This is exactly my problem with noise. Cannot stand it when nothing is playing. While sound is playing, sure, don't need ultra low levels.
I would short it to: SINAD as low at possible for a comfortable price without compromise to comfort (longevity).A high percentage of audiophile discussions go...
In the end, everybody keeps their original opinion.
- "Wow this device has the best SINAD ever, awesome"... then someone counters...
- "But what's the point - no one can hear that!"
- Then someone asks for clarification "So how much is good enough?" (which is always YMMV) ...or...
- "How much is too much? Isn't this a case of complete over-engineering?"
On the S/N front, like many said, toa large degree it depends on your environment. If I take the test above while riding Caltrain to San Francisco, I'll get very different results than if I do it in my listening room at home (very quiet when the cats behave). And if I moved 300ft underground in an abandoned salt mine with an anechoic room, my needs would again change, most likely. Plus at some point in time other measurements become more relevant than the quest for the highest S/N.
I would totally sign off on that, but then again we also know the "comfortable price" is a huge sliding scale depending on the particular customer.I would short it to: SINAD as low at possible for a comfortable price without compromise to comfort (longevity).
Not?
I have a noise meter. Early in the morning with the windows closed and holding my breath I get 33 dBA of noise. Listening is measured as 60-70 dBA. So in reality, in terms of pressure, I get the need for 37 dBA of dynamic range. Okay, 53 dBA to get the measured 86 dBA. But it doesn't last long because it's uncomfortable. Isn't that why people have been enjoying music recordings for almost a hundred years, even though the noise level used to be much higher?And if I moved 300ft underground into an abandoned salt mine with an anechoic room, my needs would again change, most likely.
That is a factor I can subscribe to.I have a noise meter. Early in the morning with the windows closed and holding my breath I get 33 dBA of noise. Listening is measured as 60-70 dBA. So in reality, in terms of pressure, I get the need for 37 dBA of dynamic range. Okay, 53 dBA to get the measured 86 dBA. But it doesn't last long because it's uncomfortable. Isn't that why people have been enjoying music recordings for almost a hundred years, even though the noise level used to be much higher?
There is no such thing as a single noise number, or single loudness level. Both have spectrum and that spectrum determines how audible/loud they are. I have covered this topic in detail in this video:I have a noise meter. Early in the morning with the windows closed and holding my breath I get 33 dBA of noise. Listening is measured as 60-70 dBA. So in reality, in terms of pressure, I get the need for 37 dBA of dynamic range. Okay, 53 dBA to get the measured 86 dBA. But it doesn't last long because it's uncomfortable. Isn't that why people have been enjoying music recordings for almost a hundred years, even though the noise level used to be much higher?
I did got a -70 but I had to really try,headphones this time (Audeze LCD-X) :
As to older equipment, it was annoyingly noisy.
I very much doubt that given the SNR of ~72 dB with 3% distortion.In my direct studio experience (1977, Supraphon), Studer A80 was reasonably quiet machine, especially with Dolby A. There are hundreds of recordings proving that.
https://tile.loc.gov/storage-servic...Studer A80-RC Professional Tape Recorders.pdf
No, no cheating (how could I cheat that?)Great! No cheating? Deltawave creates quite inaudible delta noise file when not turning up the volume from the normal listening level. And also the test should be done somewhere inside the files, not at the beginning, because noise addition makes discernable initial transients when you start the files from zero time. This may be the case during fast switching between the files as well.
And also the test should be done somewhere inside the files, not at the beginning, because noise addition makes discernable initial transients when you start the files from zero time. This may be the case during fast switching between the files as well.
Foobar's ABX comparator applies fade-in and fade-out when switching between the files and also when starting/ending playback but only if the start/end position is set to something different than the files' start/end.No sudden level changes too that I could get if that's what you're saying about transients.
foo_abx 2.2 report
foobar2000 v2.1.4
2025-07-31 13:13:19
File A: test200_-70.wav
SHA1: bf8fa05f934aec054ce37c081ce6e95f4c88dd80
File B: test200_pure.wav
SHA1: d7fff78fe16f3d5974690a2a4510053f08cac287
Output:
Default : Hodetelefoner (Fosi Audio SK02)
Crossfading: NO
13:13:19 : Test started.
13:13:25 : Test restarted.
13:13:25 : 01/01
13:13:31 : Test restarted.
13:13:31 : 02/02
13:13:36 : Test restarted.
13:13:36 : 03/03
13:13:45 : Test restarted.
13:13:45 : 04/04
13:13:50 : Test restarted.
13:13:50 : 05/05
13:13:57 : Test restarted.
13:13:57 : 06/06
13:14:01 : Test restarted.
13:14:01 : 07/07
13:14:08 : Test restarted.
13:14:08 : 08/08
13:14:12 : Test restarted.
13:14:12 : 09/09
13:14:17 : Test restarted.
13:14:17 : 10/10
13:14:21 : Test restarted.
13:14:21 : 11/11
13:14:27 : Test restarted.
13:14:27 : 12/12
13:14:31 : Test restarted.
13:14:31 : 13/13
13:14:37 : Test restarted.
13:14:37 : 14/14
13:14:48 : Test restarted.
13:14:48 : 15/15
13:14:53 : Test restarted.
13:14:53 : 16/16
13:14:53 : Test finished.
----------
Total: 16/16
p-value: 0 (0%)
-- signature --
ab20f799b7bb3527bc54f01459ef67785a489ba2
That's my settings, as always, I choose a small duration so I can fast rapid them.Foobar's ABX comparator applies fade-in and fade-out when switching between the files and also when starting/ending playback but only if the start/end position is set to something different than the files' start/end.
Unfortunately it doesn't apply the fade when staring/ending playback if the start/end positions are not changed (i.e. full files is played). If the files don't have fade-in/out baked in, this will create discontinuity click when starting/ending playback. I'm guessing that pma's worry is that adding noise to one file may have audibly changed the character of this discontinuity click.
Though the actual problem with these specific files is that they are different at the start/end, regardless of noise. Looks like some kind of fade-in/out was applied to the file with the noise but not to the "pure" one:
View attachment 466683
View attachment 466684
Redoing the test with Salnotes Zero was eaven easier, I could pick identify the X of each test alone without comparing to A or B. To my ears the samples have a different timbre which I find easy to recognize. I don't know if this is "cheating" or not, as per the discussion above.I'm not sure I did this correctly, I could identify X without listening to A or B:
HK80 connected to FOSI SK02