You remember that only switching power supplies are used and that larger capacities can be not only undesirable but also counterproductive.I for one have two passive subs, repurposed from active ones. For a TPA3255 based sub amp, I am hoping to see more bulk capacitance than the usual 2x2200 uF most of these amps come with. Any comments on that @AIYIMA ?
Edit: only a tiny bit more it seems...
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It is a recommendation of Texas Instruments themselves, surely depending on the power supply. And remember TPA3255EVM already comes with 2x4700uF:You remember that only switching power supplies are used and that larger capacities can be not only undesirable but also counterproductive.
Sometimes less is more. The Topping PA5 and PA5 II only have 1 x 2200uF. Here, quality is clearly more important than quantity.
What is interesting about your picture is that according to the Rubycon data sheet, JXF 3300uf 63v does not exist and is not listed anywhere. Two higher quality 1500uF 63V would make much more sense.
it seems like low pass filter when ampl is used as subwooder amp for passive sub.Is the SPK Bass Cutoff Frequency Control knob on the left of the front panel an adjustable highpass filter for the main speakers?
Why is it written SPK Bass Cutoff Frequency and not Sub Bass Cutoff Frequency? Doesn't SPK mean speaker? Or is it Sub Passive (K something) ? Maybe Aiyima could answer?it seems like low pass filter when ampl is used as subwooder amp for passive sub.
Why is it written SPK Bass Cutoff Frequency and not Sub Bass Cutoff Frequency? Doesn't SPK mean speaker? Or is it Sub Passive (K something) ? Maybe Aiyima could answer?
You could be right, these devices often have confusing abbreviations.May be description needs to be updated, but look at the left knob which says SW FREQ.
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I actually confirmed it with Aiyima on FB, it’s exactly what I mentioned previously, a low pass filter knob only used when amplifier is set to subwoofer mode.You could be right, these devices often have confusing abbreviations.
edit; it seems i was mistaken; these amps have no high pass cut-off. which is a shame. and ridiculous, honestly. a main benefit to using subs is that actively crossing over the main speakers will improve them and the amps driving them as well as giving you better bass.What a strange product with a very limited potential market.
and if you plug l & r channels into them, you get summed mono bass.Depends on the subwoofer. My subwoofer has left and right inputs.
Peculiar product. Bass management is much easier to do in the digital domain (steeper filters), where you immediately can add DSP. Here you need 2 monoblockw, with each having 2 (imprecise) pots for cutoff frequencies. It just complicates life...
many people run stereo subs. this makes a whole lot of sense to me.@AIYIMA How does the sub-out implementation works? The sub will be getting only the right or left channel input? To me doesn't make a lot of sense to put a sub out on a monoblock amp.
Of course. Why is that a problem?and if you plug l & r channels into them, you get summed mono bass.
my experience has been that, when subs are set up for stereo, there's an improvement in the soundstaging. it's recording dependent, but you can definitely hear it on some recordings. best mono sub placement i've heard is when the sub is directly centered between the speakers, and in the nearfield - ie: where your feet are, or directly behind the listening area. definitely not always conducive to good room aesthetics, tho. it might work if you can roll your sub into the nearfield when listening; otherwise have it out of the way.Of course. Why is that a problem?
Edit: It is not a problem. Are two subwoofers better than one? Yes, but not because of stereo, it is because using more subwoofers, strategically placed in the room, is better for room correction. Actually, three work better than two.
But, if you are like me and only have space for a single subwoofer, summing the left and right channels is the way to go. The wavelengths are so long that I cannot detect where the subwoofer is located when listening to music. It all sounds like it is in the sound stage created by the speakers.
Probably the crossover slope is not steep enough, the crossover frequency is too high, and/or the subwoofer has too much harmonic distortion.but you can definitely hear it on some recordings
24db/octave is a steep enough slope. no, i cannot locate the subs, but the soundstaging itself is wider when the subs are stereo.Probably the crossover slope is not steep enough, the crossover frequency is too high, and/or the subwoofer has too much harmonic distortion.
I have played thousands of recordings with my subwoofer. I never have been able to pinpoint its location in the music. I use 48 dB crossover slopes and its harmonic distortion is very low (Velodyne HGS-18).