Because a section of the at least the studio recording world behave like audiofools they venerate unspeakable bad monitors, obsess over badly measuring vintage mics, colour the sound with excessively expensive mic preamps that, wait for it, measure badly and think that the more expensive an AD converter the better it is.
Amir should start a ProAudioScienceReview on the basis it's no use having a great reproduction system if the recording was made on crap.
You have no idea whatsoever what makes for a good recording...