For future reference: cutoff frequencies of filters are defined to be the -3dB point. Below (HP) or above (LP) that is where the actual slope is.
So for example if you look at a -3dB point of a highpass that is set to 100 Hz, and then it's close to 0dB at 200 Hz (one octave higher), you can't conclude anything from that - because you're looking into the wrong direction.
You have to look at the slope below the -3dB point. It's easily visible how gently rounded the filter starts attenuating towards that point, and only reaches proper slope steepness below that.
This is perfectly normal analog filter behaviour. If you're unfamiliar with it, probably because you're used to modern digital filters showing different behaviour like steeper slopes, edgier "knees", logically more perfect behaviour and such, it's easy to fall into a mental trap and think the classic analog one is somehow behaving wrongly. It isn't.