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- Jan 28, 2017
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I thought I'd share what appears to be my first serious room acoustic problem. The system noted at the bottom is located in a 15 x 20 bedroom; lots of furniture, carpet, queen bed and original shipping boxes for audio stuff. When I ran the ARC program (Genesis) I was very surprised to see how high the program had set the crossover. I repeated the sampling protocol 3 times with almost identical results each time. Be aware I am a novice at this. In reviewing the response curves I noticed that output from both speakers was markedly attenuated at around 100hz. My assumption is that the ARC wizard, after saying "shit, look at that drop around 100 hz" decided to get some help from the sub and moved the crossover up so that the sub could cover the missing frequencies.
My understanding of drops/nulls/suckouts is that they are difficult if not impossible for room correction to deal with, and in fact attempting to do so with the mains can put a dangerously high load on the amp. The sub, with its own powerful amp is better able to cover these drops. All this is supposition on my part.
Further, the downside of high crossovers is that the sub starts putting out directional frequencies and perhaps subs are not as good at reproducing these +100 hz frequencies, not sure. Obviously there are a number of good reasons why 80 is typically advised.
So, i'm prepared to have all of this shot down, mocked, and set afire but I thought it interesting and look forward to other thoughts and explanations for the crossover setting. If by any chance I am mostly correct in my interpretations I expect a few "attaboy grasshopper" comments I tried to attach the full .arc file but apparently that file type is not supported. I will be receiving the second Fathom next week and look forward to retesting. I'm thinking if this is a room acoustic problem the second sub will not solve anything but should spread out the low frequency output, making it less directional. I have to say the system sounds extremely good; I can hear the general location of the sub but i can do that with single subs running conventional crossovers as well.
Sonos Port (S2 os) - STR integrated - Revel 128be pair - single Fathom 12" sub
My understanding of drops/nulls/suckouts is that they are difficult if not impossible for room correction to deal with, and in fact attempting to do so with the mains can put a dangerously high load on the amp. The sub, with its own powerful amp is better able to cover these drops. All this is supposition on my part.
Further, the downside of high crossovers is that the sub starts putting out directional frequencies and perhaps subs are not as good at reproducing these +100 hz frequencies, not sure. Obviously there are a number of good reasons why 80 is typically advised.
So, i'm prepared to have all of this shot down, mocked, and set afire but I thought it interesting and look forward to other thoughts and explanations for the crossover setting. If by any chance I am mostly correct in my interpretations I expect a few "attaboy grasshopper" comments I tried to attach the full .arc file but apparently that file type is not supported. I will be receiving the second Fathom next week and look forward to retesting. I'm thinking if this is a room acoustic problem the second sub will not solve anything but should spread out the low frequency output, making it less directional. I have to say the system sounds extremely good; I can hear the general location of the sub but i can do that with single subs running conventional crossovers as well.
Sonos Port (S2 os) - STR integrated - Revel 128be pair - single Fathom 12" sub