This is a review and detailed measurements of the original ATC SMC19 speaker. There is now a second variation with their in-house tweeter. This is the original which I call "V1." The V2 costs US 4,000 which I assume what the V1 cost. It was kindly sent to me by a member for testing.
The SCM19 is by far the heaviest bookshelf speaker I have tested. You or I should say I, could barely lift it up to the 5 foot high measuring platform. It clocks at whopping 40 pounds! Overall look of the unit is on the serious side with a damped industrial looking woofer with seemingly long travel capability:
My impression from feeling and picking up the unit was that this is going to be one dynamic speaker.
The back panel shows lack of port and dual binding posts:
Zooming in we see the pedigree of the speaker:
Designed and manufactured in Gloucestershire, England.
Measurements that you are about to see were performed using the Klippel Near-field Scanner (NFS). This is a robotic measurement system that analyzes the speaker all around and is able (using advanced mathematics and dual scan) to subtract room reflections (so where I measure it doesn't matter). It also measures the speaker at close distance ("near-field") which sharply reduces the impact of room noise. Both of these factors enable testing in ordinary rooms yet results that can be more accurate than an anechoic chamber. In a nutshell, the measurements show the actual sound coming out of the speaker independent of the room.
I used over 800 measurement point which was sufficient to compute the sound field of the speaker.
I usually use the tweeter center as the measurement axis. The manual for SCM19 states that the acoustic center is between the tweeter and woofer rings so I compensated for that by lowering the measurement center to be 4 centimetres lower. This made a tiny difference (likely due to size of the speaker and my measurement distance).
Spinorama Audio Measurements
Acoustic measurements can be grouped in a way that can be perceptually analyzed to determine how good a speaker can be used. This so called spinorama shows us just about everything we need to know about the speaker with respect to tonality and some flaws:
What??? The heck kind of response is this? Giant boost in midrange and lower treble?
On top of that we have directivity mismatch when the woofer hands the signal to the tweeter. The former's beam is narrowing while the tweeter's is wide resulting in off-axis sound in that region to have different tonality than direct. In a reversal fortunes, the off-axis looks more proper:
Putting the two together we get a predicted in-room response of:
We are going to have too little bass with a lot of mid-range and presence. Given how important bass is to our perception of fidelity (about one third), this seems like the wrong choice of response.
I expected the mean looking woofer and high price of the unit to result in very low distortion. But that was not accomplished either:
Here it is in absolute level:
The beam width (how wide the region with close tonality is) on the horizontal axis is on the low side at +- 50 degrees:
Here it is in 3-d diagram:
And vertical:
Lack of port removes one of the peaks in our impedance curve:
We see a "kink" in the impedance/phase graph at around 700 Hz indicating resonance. That is also the point of high distortion. It also shows up in CSD/waterfall display:
Speaker Listening Tests
You all keep asking me to listen to the speaker before measuring. So this time as the system was crunching the equations I did precisely that, fully biased on the incredible heft of the speaker and beefy speakers expecting to be blown away by the dynamics.
The "5 second" impression was an incredible presentation of high frequency notes. They sounded like they were jumping out of the speaker and reaching toward me. I thought, "oh yeh, this is going to be good!" Then the vocals came. Hmmm. They don't sound right. But yet, enough audiophile tracks. Let's queue up some bass heavy tracks.
What? Where is the bass? What is that woofer doing? It sure is not moving much. I turned up the volume but now the mids and highs were getting quite loud and annoying.
At this point I stop and get the measurements and see the lack of bass. So I pull up the EQ in my Roon player and put on my surgical outfit to fix what shouldn't need fixing. First thing I did was put in a low shelf to boost the bass:
That is filter Band 2. Was happy for 10 seconds until I turned up the volume and the woofer bottomed out! I thought for sure it could handle that 2 dB peak. But no, it was not happy at all.
Suspecting that the problem was deep bass, I dialed in Band 3 which cuts out the lowest bass registers. This has minimal impact on amount of bass but nicely eliminated the woofer from bottoming out (and getting seriously distorted).
Now we had a pleasant speaker. But hey, if am going to play speaker designer with equalization, why did I pay the factory $4,000???
Conclusions
ATC is another "PRO" company producing hi-fi speaker. My impression of any such company is that they would produce speakers that would have a neutral and balanced frequency response and hence tonality. I can't fathom how they would produce something like the SCM19. The results are so poor that I am suspecting my measurements must be wrong. But then the listening tests confirmed the same.
I read that the new version uses in-house tweeter. That seems like the wrong problem to try to solve. They should fix the woofer first.
Needless to say, I can not recommend the ATC SCM19 (version 1).
------------
As always, questions, comments, recommendations, etc. are welcome.
