• WANTED: Happy members who like to discuss audio and other topics related to our interest. Desire to learn and share knowledge of science required. There are many reviews of audio hardware and expert members to help answer your questions. Click here to have your audio equipment measured for free!

Are modern speakers all just overpriced regurgitations?

Actually at your respective disposible income and age you would be impressed by the next best thing you can afford, if you are enjoying what you have, just go for it and no reason to upgrade, and certainly not before it breaks or you do not like it anymore you would try to look for what you wanted to spend and find the better performing ones. subjective sound improvement usually feels not so big but then the question is, when you can enjoy the newer and better designed stuffs in your next purchase, why not?

SOTA Speaker from more science based firm have moved away from solely driver improvement and more on phase and directivity issues to make the whole package sound better.
 
What are (arguably) the best speakers in the world today? That list most certainly would include the Quad 57 and the LS3/5a (measurements notwithstanding). So, yes, to the OPs original question - if we haven't bettered 1950s, 1960s and 1970s speakers, has there really been any progress at all or is everything today just different renditions of the SOS?
Probably not even going to be in the top 200 if we are talking about the best speakers in the world today. If you talk about influence, sure, but that's not what you said.

If we are talking about the best speakers in the world you are thinking about speakers in the ballpark of KEF Blades.
 
Regurgitations, that sounds so appetizing. How about copies next time?
 
Regurgitations, that sounds so appetizing. How about copies next time?
Yes, I think too things about the thread title. Over-priced....probably not when inflation vs performance is considered. Regurgitations, various situations change. There are a few speakers that have been made the same for many years. Probably a question of evolution over time. Does something need to be revolutionary to make it worthwhile to design a new speaker? No.
 
Just bought it + happy with good deal + new thing = you will likely be enamored with the sound for a little while. Or a longer while depending on what you've listened to before.

I still buy interesting things despite having "better" speakers. Sometimes the interest lasts not too long, other times it lasts a fair while. The more modern speakers always seem to come out on top with technical performance, with better drivers seeming to lead that assuming the crossover is reasonable. There are a couple of older ones I keep for a while. I can be nitpicky with things though more so than other people :)

If you like listening to music on them, then that's all you really need. Or maybe if they look really nice, but that can be a trap for collecting a bunch of gear
 
What are (arguably) the best speakers in the world today? That list most certainly would include the Quad 57 and the LS3/5a (measurements notwithstanding).

When I think of the word "best" applied to audio equipment, I think of the most accurate reproduction. Accuracy is demonstrated by tests and measurements. Because you added the modifier, "measurements notwithstanding", you are by your own admission rejecting accuracy as the primary factor in "best".

Your choice seems to point to "most venerated" or "most influential", but certainly not "best" in that sense.

Jim
 
When I think of the word "best" applied to audio equipment, I think of the most accurate reproduction. Accuracy is demonstrated by tests and measurements. Because you added the modifier, "measurements notwithstanding", you are by your own admission rejecting accuracy as the primary factor in "best".

Your choice seems to point to "most venerated" or "most influential", but certainly not "best" in that sense.

Jim
your definition of “best” is similarly self determined. You might more accurately call it “flattest measuring” or maybe “highest preference score”.

The term “best” could justifyably be defined to include sales figures, social impact and numerous other factors.

It might to reasonable to argue that the NAD 3020 amplifier is the best of all time. Especially if part of what determines ‘best’ is social and industry impact. Of course if best is just measurements the 3020 wouldn’t be in the top 1000 nowadays.

Another component of best that I think would be worth considering is “at the time it was made”. Again in that context the 3020 would be a stand out.
 
Last edited:
TLDR....my first reaction is not as much as electronics :)
 
Jim, I think it’s pretty clear that your definition of “best” is similarly self determined. You might more accurately call it “flattest measuring” or maybe “highest preference score”.

The term “best” could justifyably be defined to include sales figures, social impact and numerous other factors.

Yes, you are correct; my definition is self determined. It is also clear and unambiguous. OTOH, both @sktn77a and you discuss many different possible definitions of "best" , but you do not settle on one that is clearly authoritative.

Until we define "best", this is just an exercise in futility. The "regurgitations" that the OP mentioned could be regurgitations of advanced designs or they could be regurgitations of mediocrity. After all, mediocre speakers have a lot in common through the last 60 years ... gems of advanced designs, perhaps not so much.

