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Aikido Phono 1+ MM preamp review

pma

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Aikido Phono 1+

This is a review and measurements of Aikido Phono 1+ preamplifier for MM phono cartridge. It was kindly sent to me by ASR member @Grotti . The preamplifier is based on circuit design with 6 discrete JFET transistors per channel. So I was curious how it would perform compared with now more usual designs with op-amps. The preamplifier is built into small, but rugged metal enclosure and the feeling is that it is very durable.

Aikido_rearview.jpg


The front panel is simple, with product name and manufacturer's logo.
Aikido_frontview.jpg

On the rear panel, there are RCA I/O connectors of 2 channels, 48 Vdc input power jack, ON-OFF switch and input impedance and input capacitance selector switches.

1. Specifications:
I could not find any datasheet, so I am copying data from hifi-wiki.com :

Manufacturer: Dipl.-Ing. H.-U. Otto
Model: Aikido Phono 1+
Made in: Germany
Plug-in power supply: 48 V / DC; 90 - 264 V, 50 Hz
Power consumption: 1.4 W
Dimensions: 128 x 48 x 85 mm (W x H x D)
New price: approx. 260, - EUR (as of: 2012)

Connections
Number of inputs: 1x phono in (RCA-Cinch)
Number of outputs: 1x Line out (RCA-Cinch)

Technical data:
Frequency response: 20 Hz - 25,000 Hz
input impedance: 1 kOhm / 47 kOhm / 100 kOhm
Input capacitance: 5 pF / 47 pF / 180 pF
Gain factor: 40 dB
Signal to noise ratio: > 88 dB
Distortion factor: < 0.1
RIAA deviation: < ± 0.15 dB
Remarks: Device is handmade
Can alternatively be operated with the battery power supply "Aikido Phono Akku".

2. Measurements
All the measurements done with 47k//47pF input impedance settings.

2.1. Output impedance
I started with measurements of output impedance, as the discrete topology indicated that it might be quite high. And yes, output impedance was measured as high 216 ohm. With my Cosmos ADC, the Aikido output voltage dropped of 2 dB and distortion was 3x higher, compared to high impedance input instrument results. So I had to put my low noise and low distortion unity gain Audio Buffer with 100 kohm input impedance between the Aikido and Cosmos ADC. The buffer's noise and distortion is absolutely negligible in comparison with Aikido's parameters. My recommendation is to use at least 10 kohm load impedance with the Aikido, or better higher. The higher, the better.

2.2. Frequency response
Frequency response measured is shown below:

Aikido_FR.png


The deviation from RIAA curve is +/- 0.2 dB (50Hz – 12.5kHz) and +0.5/-0.7dB (20Hz – 20kHz)

Aikido_RIAA_error2.png


2.3. Channel matching
is excellent, with differences between channels below 0.05 dB.

Aikido_channel_matching.png


2.4. Output noise and gain

Output noise with input terminated by 50 ohm was 43.47 uV over 22Hz – 22kHz band. Output noise with input terminated by Shure M35X cartridge was 92.22 uV over 22Hz – 22kHz band. This is a very good result, taking into account measured gain of 43dB/1kHz. For 5mV/1kHz input signal, this makes SNR = 82.94 dB with 50 ohm and SNR = 77.4 dB with Shure M35X. With M35X, the SNR result is better than for my Openamp with OPA627 op-amp of 0.5dB. SNR is calculated with respect to 5mV/1kHz input.

2.5. Distortion

Distortion of this preamp is not low. In a usual test from low impedance generator and 5mV/1kHz input signal, both THD and THD+N (SINAD) = 0.1% or -60 dB if you wish. This is completely defined by distortion component, as seen in the plot bellow.

Aikido_SINAD_5mV_gen50R_1kHz.png


The distortion spectrum contains only 2nd and 3rd harmonics and is very tube-like. This was probably designer's intention. Such distortion, however, will be inaudible due to intrinsic distortion of the vinyl record process.

THD+N vs. output voltage at 1kHz

Aikido_thdnlevel_out_1k.png



3. Conclusion

Aikido Phono 1+ is a well engineered and reliably built MM phono preamp, with very low noise, higher distortion, good RIAA response and excellent channel matching. It is not cheap and not for everyone, but it may find its customers. It is necessary to take into account high output impedance of the simple output stage, which calls for load impedance >10 kohm, to keep acceptable level of distortion.

Link to hifi-wiki:
 
Last edited:
Excellent review Pavel! I like the format.

How about overload?
 
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Thank you very much for this review, Pavel! I am positively surprised, that it is indeed competently build: I bought it some years ago because of its adjustable capacity for my former pickup AT 440 MLa, which is known to be quite sensible to high capacities.

But the sound differences were so subtle that I always wondered, if the little toggle switches do what they are supposed to. Any possibility to verify that?
 
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Maximum output voltage before clipping is 7Vrms. Overload margin re 5mV/1kHz is thus 20.22dB. Clipping is a bit non-symmetrical, but decent, without oscillations, ringing or phase inversion.

Maximum swing:
P1050885.JPG


Listening

I am doing some listening. Aikido is connected to Technics SL-1200 M2 with Ortofon 2M blue cartridge. The signal from Aikido goes to my ULTIM2 preamp (10 kohm), A250W power amplifier and Quadral Ascent 90speakers (for more info, please visit my homepage). The system intrinsic noise is low and free of hum, as indicated by measurements in post #1.

