If your goal is to test whether there's a difference between the two headphone versions, you can't make that assumption.Yes, that was my assumption.
If your goal is to test whether there's a difference between the two headphone versions, you can't make that assumption.Yes, that was my assumption.
Do you know the Chinese and Austrian versions use identical pads (when new) though?
Good point you make to Luke, but we don't know the answer to that unless we research it. Previously when I looked into Chinese vs Austrian on the K702 side I came to the conclusion that they were the same headphone specification, I'm assuming that's the same for the K701. If that's a reasonable assumption then it does make sense to use the same newer pads on both K701's to remove the pad wear variable, at which point you'd just be assessing unit to unit variation. To be honest I'd probably expect Amir to measure both headphones with the pads that are already attached due to simplicity & ease, and it would also take into consideration your warning points you made. Either way would be good to see the K701 measured on this site, I'd prefer to see the K702 measured, but still the K701 is also good to see.If your goal is to test whether there's a difference between the two headphone versions, you can't make that assumption.
It seems to me from the graph that the dip is more at around 3.5 k not 4.5. Btw, I have those headphones (lucky enough i found them at 100$ used). I think that the dip coresponds to a higher sensitivity of the ear in that region so you won't really hear it.This is a review and detailed measurements of the AKG K712 Pro open back (gaming?) headphone. It is on kind loan from a member and costs US $327 on Amazon.
I find the K712 cute and cheerful:
View attachment 166565
The huge cups (64mm inside diamater/24mm deep) fit over my ear fine. But I thought the cups didn't compress enough and after a while, I could feel their slight pressure on head. Ditto for the headband. I would rate it as 90% comfortable.
Plastic components help keep the weight lower:
View attachment 166570
A mini XLR socket is provided which you can use to create balanced or unbalanced connection. I used the aftermarket nice twisted cable the owner had supplied.
Note: The measurements you are about to see are made using a standardized Gras 45C. Headphone measurements by definition are approximate and variable so don't be surprised if other measurements even if performed with the same fixtures as mine, differ in end results. Protocols vary such as headband pressure and averaging (which I don't do). As you will see, I confirm the approximate accuracy of the measurements using Equalization and listening tests. Ultimately headphone measurements are less exact than speakers mostly in bass and above a few kilohertz so keep that in mind as you read these tests. If you think you have an exact idea of a headphone performance, you are likely wrong!
The large cups made an easy job of mounting them on my fixture and getting good measurements on first try.
AKG K712 Pro Measurements
Let's start with our usual frequency response measurements:
View attachment 166571
Compliance with our target is only in the 200 to 500 Hz (I calibrate to 420 Hz). Very hard to imagine what they were thinking in the response between 500 Hz and 5 kHz. There is massive shortfall. We also have the usual bass droop.
Relative response shows that we need very large compensation at 4.5 kHz:
View attachment 166572
Distortion is very good at lower levels:
View attachment 166577
View attachment 166578
Impedance at 1 kHz is same as advertised but is variable:
View attachment 166579
Bass tuning is at 100 Hz and hence the reason response drops below that.
View attachment 166580
They are not very sensitive so you definitely need a headphone amp:
View attachment 166582
Group delay is reasonable in balance:
View attachment 166581
AKG K712 Pro Listening Tests and Equalization
I only listened for a minute before reaching for EQ. It sounded very closed and improper to me out of box. EQ development is a bit challenging due to troughs not matching the shape of a parametric filter. Still, I lucked out and with just three filters massively improved the response:
View attachment 166583
High level of filter amplitude causes easy clipping so I had to pull the overall levels down which means you need even more drive from your amplifier. I also could not push the bass enough as distortion would set in. As is, deep bass was good with EQ.
I really enjoyed the spatial qualities that equalization brought to these large drivers/cups. Turning off the EQ made this collapse. As usual, this is caused by lack of energy in the 2 to 5 kHz without EQ.
Conclusions
I was very surprised at the response of this headphone. I looked up the announcement data and it was 2013. I think Harman had already performed its headphone research by then. So I have to think the AKG folks were not on board with it in development of K712 Pro as it doesn't remotely comply with their preference curve. And if any headphone needs to comply with that standard is the K712. It is impossible to make a case that you want to filter out all the music spectrum in 1.3 and 3.4 kHz!
I can't recommend the K712 Pro without EQ. With EQ, I am not super happy with deep bass response but spatial qualities are good enough to push me to put it on my recommended list.
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. I tried 5 amps before finding one that i like with those: a vintage Luxman L190 speaker amp. With this one, it has better bass and no sibilance at all.
Do you mean that Luxman outputs 30W through its headphone output?30W at 8 ohm into headphones? Yes, I would expect "better bass"
Do you mean that Luxman outputs 30W through its headphone output?
But its likely got a high output impedance that could shift the FR of the 712Ah I see the HP out now; no I find that highly unlikely
Scratch that idea then.