Jim
 
Yes, you are correct; my definition is self determined. It is also clear and unambiguous. OTOH, both @sktn77a and you discuss many different possible definitions of "best" , but you do not settle on one that is clearly authoritative.

Until we define "best", this is just an exercise in futility. The "regurgitations" that the OP mentioned could be regurgitations of advanced designs or they could be regurgitations of mediocrity. After all, mediocre speakers have a lot in common through the last 60 years ... gems of advanced designs, perhaps not so much.

Jim
When I used the term "regurgitations" I was thinking this...

Second order crossovers have been around for a long time.
Speakers that measure flat have been around for a long time.
Both acoustic suspension and ported speakers have been around for a long time.
Dome tweeters have been around for a long time.
Bookshelf speakers have been around for a long time.
Even ribbon panel speakers (Magnepan) have been around for a long time.

Some of this stuff has been around for 40 or 50 years.

Are my Speakerlab 1's an "advanced design" because they measure flat? Are they an "advanced design" because they have both good imaging and dispersion?
 
I guess it depends on how flat they actually measure. Do you have that information?

It could be that they were an advanced design at the time, but now they have been surpassed by more advanced designs.
 
Last edited:
How odd. First @lowkeyoperations responds to one of my posts about tests and measurements by saying ...

your definition of “best” is similarly self determined. You might more accurately call it “flattest measuring” or maybe “highest preference score”.
The term “best” could justifyably be defined to include sales figures, social impact and numerous other factors.

... which seems to denigrate tests and measurements. At least that's the way I read it.

Then, when @coonmanx asks ...

Are my Speakerlab 1's an "advanced design" because they measure flat? Are they an "advanced design" because they have both good imaging and dispersion?

... @lowkeyoperations replies ...

I guess it depends on how flat they actually measure.

... which is an answer that uses tests and measurements as a discriminating factor.

We can't have it both ways. Either we use science-and-engineering based criteria to judge what is "advanced", or we use something else, such as the ambiguous criteria that @lowkeyoperations mentioned here ...

The term “best” could justifyably be defined to include sales figures, social impact and numerous other factors.

... which to my mind seem worthless.

--------------------------------------------------------------------------------------------------------

OP has clarified:

Second order crossovers have been around for a long time.
Speakers that measure flat have been around for a long time.
Both acoustic suspension and ported speakers have been around for a long time.
Dome tweeters have been around for a long time.
Bookshelf speakers have been around for a long time.
Even ribbon panel speakers (Magnepan) have been around for a long time.

Some of this stuff has been around for 40 or 50 years.

I will give my grumpy-old-fart view:

1) Advanced materials cause price rise ... IMO, even more than advanced designs.
Some years back, a speaker driver manufacturer commented that advances in adhesives was one of the factors that drove the costs - and performance - of his product.
Widespread use of advanced materials for dome drivers (such as beryllium) drive costs up.
There have been steady advances in cone materials, most noticeably from the initial use of polypropylene forward, that have increased prices due to both higher costs compared to treated paper, and patented/proprietary formulations.
And in mentioning paper cones ... there have been improvements in coatings for paper cones, also. Advances in treatments for paper can (and usually do) take more steps in manufacturing and time between curing phases, so that increases costs.
There have been advances in casework. Rounded, tapered and asymmetrical cabinets add enormously to the cost of a speaker compared to plain rectilinear boxes. Again, it's just my opinion, but I think this advanced casework contributes a great deal to the improvement (or advancement) of the final product we see on the market.

2) Advanced testing causes price rise.
Laser interferometry, new anechoic chambers, the use of FFT ... all of which have a price for investment as well as a price for use in terms of time ... have a cost that must be passed on to the customer. Their use, however, has resulted in products that are both more refined as well as more consistent.
One of the laudable factors in Canadian speaker manufacture was the decision to allow the use of the NRC anechoic chamber (as recounted here). Again, this advantage had a price.
Other manufacturers built their own anechoic chambers, but these, too, has investment costs that needed to be recovered.

3) One of the things we are seeing is the point of diminishing returns. I remember when a loudspeaker that specified its bandwidth as " ... + or - 3 dB ...) was considered good. Those designs are still with us today, but there are also much more accurate designs. Some are passive, but others are active, which adds greatly to the costs.
That last little improvement to be eked out is not easy, not common and not cheap. It's like fast cars; the truly cutting-edge models out-price their slower competitors by leaps and bounds.