Drive nearly 200 miles today to drop off and pick up some gear to test from local members. Last I checked, cars are not free to run so please donate what you can using: https://www.audiosciencereview.com/forum/index.php?threads/how-to-support-audio-science-review.8150/
The SCM19 is by far the heaviest bookshelf speaker I have tested. You or I should say I, could barely lift it up to the 5 foot high measuring platform. It clocks at whopping 40 pounds! Overall look of the unit is on the serious side with a damped industrial looking woofer with seemingly long travel capability:
My impression from feeling and picking up the unit was that this is going to be one dynamic speaker.
The back panel shows lack of port and dual binding posts:
Zooming in we see the pedigree of the speaker:
Designed and manufactured in Gloucestershire, England.
Measurements that you are about to see were performed using the Klippel Near-field Scanner (NFS). This is a robotic measurement system that analyzes the speaker all around and is able (using advanced mathematics and dual scan) to subtract room reflections (so where I measure it doesn't matter). It also measures the speaker at close distance ("near-field") which sharply reduces the impact of room noise. Both of these factors enable testing in ordinary rooms yet results that can be more accurate than an anechoic chamber. In a nutshell, the measurements show the actual sound coming out of the speaker independent of the room.
I used over 800 measurement point which was sufficient to compute the sound field of the speaker.
I usually use the tweeter center as the measurement axis. The manual for SCM19 states that the acoustic center is between the tweeter and woofer rings so I compensated for that by lowering the measurement center to be 4 centimetres lower. This made a tiny difference (likely due to size of the speaker and my measurement distance).
Spinorama Audio Measurements
Acoustic measurements can be grouped in a way that can be perceptually analyzed to determine how good a speaker can be used. This so called spinorama shows us just about everything we need to know about the speaker with respect to tonality and some flaws:
What??? The heck kind of response is this? Giant boost in midrange and lower treble?
On top of that we have directivity mismatch when the woofer hands the signal to the tweeter. The former's beam is narrowing while the tweeter's is wide resulting in off-axis sound in that region to have different tonality than direct. In a reversal fortunes, the off-axis looks more proper:
Putting the two together we get a predicted in-room response of:
We are going to have too little bass with a lot of mid-range and presence. Given how important bass is to our perception of fidelity (about one third), this seems like the wrong choice of response.
I expected the mean looking woofer and high price of the unit to result in very low distortion. But that was not accomplished either:
Here it is in absolute level:
The beam width (how wide the region with close tonality is) on the horizontal axis is on the low side at +- 50 degrees:
Here it is in 3-d diagram:
And vertical:
Lack of port removes one of the peaks in our impedance curve:
We see a "kink" in the impedance/phase graph at around 700 Hz indicating resonance. That is also the point of high distortion. It also shows up in CSD/waterfall display:
Speaker Listening Tests
You all keep asking me to listen to the speaker before measuring. So this time as the system was crunching the equations I did precisely that, fully biased on the incredible heft of the speaker and beefy speakers expecting to be blown away by the dynamics.
The "5 second" impression was an incredible presentation of high frequency notes. They sounded like they were jumping out of the speaker and reaching toward me. I thought, "oh yeh, this is going to be good!" Then the vocals came. Hmmm. They don't sound right. But yet, enough audiophile tracks. Let's queue up some bass heavy tracks.
What? Where is the bass? What is that woofer doing? It sure is not moving much. I turned up the volume but now the mids and highs were getting quite loud and annoying.
At this point I stop and get the measurements and see the lack of bass. So I pull up the EQ in my Roon player and put on my surgical outfit to fix what shouldn't need fixing. First thing I did was put in a low shelf to boost the bass:
That is filter Band 2. Was happy for 10 seconds until I turned up the volume and the woofer bottomed out! I thought for sure it could handle that 2 dB peak. But no, it was not happy at all.
Suspecting that the problem was deep bass, I dialed in Band 3 which cuts out the lowest bass registers. This has minimal impact on amount of bass but nicely eliminated the woofer from bottoming out (and getting seriously distorted).
Now we had a pleasant speaker. But hey, if am going to play speaker designer with equalization, why did I pay the factory $4,000???
Conclusions
ATC is another "PRO" company producing hi-fi speaker. My impression of any such company is that they would produce speakers that would have a neutral and balanced frequency response and hence tonality. I can't fathom how they would produce something like the SCM19. The results are so poor that I am suspecting my measurements must be wrong. But then the listening tests confirmed the same.
I read that the new version uses in-house tweeter. That seems like the wrong problem to try to solve. They should fix the woofer first.
Needless to say, I can not recommend the ATC SCM19 (version 1).
------------
As always, questions, comments, recommendations, etc. are welcome.
Drive nearly 200 miles today to drop off and pick up some gear to test from local members. Last I checked, cars are not free to run so please donate what you can using: https://www.audiosciencereview.com/forum/index.php?threads/how-to-support-audio-science-review.8150/
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