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An interesting comment from Part-Time Audiophile

TLEDDY

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We are now at the point where the engineer is no longer fighting an inferior, lower resolution, recording medium. Recording and mixing engineers have discovered that the best way to make digitally recorded music sound engaging is to introduce layers of various distortions to give our brains a hit of what naturally happens from analog tape and lots of trips through an analog console. With the almost universal acceptance of digital audio workstations, most engineers I know stay completely digital once it gets into the computer. No tape. No going through an analog console. There is a real art to making this sound great. I know one engineer who refers to his process as one of “sonic varnish.” He likes to use digital processing to create small amounts of different distortions and in various layers to arrive at the most pleasing sound. He’s not alone.

In the old days, using top-shelf pro analog gear, and if you had decent ears and employed best practices during your recording, that analog sound that everybody loves and talks about (and many engineers now seek to emulate) was simply baked in—an inherent part of the process when using those tools. Which is missing when using digital tools, especially in the mixing phase. Hence the popularity of digital plugins that seek to emulate the sound of analog gear’s distortions and non-linearity.

https://parttimeaudiophile.com/2020/10/17/hi-fi-why-do-records-sound-better-the-ivory-tower/

As I said... interesting. Comments most welcome!

Tillman
 
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