I have chosen well recorded Norah Jones "Come Away With Me" LP, Blue Note release, 2022 UMG recordings, # B0034620-01 for its good sound quality and very low surface noise. The sound is as good as the vinyl sound can be and on pair with other good phono preamplifiers.

So, the only issue with this phono preamplifier is relatively high output impedance and output stage inability to drive load below 10 kohm without increased distortion.
 
But the sound differences were so subtle that I always wondered, if the little toggle switches do what they are supposed to. Any possibility to verify that?

They alter high frequency response, but only in case that real world cartridge is connected. It cannot be verified when tested from the 50 ohm generator, but as I am just listening, I will play a bit with capacitance selector. Resistance selector should be kept at 47k.
 
Yes I know. It is rather about topology than about type of active devices. This Aikido Phono 1+ is a no global feedback design. I have some info but will not post it, in case you are interested, search diyaudio.com forum for Otto Aikido Phono 1+. You will find some reverse engineering there.
 
But the sound differences were so subtle that I always wondered, if the little toggle switches do what they are supposed to. Any possibility to verify that?

Listening test

@Grotti , I have recorded the same song (from B. Springsteen) with 2 settings of input capacitance, 47pF and 180pF. You (and anyone who is interested) may download it from:


There are those two versions in the zip file. So you may listen and tell me. Of course foobar ABX result would be the best proof.

Deltawave seems to indicate that the difference would be inaudible.

Aikido_47x180pF_waveforms.png Aikido_47x180pF_spectra.png Aikido_47x180pF_pkmetric.png
 
I can't thank you enough for your efforts! I will check the soundfile as soon as I can (not at home right now), but the result of the Deltawave comparison may explain, why I couldn't detect differences reliably...
 
THD of -60 dB is what I get with a test record at 1 kHz, 3.54 cm/s RMS. Why have THD of -60 dB of the pre-amp...?
 
@Thomas_A , may I see the spectrum you measure from the 1kHz/3.54cms-1 test record signal? I am curious. Not the sweep plots, but the spectrum. I am not saying that THD+N -60dB(H2 defined)/5mV/1kHz is SOTA, I am saying that it is inaudible.
 
@Thomas_A , may I see the spectrum you measure from the 1kHz/3.54cms-1 test record signal? I am curious. Not the sweep plots, but the spectrum. I am not saying that THD+N -60dB(H2 defined)/5mV/1kHz is SOTA, I am saying that it is inaudible.
 
As a Japanese, I personally feel somewhat strange as well as not-suitable upon looking reading and pronouncing the Japanese word "Aikido" as their brand name; this is just same feeling of mine for the brand name "MAMORITAI" as I pointed here and here.:facepalm:

"Aikido" is a Japanese noun "合気道", pronunciation [aikiꜜdoː], which is one of the modern martial art parties/schools; you would please find Wikipedia page on "Aikido" here. We Japanese usually recognize "Aikido" as one of Proper nouns since it is one of the existing martial art schools.

Is using a Japanese word for brand-name and/or product-name of audio gears a kind of trend or fashion in audio market?
If this would be the case, they are encouraged to consult with native Japanese people prior to decide the brand-name/product-name.

One of the acceptable and feel-alright cases would be product naming of "Satori" for a SP driver (by SB Acoustics, ref. here and here) which is a Japanese Buddhist term "悟り", Wiki here.
 
I have put the Aikido circuit schematics into Microcap 11 simulator and I got exactly same results that I have measured. Gain/1kHz measured 43.0 dB, simulated 43.6 dB. Frequency response matches. A nice proof that simulation is not a mere toy, as sometimes suggested in some places.

Aikido_FR_sim.png
 
Is using a Japanese word for brand-name and/or product-name of audio gears a kind of trend or fashion in audio market?
He have to ask the products authors ;). I know about the Japanese origin.
 
Thank you. It is really good, in this specific case. Is 1kHz a sweet spot? I suppose distortion rises at both ends of the spectrum considerably, contrary to the preamp results.
 
Thank you. It is really good, in this specific case. Is 1kHz a sweet spot? I suppose distortion rises at both ends of the spectrum considerably, contrary to the preamp results.
There is not many high quality records with spot frequencies to measure that are available today, so I cannot tell any ranges. Naturally distortion is both level- and frequency dependent. One could argue though that a preamp should have lower distortion than the best test record can deliver.
 
Thank you. It is really good, in this specific case. Is 1kHz a sweet spot? I suppose distortion rises at both ends of the spectrum considerably, contrary to the preamp results.
This is a much poorer record in several ways, but have some spot frequencies. For one thing there is a echo leakage between tracks.

L 100 Hz.wav.png
L 400 Hz.wav.png

L 1000 Hz.wav.png

L 3000 Hz.wav.png
 
Thank you. In all those plots, we can see how possibly acceptable distortion (THD) from measuring vinyl record is destroyed by groove noise. My experience as well. THD+N goes to miserable values. The same applies to music signals.
 
Thank you. In all those plots, we can see how possibly acceptable distortion (THD) from measuring vinyl record is destroyed by groove noise. My experience as well. THD+N goes to miserable values.
Yes, noise is one of its problems. It can be lowered only by having flat discs. clean discs, perfectly polished stylii, and mono bass coupling.
 
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