30W at 8ohm, but the 712 has 62 ohm. there is also an aditional resistor on the headphone output. i can't say what is the actual output of the headphone out30W at 8 ohm into headphones? Yes, I would expect "better bass"
How do you know?I've recently bought the AKG K712 pro and I must say none of the measurements apply 100% to my pair
Hello & welcome! Congrats on your first "audiophile" headphone. As Jimbob says in the post above mine - how do you know the measurements don't tally with your particular unit you've got there? You can't really know without measuring them on the same style of device that Amir or Oratory use. Which measurement have you based your EQ on - Amir's or Oratory's?Hello guys, it's my first post here and I'm not an expert on audio, so please excuse any silliness resulting from ignorance : )
I've recently bought the AKG K712 pro and I must say none of the measurements apply 100% to my pair (not to mention how inconsistent they are among themselves).
I have been working on an EQ preset making them as close to a compromise between the harman target and my personal preference as possible. I personally find the sound very dynamic, spacious and detailed with my EQ preset, but this is also the most expensive pair of headphones I've owned (still have my Senns HD518 around, though). As mentioned by amirm, the spatial qualities are mostly gone without the 2-4.5 khz boost.
You can check it and let me know if this makes the headphones sound neutral to you:
Preamp: -7.2 dB
Filter: ON LSC Fc 20 Hz Gain -4.1 dB Q 1
Filter: ON PK Fc 30 Hz Gain 7 dB Q 0.4075
Filter: ON PK Fc 200 Hz Gain -0.5 dB Q 1.4
Filter: ON PK Fc 1350 Hz Gain 4 dB Q 2.4
Filter: ON PK Fc 1850 Hz Gain -1 dB Q 10
Filter: ON PK Fc 2250 Hz Gain -4 dB Q 3.4
Filter: ON PK Fc 2850 Hz Gain -2 dB Q 9.3
Filter: ON PK Fc 3379 Hz Gain 7 dB Q 2.3
Filter: ON PK Fc 3700 Hz Gain 1 dB Q 3.1
Filter: ON PK Fc 5200 Hz Gain -1 dB Q 7.8
Filter: ON PK Fc 6000 Hz Gain -4 dB Q 8.3
Filter: ON PK Fc 6500 Hz Gain 2 dB Q 10
Filter: ON PK Fc 7000 Hz Gain -8 dB Q 5.8
Filter: ON PK Fc 7700 Hz Gain 6 dB Q 11.9
Filter: ON PK Fc 8400 Hz Gain -4 dB Q 10
Filter: ON PK Fc 10000 Hz Gain -1 dB Q 7
Also, if you'd add/modify/delete any filters, let me know.
Here's the resulting EQ curve:
View attachment 228476
Thank you for the link and a warm welcome!Hello & welcome! Congrats on your first "audiophile" headphone. As Jimbob says in the post above mine - how do you know the measurements don't tally with your particular unit you've got there? You can't really know without measuring them on the same style of device that Amir or Oratory use. Which measurement have you based your EQ on - Amir's or Oratory's?To save me the trouble of comparing them, what changes did you make from Oratory's EQ?
EDIT: you can always quickly try an Oratory EQ to see if it's instantly better or not, K712 is one of the headphones at the following link:
index/list_of_presets - oratory1990
r/oratory1990: Mostly covering topics like headphones, in-ear headphones, acoustics, electroacoustics, acoustic tuning, headphone design …www.reddit.com
I tried to equalize with some headphone frequency tests on youtubeHow do you know?
Hi, well I reckon you should stick with the Oratory EQ and try to fine tune that one, considering you're saying it sounded better straight off the bat. One good thing about his EQ's is that he offers a few "customisation filters", which the user can tweak to change the sound to their own preference - and it might help counter some unit to unit variation too. The Customisation Filters are literally just a few wide filters (filters that effect a wide broad range of frequencies) that can be used to broadly influence the main different parts of the frequency range. So there's always a Customisation Filter for the bass, always one for the Treble above 10kHz (he calls "airiness"), and oftentimes one somewhere between 1-3kHz which he often calls "shoutiness", lol, but that is an accurate terminology for the effect. Following is a screenshot of Oratory's EQ for the K712, you'll notice the Customisation Filters are listed on the right hand side of that screenshot:Thank you for the link and a warm welcome!
I was actually looking for this oratory index, been seeing screenshots from it around. Thanks again.
The sound is very similar but the oratory EQ seems better and less jagged indeed. I am very sensitive to high treble, but so far it seems OK, I'll maybe dial it down a little bit down the line.
Do you know what the harmonic distortion on the k712 is with this setting?
I tried to equalize with some headphone frequency tests on youtubeDidn't hear a couple of the dips and peaks visible in the measurements, especially the rtings measurement seemed off to me.