4) And finally ... yes, some products are limited-production models, and as such, the company needs to price them exorbitantly to recoup costs. They may be advanced, and they may not be advanced, but either way, exclusivity has a cost, and it's usually quite high.
Sometimes I look at the finishes on high-end products, and I shudder. I was once into woodworking, and the thought of producing some of those finishes scares me. :eek:

So yes, all the basic things mentioned (above) have been around for a long time. Refinement of those basics, however, doesn't come cheap. Add long-term inflation, the tendency for some buyers to pay more for trendy products and the tendency of many people to equate higher price with higher performance, and you've got the answer right in front of you.

At least IMO you do. :)

Jim
 
How odd. First @lowkeyoperations responds to one of my posts about tests and measurements by saying ...

... which seems to denigrate tests and measurements. At least that's the way I read it.


Jim

Sorry, but you read it wrong Jim.
I’m not denigrating measurements at all!

I’m talking about what might define “best” in the context of a best 100 speakers list.

I’m saying in such a list there would be considerations outside of technical measurements.

For example the NAD3020 amp. It’s not in the top 100 performing amps in terms of technical measurements, but if you measure value for money and if you measure sales, it would be top 100 imo. But that’s because we are having a different definition of “best” and a different opinion on what to measure.

I don’t think the “best” 100 amplifiers of all time list is simply the 100 lowest distorting amplifiers on Amirs review list. Likewise I don’t think the “best” 100 speakers of all time list would simply be the 100 highest preference scores on ASRs list of reviews.

None of that is “denigrating tests and measurements”, which as you point out in your latter quote i obviously view as very useful.
 
Last edited:
I guess it depends on how flat they actually measure. Do you have that information?

It could be that they were an advanced design at the time, but now they have been surpassed by more advanced designs.
See post #32 where I said that when I bought those speakers back in 1980 I also hooked them up to an Audio Control ten band EQ that could generate white noise and came with a measurement mic. I ran the speakers through their paces and the only slider that I needed to change was the very first one, the 32 Hz. band. And that was simply because of the drop off on the low end due to it having an 8" woofer. So yeah, they measured almost perfectly flat... Now that is a bit more of a coarse measurement than what can be done today but I think it speaks for itself.

The thing is... when we talk about "advanced designs" that seems to be a very subjective term. If my speakers only have a soft dome tweeter instead of a beryllium tweeter does that make them "not as advanced"? I don't think so. I believe in objective measurements and results instead of nonsense. Soft dome tweeters are still being used to this day. Are my Speakerlab 1's the absolute best speakers out there? Nope. In fact I am not even using them at the moment. Not because I don't like them. But because I have four sets of speakers and right now they just are not in the starting lineup.

Would be fun to do some blind testing. Take some of the most highly rated bookshelf speakers from today and test them out against some of the best speakers from 30 or 40 years ago. The older speakers could get some new capacitors if necessary for a refresh.

And BTW, the speakers that took the place of the Speakerlab 1's are a two way kit speaker that I got from Willys Hifi in England. Peerless woofer paired with a Philips clone tweeter and it is crossed at 3K. I actually swapped out the Peerless tweeter that came with the kit for the Philips clone. Sounds great but these days gets used mainly for TV sound. The speakers I am using for music right now are those Scott 166 which use a real Philips tweeter. The two way kit speakers cost me about $200 total and are a great deal for a great speaker. The Scot 166 ran me about $150 used off of the Bay...
 
I have fond memories of playing Live at Leeds on a budget system when it first came out. It sounded great! One of my all-time favorites, based on how it cut through then. But remember, the PA the Who were playing through was itself nowhere near hi-fi. The music was composed and played to sound great through that. Similarly, the Beatles sounded great through 1960s car radios. They composed and mixed it for that. Paul has described how they welcomed the loss of fidelity as they layered tracks in the studio. They liked how the sound distorted and thinned out. Similarly the Dead's studio albums were mixed to sound good to Jerry as he drove around Marin at night testing the results at low volume in his car.

