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A bit surprising for me is that the same issue found in both the speakers (both woofers) which seems to be quite unlikely unless its common character of the product (woofer) or it was caused by something during testing - just a guess though.
Erin did mention replacement woofers but I felt he refrained speaker any further which is a bit unlikely of him, normally he would tell whatever is there like he did for any other products in the same livestream. Probably he hasn't spent time on new ones yet.
I think his review of Sierra-LX may be a bit delayed as he mentioned couple of others speakers for review in coming days.
 
A bit surprising for me is that the same issue found in both the speakers (both woofers) which seems to be quite unlikely unless its common character of the product (woofer) or it was caused by something during testing - just a guess though.
Erin did mention replacement woofers but I felt he refrained speaker any further which is a bit unlikely of him, normally he would tell whatever is there like he did for any other products in the same livestream. Probably he hasn't spent time on new ones yet.
I think his review of Sierra-LX may be a bit delayed as he mentioned couple of others speakers for review in coming days.
That’s a good point. You know, I can’t completely dismiss whether I might have caused the woofer to go bad through my usage of them over a three month period. I didn’t really treat those speakers with kid gloves and they were powered by a very capable amp, though within the spec ratings for continuous power (NC502mp/350w). However, they were crossed over at 80hz with Minidsp and an SVS-3000 micro for most of their life. I also try not to go beyond 85dba avg at my listening position of about 9ft away.

I’m more inclined to think it wasn’t due to my listening habits because they both exhibited the same peak and dip at around the same 2khz frequency, like what are the chances? No audible distortion either.

I’m sure we will get down to the bottom of it!
 
I’m more inclined to think it wasn’t due to my listening habits because they both exhibited the same peak and dip at around the same 2khz frequency, like what are the chances? No audible distortion either.
Speaker breaking or getting damaged due to casual listening, don’t know how common it is really but I think I read on Ascend’s forum that these can really tolerate higher level listening.
Dave might be reading this, perhaps he can share something worth knowing about this issue wrt sierra-lx. Who could be better than the man himself after all.
 
Didn't you get a production line measurement with your speakers?

How does that production line measurement look?
The line measurements look pretty good to me!
 

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The line measurements look pretty good to me!
So either one of three things happened:

1) Ascend production line measurements just aren't accurate, which is concerning and would love for @AscendDF to comment on this. This is a matter of quality control.

2) Something happened to your speakers from the time they left the factory to the moment that Erin measured them.

3) Something is off with Erin's measurement.

This is very concerning to learn that the speakers measured by the NFS does not aligned with the production line measurements. Dave, really need you to comment on this.
 
A bit surprising for me is that the same issue found in both the speakers (both woofers) which seems to be quite unlikely unless its common character of the product (woofer) or it was caused by something during testing - just a guess though.
Erin did mention replacement woofers but I felt he refrained speaker any further which is a bit unlikely of him, normally he would tell whatever is there like he did for any other products in the same livestream. Probably he hasn't spent time on new ones yet.
I think his review of Sierra-LX may be a bit delayed as he mentioned couple of others speakers for review in coming days.

This is incorrect, there is nothing wrong with either of these woofers - I would not even describe this as an issue. I have overlayed Erin's measurements of both speakers with our published NFS measurements of our reference pair taken over 3 years ago. Both measurements are within +/- 2dB of each other from 20Hz to ~ 18kHz. It's actually more like +/- 1.5 dB. This is exceptional.
 
This is incorrect, there is nothing wrong with either of these woofers - I would not even describe this as an issue. I have overlayed Erin's measurements of both speakers with our published NFS measurements of our reference pair taken over 3 years ago. Both measurements are within +/- 2dB of each other from 20Hz to ~ 18kHz. It's actually more like +/- 1.5 dB. This is exceptional.
Thanks Dave for responding, I am glad it’s incorrect but it was all based in the information available or being shared.

If you feel appropriate then please explain what’s going on with the speakers sent to Erin because he said he had to replace woofers and the sender here also said similarly.
 
So either one of three things happened:

1) Ascend production line measurements just aren't accurate, which is concerning and would love for @AscendDF to comment on this. This is a matter of quality control.

2) Something happened to your speakers from the time they left the factory to the moment that Erin measured them.

3) Something is off with Erin's measurement.

This is very concerning to learn that the speakers measured by the NFS does not aligned with the production line measurements. Dave, really need you to comment on this.

