switching and level matching both amplifiers and sources:
View attachment 562416
This it third and last known ABX comparator that I know of. Reviewer, Josh Mound used this very box to perform blind testing of a few DACs. Results were remarkable with reviewer being able to confidently tell the DACs apart going way past any conventional wisdom. With the exception of two tests which were 15 correct outcomes out of 16, the rest were 16 out of 16! As a trained listener, even when I find differences between files, it is very difficult to get such perfect scores when differences become vanishingly small.

As you can imagine, massive thread was generated on validity of the results and potential for errors that would lead to such extreme results. Ultimately though, we could not get far just reading the words of the self administrating tester. I won't bore you with the details but eventually members and I managed to purchase the comparator to test.

I am going to reveal the punchline now. Josh in his article mentions: " A small, uniform click sounds with every button press, concealing whether an actual switch has occurred." This is key as switching is done by a relay which can naturally sound different when pulled closed by a magnetic field and then let back open via a spring. One of the earliest adopters of ABX testing was the Boston Audio Society. They put a subjectivist under ABX testing with guess professor Vanderkooy as an observer. Even though the subject failed the test, Vanderkooy made this critical observation:

"I expressed my desire to try the test, and Remington went to cue up the record again, but I requested to be allowed to undertake the test with no signal passing though the system. Before realizing the import of what he was saying, Vanderkooy interjected: "Ah! You're going to listen to the sound of the relays." Yes, there is indeed a slight audible difference between the acoustic "click" made when the "A" and "B" relays pull in. This is due to the unavoidable differences in the mounting positions of the relay on the A/B/X box chassis and, although slight, it can be heard if one listens for it. I replied that I was going to listen to the difference in background hiss, and the subsequent series of blind trials showed conclusively that the two signal paths could be reliably distinguished on this basis alone."

Naturally I tested the same by pressing the 1 and 2 buttons on the remote which switch sources. The distinction was clear. In one direct the sound went "up" with more of a high frequency accent and the other more muted droop. I wanted to make sure I was right so I invited my wife to come and listen. I told her to listen to the sound and that there could, or could not a difference. She immediately said they sounded different. Wanting to make sure I asked her what the difference was and she explained it exactly as I did! I tried recording the sound using my phone but the mic is not good enough to record the full spectrum.

Now, if you have the unit far away and using it to switch amplifiers while playing loud, you may have a hard time hearing the difference. But in close proximity, testing DACs with headphones/IMEs, it would be trivial to intentionally game the system and listen for the relay difference. The device makes this easy as you can go backward in the sequence so even if you forgot what the last relay sounded like, you can refresh your memory.

The system is simply not fit for any testing for external publishing. For your own, you can choose to block the sound and such. But as evidence of audible difference in sources at least, it is useless.

I also have to wonder how someone who says he can tell the difference between DACs can't hear differences between relay clicks!

Basically the job is done now but let's measure the thing while we have it anyway.

Audio by Van Alstine ABX Comparator Measurements
I set the level to max 99 and fed the input A 2 volts and measured output A:
View attachment 562418
I expected less than stellar performance but this is entirely too much distortion. There is also a bunch of power supply noise which I could not impact with any grounding scheme. I think in the long thread we talked about poor routing of cables and such, making the unit susceptible to noise pick up.

Yes, it is the same impact on both devices under test but surely this level of distortion easily dwarfs distortion spikes in original DACs that is orders of magnitude lower. As a way of reference, this is the dashboard for one of the DACs tested by the reviewer:
index.php


Noise performance is not bad but again not appropriate for testing DACs and some high performance amplifiers:
View attachment 562419

We were told that there were passive attenuators used for level matching. So I tested frequency response at different levels of attenuation:
View attachment 562420
If you are a young person and have to really adjust levels down, then it is possible that you can tell the impact on that source due to roughly 0.4 dB extra attenuation at 20 KHz.

I didn't see a reason to keep testing.

Conclusions
It should be obvious that there was no reason for us to go through the expense and effort of testing this ABX comparator. There is clear mechanical noise which gives away the identity of the source. The reviewer claim that the sound is "uniform" shows either extremely poor ability to listen for differences, or dishonest reporting of the device characteristic.

Even ignoring that, the measurements show dramatic level of distortion and to some extent, noise, impacting source DACs. We are talking whopping 50 dB extra distortion! Heck, you could almost replace the comparator with a tube amp and more or less be just as badly situated. No way any characteristics of the original DAC sound is left to analyze. Any super human detection ability would be seriously offended by this massive increase in distortion. The fact that the reviewer was not experiencing such, shows lack of ability to hear clear impairments. We could use this as some kind of control and dismiss the listener as not being qualified to enter the next phase of detecting differences in DACs.

Much thanks to member @NTTY for initiating and helping fund purchase of the comparator.

Not that you could buy one but if you wanted to, better wait for the community version being designed.
------------
As always, questions, comments, recommendations, etc. are welcome.
Appreciate any donations using: https://www.audiosciencereview.com/forum/index.php?threads/how-to-support-audio-science-review.8150/
Thank you for bringing the light of science to the dark.
 