So there's music that's composed and mixed to work at lower fidelity. Then there's music that's not. In the late 80s I was in Seattle, and at some of Soundgarden's first club gigs. So I knew the shivers up the spin from Kim's rich guitar overtones. Then 12 years ago when King Animal was released, it frustrated the hell out of me that my then-current generation of mid-level hi-fi didn't present what I knew had to be there. I've been on a path of upgrading speakers (and other components) ever since. It's been worth it! Even Jerry sounds better. The Beatles too. But Live at Leeds? Naw. It was intended to be rough and distorted. The artist's intent fully comes through on any system that can play it at all.
 
i personally dont think this premise holds water

most of you are old guys, you can very easily test out old speakers, you probably own old stuff

even with the stuff i own the speakers i hook up to new amps and new dacs just dont sound as good as new stuff that is CHEAPER than that stuff even adjusted for inflation

technology has moved on - even cheap speakers like basic JBL types have been made up large scale computing and anechoic chambers - stuff not available easily 20-25yrs ago

here's a good example - do you think stuff like the mechano23 DIY kit would have been possible 25yrs ago?

technology has made that happen
 
See post #32 where I said that when I bought those speakers back in 1980 I also hooked them up to an Audio Control ten band EQ that could generate white noise and came with a measurement mic. I ran the speakers through their paces and the only slider that I needed to change was the very first one, the 32 Hz. band. And that was simply because of the drop off on the low end due to it having an 8" woofer. So yeah, they measured almost perfectly flat... Now that is a bit more of a coarse measurement than what can be done today but I think it speaks for itself.

The thing is... when we talk about "advanced designs" that seems to be a very subjective term. If my speakers only have a soft dome tweeter instead of a beryllium tweeter does that make them "not as advanced"? I don't think so. I believe in objective measurements and results instead of nonsense. Soft dome tweeters are still being used to this day. Are my Speakerlab 1's the absolute best speakers out there? Nope. In fact I am not even using them at the moment. Not because I don't like them. But because I have four sets of speakers and right now they just are not in the starting lineup.

Would be fun to do some blind testing. Take some of the most highly rated bookshelf speakers from today and test them out against some of the best speakers from 30 or 40 years ago. The older speakers could get some new capacitors if necessary for a refresh.

And BTW, the speakers that took the place of the Speakerlab 1's are a two way kit speaker that I got from Willys Hifi in England. Peerless woofer paired with a Philips clone tweeter and it is crossed at 3K. I actually swapped out the Peerless tweeter that came with the kit for the Philips clone. Sounds great but these days gets used mainly for TV sound. The speakers I am using for music right now are those Scott 166 which use a real Philips tweeter. The two way kit speakers cost me about $200 total and are a great deal for a great speaker. The Scot 166 ran me about $150 used off of the Bay...

Your original post addressed two issues. One was technology, as in your phrases "... better mousetrap ..." and "... reinvent the wheel ...". The other is contained in the last sentence of your post: " ... so expensive ...". I had assumed that you were commenting on average prices, but perhaps not.

The two issues are interconnected. Advances in technology are manifest in broad industry-wide improvements as much as they are the state of the ne plus ultra.
So as the price of the ne plus ultra soars due to the law of diminishing returns, there is a paradoxical improvement in the performance level of the market's median; the so-called "trickle-down effect".

However, I would bet that a speaker today exhibiting the same minimum level of performance as one 40 years ago would cost the same, adjusting for inflation. So basement-level goods stay about the same, whereas advanced goods always raise prices ... either the astronomical prices of the ne plus ultra, or the prices of the more pedestrian merchandise at the median point, which take advantage of the trickle-down effect.

Whether you find any certain thing to be satisfying in that mess is due solely to your preferences, and has nothing to do with either technological advances or inflation.

Jim
 
Last edited:
here's a good example - do you think stuff like the mechano23 DIY kit would have been possible 25yrs ago?

The tweeter was available 25 years ago (although under a different brand name), decent woofers of the same size were available, the principles of crossover topology were available. So in one sense an equivalent to the mechano23 was technically possible 25 years ago.

But in another sense it wasn't technically possible since software simulations, measurement protocols and the general design approach weren't as widespread/technically available as today.

Screenshot_20240704-004416.png
 
There is more to speakers than flat FR and smooth directivity. If you just optimise for that and forget about dynamics and imaging ability you’ll end up with a perfectly boring speaker.
 
Back
Top Bottom