Firstly, It is important to understand that our LX is not designed to be perfectly flat on-axis. If you look at our published measurements, there is a slight ~2dB bump starting at ~1.3kHz, and then a shallow dip at ~3kHz. The slight increase in woofer amplitude is to compensate for the narrowing directivity of the woofer, such that we better optimize overall directivity. The shallow dip has the same purpose, but just the opposite, to optimize the wider directivity as the tweeter begins to take over by lessening amplitude. You might need to look more carefully at the measurement to see this because the image itself is smaller, but it's plainly obvious.

We are a rare breed, we actually fully test each and every speaker we ship. Most speaker manufacturers only batch test, meaning they will do a production run and test only a few speakers. I personally test every Sierra and ELX speaker we ship. It is not remotely possible to get Klippel NFS like resolution in a production line environment, nor is it needed. As such, our QC testing (which is intense) - is still not going to show what an NFS is capable of resolving. We have a fully dedicated production line testing environment. There are various pictures of this online but the critical factor to understand here is that there is a HUGE difference and tremendous complications when testing speakers on a production line. We test frequency response, phase, polarity, impedance, rub and buzz, and we sinewave sweep and listen to every speaker we ship. You really won't find that level of QC anywhere else.

If someone wants NFS levels of precision, this is exactly why we offer this option. If we were to even attempt to test each speaker we ship on the NFS, we would, at most, maybe ship a pair of speakers per day. It is not practical, possible or necessary - and this is coming from someone with now over 40 years of speaker manufacturing experience at many different levels. Taking this further, let's say we do NFS test for production, and then come across something like Erin picked up, knowing full well that the driver in question passed SEAS's rigorous testing. Do we reject or pass? Too many rejects means higher costs, which translates to higher pricing. There isn't close to enough profit in any of our products to simply absorb this, especially knowing that it is extremely unlikely anyone could actually hear such a narrow +2 dB bump (this customer certainly couldn't, nor was I able to after extensive listening).

** Erin requested that I retract the comparison I used. Apparently, the FR5 Erin used to take his measurements had a problem and then was later corrected before Stereophile took their measurements. I was unaware of this, as such - and out of respect for Erin, I have retracted this comparison.

One of the reason we love SEAS is they fully test each driver we purchase from them, prior to shipping. Like all manufacturer's, they too stick to an acceptable +/- tolerance range. I don't feel comfortable publishing what this is (not sure how my friends there would feel) - but let's just say it is tighter than any other driver manufacturer I have worked with or sampled from. There is a reason SEAS has been as successful as they are for an amazing 60 years now.

As a manufacturer, we can not maintain higher tolerances than our driver manufacturers, nor can our driver manufacturers stick to even tighter tolerances without considerable increase in pricing due to higher rejection rates. This is how this industry works.

As such, the Klippel NFS creates an interesting dilemma for manufacturers who post NFS measurements, and likely the reason why so few bother to do so. With measurements becoming the norm, and with the general public becoming more educated, what exactly is an acceptable tolerance from a published NFS measurement? +/- 1dB? +/- 1.5dB? +/- 2dB? It used to be that high quality manufacturers tried to stick to a 6dB window (+/- 3dB) and that was with measurement gear nowhere near the capability of an NFS, while also being taken in poor environments. It is unrealistic for a customer to expect their speakers to measure the exact same - far too many tolerances involved. When we choose a speaker to be our "reference" - it isn't what measures best. We measure dozens of drivers and we pick the drivers that best represent the median.

In the case of this customer's speakers - Erin reached out to me because he picked up a high Q (very narrow) +2dB peak in one of the speakers that isn't evident in our published measurement. This is slightly noticeable on our production line measurement of said speaker, but as stated, a production line test can't come close to picking up what an NFS can. We also don't compare our production line measurements with our NFS measurements, we compare against our production line measurement of our reference unit and as long as they are within +/- 1.5dB of our reference, (which is considered a very tight tolerance) and the speaker under test passed our other tests, it is approved. Understand that we have a fixed microphone position, imagine having to adjust an extremely expensive microphone for each different speaker? Not possible or practical.

Our procedures work, and work exceptionally well - our LX has been and continues to be a huge success for us. We have had only 2 returns in all of 2025 so far, translating to a customer satisfaction rate that dwarfs any product I have ever been associated with through Ascend or any of the many other companies I have worked with or been employed by. I believe this rate is only matched by our ELX but it isn't a fair comparison as there are many many more LX's out in the field.

