Nothing can re-create sound we hear in a concert hall from a philharmonic orchestra in our living room. It is technically impossible.
I would beg to differ. When we manage to re-create the original 3D-sound field in large enough space around the listener's head, say within a sphere of 1m diameter, there is nothing in the audible domain that could give tells that this is not the original event.
WFS (Wave Field Synthesis) can do this and has been proven to work experimentally at least.
With current recordings and playback systems you are right, of course. Then again, it has been shown that people might not prefer a playback that is actually a true capture of the live event sound field as other perceptional cues are missing, optical first and foremost. I mean, even if the playback signal is true mono we tend to locate the sound of a guitar player from the side where he is located on the stage we see in live concert or video recording.
Rather, the goal is to create a palpable and plausible
illusion of a live event even without those other cues. For this, among other things, stronger separation of all the phantom sources than in real life will be useful and that will probably still be the case even with full-blown WFS.