I'd say my sensitivity begins around 6-7 kHz. K712 has a big peak in that range and on my EQ this range was tuned down more aggressively (in the stock oratory preset the reduction is insufficient imo). There is this track called Uviol (on Confield from Autechre) which has this persistent high gain peaking sample in the 12 kHz range, throughout the whole song, that made me extremely uncomfortable to listen to on headphones that boost upper treble (like CAL! for instance)Lastly, you'd think about changing Customisation Filter #10 (airiness), which is influencing the High Treble above 10kHz. You'd probably change this in 1dB increments. Now, you did say you were sensitive to High Treble, but I don't know if that means above or below 10kHz for you. If it means above 10kHz for you, then you might consider experimenting with manipulating this filter before you make any changes to Customisation Filter #3 (which was topic of previous paragraph) - because you might find that your piercing treble problems are above 10kHz rather than below it. However, given the way the frequency response looks, it doesn't look very peaky above 10kHz, so any treble that's bothering you is likely to be happening below 10kHz, so therefore it's more likely that Customisation Filter #3 in the previous paragraph would be the one to adjust before tweaking Customisation Filter #10. You can of course experiment with changing one & not the other though to try to identify where any peaky treble issues might lie.
Thank you for this, distortion measurements is one of the topics I struggle to translate into real-life applications. I still can't really measure how loud I actually listen to music, but I'm rather sensitive to loudness (at rock/metal/electronic concerts I often stand way back to make the experience bearable) so I'm probably on the quieter side of things. All in all, your explanation helped me understand distortion graphs more.Regarding the bass distortion, the Oratory EQ is boosting 30Hz by about 9dB, this could become more problematic. If you were listening loudly using his EQ you could have bass peaks around 100dB or so, and given that the bass is also being boosted by 9dB then this could mean the relevant distortion line to look at in the above graph would be around 109dB or so - in other words somewhere between the red line and the green line. The red line is fine in the bass, no issues. You'd probably want to keep it below 5% distortion in the bass if possible, and you can see the green line is shooting above 5% in the bass. I'd said you could find yourself inbetween those two lines. I would wager you'll just about be ok for distortion in the bass after using the Oratory EQ and listening at loud levels as long as you're not a person that is known for listening at super loud levels. It's not ideal that bass distortion, but I think you'll be ok.
Yeah, I already messed around with it a bit, because, as I said, the measurements do not seem to match exactly with my unit (I think). For instance, the 3-4 kHz dip comes around 3200 Hz on my unit and hits the bottom around 3600hz. The Oratory EQ boosts the 2800-3300 range which makes the whole 2-5 kHz range quite uneven with my unit (Peak around 2900, then a big dip). Moving the boost a little "to the right" makes it sound more even and well, "harmanish". Besides, with the stock ora EQ, I can still hear a considerable peak in the 6-7 kHz range which I tuned down a little bit more.I reckon you should stick with the Oratory EQ and try to fine tune that one
You know what, you mention 2900Hz peak that you seem to have identified (I guess by playing sine tones), what you could do is experiment with tuning another of Oratory's filters - he actually has a wide filter at 2900Hz which is Filter #6. I actually did the same thing when I was finetuning my HD560s - I chose to tweak one of his wider filters that weren't in his "Customisation List" (to the right of that earlier screenshot I showed you), except that was a wide filter at 7000Hz - but the idea is the same I identified a weakness in my headphone (not using sine tones, but listening to music whilst watching the spectrum analyser in real time - I think I linked it to various drum strikes and s tones in voices) and there was a wide filter in Oratory's EQ that covered it - he could have listed his 2900Hz wide filter on the K712 EQ as a customisation filter too, but he didn't. Yeah, so you could try lowering that Filter#6 if you're detecting a peak there.I'd say my sensitivity begins around 6-7 kHz. K712 has a big peak in that range and on my EQ this range was tuned down more aggressively (in the stock oratory preset the reduction is insufficient imo). There is this track called Uviol (on Confield from Autechre) which has this persistent high gain peaking sample in the 12 kHz range, throughout the whole song, that made me extremely uncomfortable to listen to on headphones that boost upper treble (like CAL! for instance)
Thank you for this, distortion measurements is one of the topics I struggle to translate into real-life applications. I still can't really measure how loud I actually listen to music, but I'm rather sensitive to loudness (at rock/metal/electronic concerts I often stand way back to make the experience bearable) so I'm probably on the quieter side of things. All in all, your explanation helped me understand distortion graphs more.
Yeah, I already messed around with it a bit, because, as I said, the measurements do not seem to match exactly with my unit (I think). For instance, the 3-4 kHz dip comes around 3200 Hz on my unit and hits the bottom around 3600hz. The Oratory EQ boosts the 2800-3300 range which makes the whole 2-5 kHz range quite uneven with my unit (Peak around 2900, then a big dip). Moving the boost a little "to the right" makes it sound more even and well, "harmanish". Besides, with the stock ora EQ, I can still hear a considerable peak in the 6-7 kHz range which I tuned down a little bit more.