The 19 and 20SL's all seem to have this basic response (the 20ASL Pro's I had definitely did, although the actives had a bass-lift control to help flatten the lower midrange) but not sure my original 20 passives from thirty years back did anything like as much although there was a measured response 'glitch' where the dome took over at 600hz or so. Equalising the bass up a little (+2 on the control) on my 20ASL pro's gave a 'thumpy' bass quality nothing whatsoever like the easy 100A 'tones' I loved so much back then - why I'm suspicious of the small-cone wonder-monitors with DSP to extend the bass down unnaturally for such a small driver...
Yes, they need good old fashioned POWER to move them along, but power is cheap today, so not an issue if they appeal. The 19A active floor standers are brightly lit I admit, but in a smaller room and set close to the wall behind, I didn't find it at all unpleasant (no eq settings on these from memory).
Subject to confirmation, I'd suggest the SCM11 model may well be more neutrally balanced, but again, cheaper far eastern made speakers now may make it look too expensive (I'm thinking babies from Wharfedale Diamond, the Linton Heritage which come with stands cheaper in the UK, Q Acoustics if their current range hasn't gone off the boil in terms of subjective balance and so on - I'm suspicious of KEF's at this price but that may well be unfair).
I hope ATC can continue and eventually to innovate again. Not sure the personnel are there now to be allowed to do it now Billy's gone.