David will probably fill you in, but probably info in the forums at Ascend's site too.Excellent performance for the price.
Anybody know what the woofer is? It looks like a SEAS custom design of some sort...
David will probably fill you in, but probably info in the forums at Ascend's site too.Excellent performance for the price.
Anybody know what the woofer is? It looks like a SEAS custom design of some sort...
All transducers are from SEAS as per Dave on his forum. In fact, all of Dave's transducers are SEAS today AFAIK.Excellent performance for the price.
Anybody know what the woofer is? It looks like a SEAS custom design of some sort...
Excellent performance for the price.
Anybody know what the woofer is? It looks like a SEAS custom design of some sort...
I stand corrected.Fully custom and designed by me, loosely based on the original CBM-170 woofer which was an aerogel model made for us by Audax in France. It is not manufactured by SEAS, the tweeter is manufactured for us by SEAS. We are now at iteration # 4 of our custom 170 woofer.
Yes, the lack of waveguides for the dome tweeters is about the only qualm I have with Ascend. Well, that and the lack of in-wall designs, but I suspect that one is mostly a me thing.Can't wait for this company to start developing waveguides.
Nice! I'm sure having drivers designed with the behavior you want eases a lot of crossover difficulties.Fully custom and designed by me, loosely based on the original CBM-170 woofer which was an aerogel model made for us by Audax in France. It is not manufactured by SEAS, the tweeter is manufactured for us by SEAS. We are now at iteration # 4 of our custom 170 woofer.
Nice! I'm sure having drivers designed with the behavior you want eases a lot of crossover difficulties.
I would like to provide additional context for my question.It is unclear how they achieve a good-looking spin curve without a waveguide on the tweeter when it is crossed over to a 6.5-inch woofer.
It is unclear how they achieve a good-looking spin curve without a waveguide on the tweeter when it is crossed over to a 6.5-inch woofer.
I would like to provide additional context for my question.
The cabinet width is unchanged between the CBM-170 SE and CBM-170 SE2 models, and the tweeter remains flush-mounted. However, the Olive index increased from 6.55 to 8.73 with a perfect subwoofer.
Considering the speaker’s price point, the crossover network likely uses a limited number of components. It is unexpected that the crossover optimization software, which now has anechoic data from the Klippel system, produced these results. I would appreciate insights from the ASR community on this outcome.
I’m assuming these tracks are two-channel if not multichannel. When you listen to them through a single speaker, how are the channels summed? (Also assuming you don’t listen to L only or R only.)My reference tracks, one by one, impressed with no excuses needed to be made. Closing my eyes, I perceived a very large spatial image that helped in that regard. I am talking about a bubble that was 6 feet or more around and above the speaker! With a pair, the CBM-170SE2 will fill a large stage with delightful tonality and accuracy.
Stereo tracks and no summing. Much of modern music i listen to has similar content in both channels. So listening to one is sufficient without all the drawbacks of trying to convert to mono.I’m assuming these tracks are two-channel if not multichannel. When you listen to them through a single speaker, how are the channels summed? (Also assuming you don’t listen to L only or R only.)
Indeed. A single scan performed by an outside company cost about $1,000. So we are talking about $100K opportunity cost!Over 100 scans. Jaw dropping. I think the effort you save has already paid itself off with just one project.
Using WGs doesn't automatically mean narrow dispersion but ideally smooth/continuous one as a waveguide can be even used to widen the radiation at some region, a ultra wide one isn't beneficial when is limited just to some regions.I actually hope they avoid "waveguides". Broad dispersion sounds so good.
Off course you can, that is an old trick, matching the directivity of the tweeter and woofer by choosing the right crossover point and slopes (so the transition is smooth). It's a bit a lost art in times of waveguides i have the impression, but it used to make the difference between good and bad speakers. On DIYaudio this used to be (and still is in a lot of builds) an important factor in good speaker and crossover design.It is interesting to compare the directivities to its predecessor on the same scale which Amir had named poor back then:
View attachment 549569
While the improvement on the early directivity index is rather small, the total directivity index (and thus sound power) has smoothed significantly which shows that despite of the lack of WG quite some improvement can be achieved by clever tuning of the crossover.