Thank you to the members who made this review possible.
 
So Josh was lying. What a surprise.
Not necessarily, by using this device the results can be either random due to its performance being magnitudes worse than the DUT .Or skewed by the clever hans effect due to tells by the relays or something completely unknowable ( my pow ) , no point in speculating further.
 
This is really unfortunate. Such an ingenious device. A good version of this should be in the hands of every audio reviewer.

Also, I think it would be good from both a scientific standpoint as well as when putting our flame suits on to have a good recording of the differences in sound. Dunno where this thing is going after testing but hopefully to someone who has an adequate microphone setup.
 
This result is only valid if she heard it from the kitchen. Sorry, I don't make the rules.
Well, she wasn't in the kitchen at that time of I would have followed protocol.
 
Thanks for testing, @amirm . What a miserable unit. Almost 10 years ago I designed and built an AB box with much better parameters.


IMG_4632.jpeg


IMG_4636.jpeg


IMG_4723.jpeg


Looking at the measured results of the Van Alstine box + remarks on clicks, and uncontrolled test conditions, it may be said that the results and outcome of the @Josh83 tests are untrustworthy.
 
I look forward to the day when it is financially viable for a performant ABX comparator to be offered at Tested Audio dot com. :)
 
@amirm thanks for testing.

It clears things up... a little.
A little analysis.

The added distortion (-75dB) is in the estimated ballpark range of what was expected. Fortunately on both channels in the same way and have to assume this is not attenuation level dependent as in all cases the added distortion will be caused by the 'switch selector' in the volume control IC.
The AD5262 datasheet states worst case is 0.014% and the measurement is a little worse 0.017% so seems correct.
Assuming this is the same for 90 setting as well there is a measurable amount of distortion added and is also relatively high for the more audible higher harmonics.
0.02% THD is something I have never been able to detect using music (because of all the masking going on) so is not alarmingly high but ... undesirable.
Distortion is the same on both channels so the difference (which is what counts) is much, much smaller and this is what's important in an ABX.... the difference.

Some missing info is the used load capacitance and load resistance.
The roll-off will depend on the load capacitance which most likely will be determined by the cable and when it is going into an amplifier might also be influenced by the input capacitance. It thus can only get worse.

An interesting measurement is the attenuation vs frequency response.
At 99 setting (max volume) and, I assume, 100k load of the APX555 we get 1.56dB attenuation and with the used RCA cable a -0.2dB roll-off at 20kHz.

This would calculate as the box having an output resistance of 20k (assuming 100k load, when another load is used that doesn't fly anymore).
This would be an unusual high output resistance as the chip itself would be around 60ohm at 99 volume setting.
It is not unthinkable that, because the 20k IC was used the designer added 20k to the 'wiper' so input and output R would be the same.
This would not have been a good decision if that were the case.

When the box was loaded with 600ohm the output R would be 118ohm which would be closer to the minimum 60ohm of the used volume control IC.
When the box was loaded with 10k (your average power amp) the output R would calculate as 2k.

When the second DAC were to have a different output level that resistance value would increase a little resulting in a lower cut-off frequency.
This is what is measured as well. Seeing what Josh wrote that the different DACs were only different a little and the setting was somewhere between 99 and 90 the 90 setting measurement is handy.
At 90 setting an extra 1.2dB attenuation is present and at 20kHz the roll-off is -0.4dB so -0.2dB with the used load extra.
The roll-off (and subsequent phase rotation) difference will have been max. 0.2dB at 20kHz (and less at lower frequencies).
No idea if such a small difference at 20kHz (and much smaller at 10kHz) is audible and could be a reason.

At setting 80 (2.5dB difference which could happen if DAC A is 2V out and DAC B is 1.5V or 2.7V the roll-off at 20kHz (for the used RCA cable) is -0.6dB so a 0.4dB difference which may well be audible for a young tester.

Missing info is the load resistance and capacitance.

I'm afraid the results aren't conclusive as only the difference between the inputs is what is ABX'ed and those differences are negligible for distortion despite the decrease in fidelity of the box itself (SINAD 75, distortion dominated).

The questionable part is either a difference in 'mute' time (which most likely is not present or too small to detect and is not measured) or a barely audible difference in HF roll-off (at 20kHz) and/or phase difference which would depend on the used RCA cable and load impedance.

I'm fairly certain (given my experience with blind testing in the past) that I would not be able to pass the test based on the measured and expected differences.
There is a considerable measured change brought by the box when using the volume control of the box.

Anyway interesting results.
 
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Thanks, @amirm: very helpful. I was wondering: why not mask the relay noise with random sound loud enough to blur the signature of the click?
The click is masked with an extra relay and muted during switching so that relay switching (make and break have different timing) this should not create a tell.
At least this would be present in the later versions and this is one of those.
This is not verified by testing so we can only assume this works as designed.
The clicks in the box would be audible when listening to the box only but with headphones and/or speakers at 'active listening levels' the soft clicking of relays in a closed box would not be audible as it would be way too low in level compared to the music playing at the same time.
 
This is very revealing. What a shame that this thing exists at all.

Oh well. Thank you @amirm for your work.
 
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