Erin reached out to me - he was curious about what he saw, as was I after he shared with me - and I wanted that one woofer back. I didn't feel that the measurements he took are representative of the average pair of LX and I am curious to compare with our NFS measurements so I offered to send replacement woofers. It is important to take raw NFS measurements of those woofers in order for me to determine if they fall within SEAS's acceptable tolerance range. SEAS records batch dates and measurements per batch, sometimes we order in huge quantities sometimes not as large. Now that I have the woofers back, these were from a smaller air-shipped batched that we needed to hold us over in lieu of a much larger ocean freight batch of LX woofers.

It is one thing if we send a pair of LX to Erin for review. because, of course we would have tested it on the NFS beforehand. Any manufacturer would do the exact same - anyone thinking a manufacturer would just grab any pair from stock, knowing full well these are going to be NFS tested, is not being realistic or honest. At a previous employer, I was actually responsible for doing this (and that was with gear that could not compare to an NFS) But this pair sent to Erin was from a customer who absolutely loves the speakers, who also wasn't able to measure the bump using REW. I deeply care about every pair of speakers we ship so if something seemed a bit off to Erin when comparing his measurements to ours, you can be sure I am going to fully investigate regardless of whether the customer loves the speakers or hates them.

For full transparency and for the general knowledgebase, below are the raw NFS measurements of the two woofers being discussed as well as our reference woofer. These were taken in our dedicated sealed testing cabinet, no crossover, no port tube etc. This is so SEAS can compare with their data. You can see just how close they measure through their entire bandwidth, except for some minor differences in the 1.5kHz to 2kHz range. You can clearly see how one woofer is at one end of the tolerance, and the other is on the other side, with the woofer I pulled from our reference unit being right in the middle. This is what I suspected when I discussed with Erin, it's simply tolerances, certainly not any type of flaw or a bad woofer. Slight differences like this are always going to exist in drivers, especially woofers and unless measured in an anechoic chamber with the proper gear or an NFS, these differences you can see would be much less - if even detectable. With the NFS, we are looking at details through a high powered microscope, not much different than looking at what you thought was a perfect auto paint job until you see it under a microscope...


woofcompare.jpg



The replacement woofers I sent Erin are from 2 different production batches, so it will be interesting to see how they measure. Since I don't have this customer's speakers, I have not measured these woofers, only sinewave swept them.

Hope this all makes sense!
 
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Beryllium is just a material for the dome, Be tweeters are still functionally the same as any other dome tweeter (dome, former, voice coil, suspension, magnet). Be is a good material for a dome tweeter because it is lighter and stiffer than most other materials, it has less stored energy than a typical soft dome or aluminum, titanium etc and it pushes the breakup up mode further out of the audible range.

I believe you had previously asked me about Be domes, and yes, I have extensive experience. In fact, before we decided to offer RAAL True Ribbons, we had spent about a year researching developing our own Be tweeter. Back then, Be was all the rage but it turned out that the majority of tweeters that were claiming to be Beryllium, were an alloy, either AlBe or CuBe. Pure Be domes are only manufactured by 2 companies, and unless the Be is from a pure Be foil, it isn't truly a Be dome. Materion is the most popular, under the brand name Truextent. There is also vapor deposited Be domes for less $$$. This is Be that has been vaporized and deposited onto another material, so technically not pure Be and with lesser benefits.

For me personally, the much higher cost was not representative of the differences in performance so we went with RAAL true ribbons, which is an entirely different technology than a dome tweeter.

Here is a tweeter I just pulled that was advertised as being a Be tweeter. It wasn't, it was CuBe. It was a good tweeter, but not Beryllium.

IMG_2151.jpg



And here is a pair of pure Be tweeters from SEAS that use Truextant domes. Overall an excellent tweeter, but they cost more than the RAAL 70-20xram and I preferred the performance of the 70-20.

IMG_2156.jpg


Here is some interesting reading that was quite popular nearly 2 decades ago


I had correspondence with Steve back then (the author) as I had found the same issues and was looking for additional info.
 
I’m not sure about that but I wonder what the similarities it has with the SVS diamond coated dome.https://www.svsound.com/products/ultra-evolution-titan

There is no comparison. The SEAS White Diamond Tweeter (or Dark Diamond with a different faceplate) is a pure diamond dome with a highly advanced and patented neodymium magnet system that results in having nothing behind the dome except damping (no magnet directly behind the dome). It also has a highly advanced multi-chamber damping system. As far as dome tweeters go, I have yet to find anything better. This is one of the most expensive tweeters in the world and if not for the expense, it would be an upgrade option for our ELX and our Sierra bookshelf speakers (we do offer this but only as a custom option) We also only stock (2) of these tweeters at any given time, for obvious reason ;)

SVS's tweeter is a diamond "coated" aluminum dome. I suspect the manufacturer is vapor depositing carbon on the aluminum dome with the intent to improve stiffness. I am not a fan of dome tweeters having 2 very different materials, at some frequency, they will interfere with each other as each material will have differing properties. If one truly seeks the benefits of a diamond dome, (stiffest possible material, pushing breakup modes to 3 full octaves higher than human hearing with the least amount of stored energy) - than it must be a pure diamond dome. It is like a Be dome on steroids....
 
