Ultrasonic
Major Contributor
Yes but this is only an actual benefit if the crosstalk in a stereo amp is high enough to be a problem...Would not a stereo amp have crosstalk while two mono amps have none?
Yes but this is only an actual benefit if the crosstalk in a stereo amp is high enough to be a problem...Would not a stereo amp have crosstalk while two mono amps have none?
Yescould I add a minidsp for two stereo subs ?
Note that the Wiim already does this, and also attempts to account for time delays, including delaying the signal to the main speakers if required (not sure on max. delay). It was partly because of the latter automated process that I advised sticking with a single sub with the Wiim above. There may be some exceptions but I'd also say generally the delay options on subs themselves aren't great, making your first suggestion above one I'd be very cautious advocating myself.With a miniDSP instead that puts an HPF on one stereo output to the main fullrange speakers, and LPF or bandpass on a sub pair.
My post was only about doing STEREO subs.Note that the Wiim already does this
It is in general better to have short analogue interconnect between your source/preamp and power amp, and long speaker cables than the other way around. Analogue interconnect can pick up noise - speaker cables not so much.Coming back to you about 3E A7 Mono versa stereo. I still read in spite of what is said that putting out the extra 100€ for two monos would be for big orchestra Beethoven and alike, an advantage in left right balance if :
I put the mono amps right behind the speakers with only 50cm amp to speaker câbles ?
The cables between the Wiim Ultra and the mono amps would then be longer, about 2 meters.
Multiple subs can help to smooth out the bass response, especially across multiple listening positions. To do this optimally you want to send the same mono bass signal to both subs (summing left and right channels) and to have spent time finding positions in your room where the summed output is smoother (so e.g. where you have a dip in the response from one sub you get a peak in the response from the other). Done wrong and you can find the outputs of the two subs cancel each other out at some frequencies and make the bass response less smooth though. As I said, it's not straightforward. One sub is significantly less complicated, especially as the Wiim has functionality to help optimise this (not that I've tried it).Many say that 2 subs is superior, smoother, but perhaps this is to quick to conclude.
Not much but some. The Wiim as I understand it will give only frequency response corrections. More advanced DSP will aslo give timing/phase corrections. And if you go for someithing like Dirac or MultiEQ XT 32 - they are more sophistication still. Especially if yo go up to Bass Control, or even ART with Dirac. But then your DSP solution is going to cost multiple times what the Wiim Ultra does.I read that starting out with a wiim ultra and evolve by adding a dsp to the wiim ultra later on is possible, so I an grow with the wiim ultra.
But what will a wiim ultra with a DSP give me that the wiîm ultra does not do alone ?
Yes but in practice not a worry , crosstalk measurement are often very good nowadays.Would not a stereo amp have crosstalk while two mono amps have none?
I've never seen anything in an amp that strays into the realm of audibility.Yes but in practice not a worry , crosstalk measurement are often very good nowadays.
Most powered subs have built-in crossover controls (often DSP) and volume - you can feed two of them just fine from the L&R pre-outs and have "stereo" subs, but any stereo effect is not going to be there if you run your subs for only very low frequencies or TV effects..Both only have a single subwoofer output so I'd stick to one. There are potential benefits from multiple subwoofers but it's harder to get things set up optimally.
Since I already read such a statement several times, let's try to avoid this to become a mantra.Getting the Wiim Ultra + the 3e A7 stereo is equivalent, nearly exactly
to getting the WUA all in one.
Wondering why the amplifiers were near the speakers while the mixing console was 20 meters away in almost every concert I have been ...It is in general better to have short analogue interconnect between your source/preamp and power amp, and long speaker cables than the other way around. Analogue interconnect can pick up noise - speaker cables not so much.
It is an audiophile myth that short speaker cables are a benefit of Mono amps.
Cost of all the copper. But you knew that.Wondering why the amplifiers were near the speakers while the mixing console was 20 meters away in almost every concert I have been ...