Recent price increases on their ELX.

ELX RAAL increased $400 from when I brought them back in March.

View attachment 470519

With much thanks to the completely unnecessary near 40% import tariff Trump just hit Serbia with. Add to that RAAL raising prices nearly every quarter and this is the unfortunate result. We had no choice. I truly feel for the good people of Serbia, they are a country of just under 7 million people and this will HURT! No one benefits from this.
 
There is no comparison. The SEAS White Diamond Tweeter (or Dark Diamond with a different faceplate) is a pure diamond dome with a highly advanced and patented neodymium magnet system that results in having nothing behind the dome except damping (no magnet directly behind the dome). It also has a highly advanced multi-chamber damping system. As far as dome tweeters go, I have yet to find anything better. This is one of the most expensive tweeters in the world and if not for the expense, it would be an upgrade option for our ELX and our Sierra bookshelf speakers (we do offer this but only as a custom option) We also only stock (2) of these tweeters at any given time, for obvious reason ;)

SVS's tweeter is a diamond "coated" aluminum dome. I suspect the manufacturer is vapor depositing carbon on the aluminum dome with the intent to improve stiffness. I am not a fan of dome tweeters having 2 very different materials, at some frequency, they will interfere with each other as each material will have differing properties. If one truly seeks the benefits of a diamond dome, (stiffest possible material, pushing breakup modes to 3 full octaves higher than human hearing with the least amount of stored energy) - than it must be a pure diamond dome. It is like a Be dome on steroids....
Are the diamond tweeters an upgrade from the RAAL on the rlx and horizon center?
 
Are the diamond tweeters an upgrade from the RAAL on the rlx and horizon center?

We can offer them on any of our Sierra and ELX lines. We have made a few pairs of towers with them. That stated, I wouldn't necessarily call it an upgrade over the RAAL 70-20, they are different. Each has particular strengths. It is best to discuss by email so I can get a feel of what you are looking for. These are VERY expensive tweeters, and if I don't feel they will benefit you for your usage or tastes, I will most certainly let you know. Please feel free to reach out!
 
For full transparency and for the general knowledgebase, below are the raw NFS measurements of the two woofers being discussed as well as our reference woofer. These were taken in our dedicated sealed testing cabinet, no crossover, no port tube etc. This is so SEAS can compare with their data. You can see just how close they measure through their entire bandwidth, except for some minor differences in the 1.5kHz to 2kHz range. You can clearly see how one woofer is at one end of the tolerance, and the other is on the other side, with the woofer I pulled from our reference unit being right in the middle. This is what I suspected when I discussed with Erin, it's simply tolerances, certainly not any type of flaw or a bad woofer. Slight differences like this are always going to exist in drivers, especially woofers and unless measured in an anechoic chamber with the proper gear or an NFS, these differences you can see would be much less - if even detectable. With the NFS, we are looking at details through a high powered microscope, not much different than looking at what you thought was a perfect auto paint job until you see it under a microscope...


View attachment 472482
Thanks Dave for the detail explanation. Very helpful and insightful information and love the transparency.

So this is a case where one woofer is in one extreme end of the tolerate window and the other woofer is in the other extreme end of the tolerance window. If I take a look at this graph, say around 1.8kHz, the difference of the two woofers is around 5dB, understanding that even this tolerance is tighter than most manufactured speakers, but it is somewhat of a wider spread from a 1dB pair matching window. Understanding the production line measurement is not as high resolution as the NFS, and the production line measurement did not pick that up, question is how often does this happen, meaning the two opposite extreme within the tolerance window?
 
With much thanks to the completely unnecessary near 40% import tariff Trump just hit Serbia with. Add to that RAAL raising prices nearly every quarter and this is the unfortunate result. We had no choice. I truly feel for the good people of Serbia, they are a country of just under 7 million people and this will HURT! No one benefits from this.
It's unfortunate. I'm just glad I brought it when I did.
 
Beryllium is just a material for the dome, Be tweeters are still functionally the same as any other dome tweeter (dome, former, voice coil, suspension, magnet). Be is a good material for a dome tweeter because it is lighter and stiffer than most other materials, it has less stored energy than a typical soft dome or aluminum, titanium etc and it pushes the breakup up mode further out of the audible range.

I believe you had previously asked me about Be domes, and yes, I have extensive experience. In fact, before we decided to offer RAAL True Ribbons, we had spent about a year researching developing our own Be tweeter. Back then, Be was all the rage but it turned out that the majority of tweeters that were claiming to be Beryllium, were an alloy, either AlBe or CuBe. Pure Be domes are only manufactured by 2 companies, and unless the Be is from a pure Be foil, it isn't truly a Be dome. Materion is the most popular, under the brand name Truextent. There is also vapor deposited Be domes for less $$$. This is Be that has been vaporized and deposited onto another material, so technically not pure Be and with lesser benefits.

For me personally, the much higher cost was not representative of the differences in performance so we went with RAAL true ribbons, which is an entirely different technology than a dome tweeter.

Here is a tweeter I just pulled that was advertised as being a Be tweeter. It wasn't, it was CuBe. It was a good tweeter, but not Beryllium.

View attachment 472489


And here is a pair of pure Be tweeters from SEAS that use Truextant domes. Overall an excellent tweeter, but they cost more than the RAAL 70-20xram and I preferred the performance of the 70-20.

View attachment 472490

Here is some interesting reading that was quite popular nearly 2 decades ago


I had correspondence with Steve back then (the author) as I had found the same issues and was looking for additional info.
Thanks for sharing this. Your industry insight is deep and I am glad you are here sharing all of this with us.
 
Thanks Dave for the detail explanation. Very helpful and insightful information and love the transparency.

So this is a case where one woofer is in one extreme end of the tolerate window and the other woofer is in the other extreme end of the tolerance window. If I take a look at this graph, say around 1.8kHz, the difference of the two woofers is around 5dB, understanding that even this tolerance is tighter than most manufactured speakers, but it is somewhat of a wider spread from a 1dB pair matching window. Understanding the production line measurement is not as high resolution as the NFS, and the production line measurement did not pick that up, question is how often does this happen, meaning the two opposite extreme within the tolerance window?

Remember, these are raw woofer measurements with no crossover. At this frequency range (~2kHz) with the crossover, there is about 10dB of attenuation on the woofer - and the response of the tweeter, while not yet dominant, must also be accounted for. Erin did a comparison measurement between the two speakers, which shows ~ +/- 1.5dB from reference between the range of 1.5kHz and 2kHz. At some point, I'll likely run NFS measurements on both of these woofers installed into our reference LX speaker. I just don't have the time to do so right now.

As far as how often would be the case of picking (2) woofers, with each being at difference ends of acceptable tolerance, incredibly rare. But yet not rare for how my often silly luck works, such that this particular pair went off to Erin, lol.

You might find this interesting. This is the QC data from SEAS showing the "spread" of all the woofers in this particular production run. the black line is the reference. You can see that the woofers we are discussing are indeed the extreme ends of the acceptable tolerance. Data like this is again why we SEAS is so highly respected and why we go to them first, and will continue to do so. The vertical scales are different so I am not able to easily overlay our measurement with this one, but you can clearly see the similarities.

1120_SPL_pass.png
 
Total aside Dave. If our friend still lived in Laguna Niguel, she would be more of less, next door to your base! As it happens, Boston for some years now, and we are England based.
My LX's, replaced the very different Spendor S100's some years ago, and remain my "forever" speakers. Thank you.
 
Remember, these are raw woofer measurements with no crossover. At this frequency range (~2kHz) with the crossover, there is about 10dB of attenuation on the woofer - and the response of the tweeter, while not yet dominant, must also be accounted for. Erin did a comparison measurement between the two speakers, which shows ~ +/- 1.5dB from reference between the range of 1.5kHz and 2kHz. At some point, I'll likely run NFS measurements on both of these woofers installed into our reference LX speaker. I just don't have the time to do so right now.

As far as how often would be the case of picking (2) woofers, with each being at difference ends of acceptable tolerance, incredibly rare. But yet not rare for how my often silly luck works, such that this particular pair went off to Erin, lol.

You might find this interesting. This is the QC data from SEAS showing the "spread" of all the woofers in this particular production run. the black line is the reference. You can see that the woofers we are discussing are indeed the extreme ends of the acceptable tolerance. Data like this is again why we SEAS is so highly respected and why we go to them first, and will continue to do so. The vertical scales are different so I am not able to easily overlay our measurement with this one, but you can clearly see the similarities.

View attachment 472683
Thanks @AscendDF, your engagement here with the community is incredibly valuable.

Keep up the good work!
 
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