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Active Room Treatment (ART) by Dirac

From what I understand you need to set your AVR/AVP into the speaker setup 1 or 2 before you try to load filters, even if they are the same configuration. If you are in perset 1 and trying to load preset 2, you get the error. Probably a reason to raise a ticket with Dirac, but I got used to it.
You mean change the preset before you connect Dirac to the AVR? EDIT: Ah sorry, yeah tha worked thx!
 
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“So you wanted to raise the LFE rather than stop at +12 dB — nice move. :oops:
Even if the low end isn’t perfectly controlled, that’s okay. Loudness covers up a lot of sins. :D
Well I guess raising the effects channel makes sense - it isn't designed to be localised or provide precise imaging....

Keep the base layer accurate - raise the LFE and accept a bit less control in exchange for loud effects....

I can see the logic (assuming the base layer is in fact also bass capable... otherwise it becomes a more serious compromise)
 
I am following this thread as I will be installing second HT next year, and I want to understand whether Denon/Marantz implementation of ART suits my needs [my other setup is fully blown Trinnov with Waveforming]. I can see ART working as intended in terms of bass correction, which is good. My recent audition of Storm based ART install was not super convincing, but this would have more to do with that room acoustics above ART frequency than ART itself [in other words, bass was much drier than rest of the frequencies and it sounded off]

I am not interested in Storm, as for similar money I can get Trinnov Alt 16/Ci. Would be more than happy to go Marantz AV10 route, if it ticks most important boxes. I can live with 4 subs limit of AV10 [I would just go raw power route with 4x21in or maybe some 4xdouble 18in boxes]
One of them is the ability to deliver proper bass, and specifically to handle BEQ.

As some of the movie fans know, we are being served bass neutered versions of most movies recently, especially with new 4K Atmos releases [see example of Master and Commander]. Atrocity like this is norm, rather than exception and it defeats all the purpose of having high performant HT, you could stay with the soundbar under your TV. People go out their way and make lot of effort to get their systems playing down to single digits and is worth nothing, as their is no content for it, sadly.

So would Marantz/Denon be able in some half practical manner address this issue - I am looking for ability to quickly adjust the output with filter like this. [My current Trinnov routine is to have presets with 6 9 and 12dB LS on 22Hz and I swithc them on, in controlled manner, if needed for specific movie and can adjust with PEQ in 3 minutes for anything more]

Thsi leads me to another question - is there any way to see, which filters are being applied already on low end? I would prefer not to blindly add anothr 15db on top of existing e.g. 10dB ART filter already there.

thanks for clarification.

1762572918908.png
 
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and my 3rd question re ART - how is seat to seat consistency - is anybody with e.g. 2 row cinema or 3 seater sofa able to post measurements out of different positions?
In my session that I described above it was audible [although not annoying] that there is not the same bass quality out of MLP.
 
If AVR10 works as the cinema range you can have 6 Dirac presets.
Takes a couple of sec to change between them

Even respons over bigger area,
If we start with Dirac Live it self, it has one down side.
The bigger the area the harder it has to get a respons that follows your target.

I have no real proof that changing the area in the software does anything. (Dirac have never told me a straight answer)
Years back there was a multi row area but it is gone since a couple of years.

With ART i have never really checked how the bass behaves over a bigger area.
Everything above 150hz is the standard Dirac live so over that point the above text in in affect.
I would like to belive it is better but i see the same behaivor as DL that a larger area can mess up the respons under 150hz at MLP

I do not have much experience with Trinnov but what i have heard had impressed me greatly !
 
@Fidji

On page 97 you will find. some measurements
1/6 smoothing on both.

1½ seat wide measurement (ignore that the top end falls as a rock - Dirac bug)
1762586447815.png



Focused measurment, ~20cm between each point
Ignore the top end here to
1762586527358.png
 
@Oddball


Support will raise the issue with the developers.
They know i have fixed the issue my self but they would like to understand why support ch can effect the top end respons.
It can take some time but they are on it.

So if a new DL version appears and it says you have to re-measure, it is not my fault.
*hiding in the bushes*
 
@Fidji

On page 97 you will find. some measurements
1/6 smoothing on both.

1½ seat wide measurement (ignore that the top end falls as a rock - Dirac bug)
How should I read it? Cyan is position A and green position B?

1762588303172.png
 
Just look on the respons above 150hz
First one has a jagged respons due to large measuring area

The different colors are me measuring the support ART uses so not important here :)

Aah, Ok, I get it - actually it is normal, probably no way to get Nice/Flat FR mid/high in large area just by EQ. Trinnov is the same - one spot perfect, wider area - not so much, but more uniform than without EQ. This is why still getting the speaker dispersion characteristics/room acoustics right in analogue domain is as important as it always was.

My "family" presets are using just very broad filters above 150Hz to get tonality right in order to avoid over correction in some places.

Once you are out with the mic again, please don't forget about me and take some sweeps in different places, bass is enough. Actually Seat-to-Seat is quite important, as it will be big sofa and are around 3x2 where people could be sitting/laying.
 
Aah, Ok, I get it - actually it is normal, probably no way to get Nice/Flat FR mid/high in large area just by EQ. Trinnov is the same - one spot perfect, wider area - not so much, but more uniform than without EQ. This is why still getting the speaker dispersion characteristics/room acoustics right in analogue domain is as important as it always was.

My "family" presets are using just very broad filters above 150Hz to get tonality right in order to avoid over correction in some places.

Once you are out with the mic again, please don't forget about me and take some sweeps in different places, bass is enough. Actually Seat-to-Seat is quite important, as it will be big sofa and are around 3x2 where people could be sitting/laying.
Yes will do :)
Might be today since i have to re-measure.
 
This was a bit of an eye opener..
Sofa wide, 13 measuring points

Target curve +10dB in the bass - movies and infected mushroom :cool:
Support LCR - 50-150hz @-18dB
Support subs 20-160hz @ -24dB

MLP measurment LCR
Left seat measurement LCR
1/6 smoothing
1762607403354.png



@Fidji
 
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This was a bit of an eye opener..
Sofa wide, 13 measuring points

Target curve +10dB in the bass - movies and infected mushroom :cool:
Support LCR - 50-150hz @-18dB
Support subs 20-160hz @ -24dB

MLP measurment LCR
Leaf seat measurement LCR
1/6 smoothing
View attachment 488917


@Fidji
Dang that's an aggressive curve:p
 
Quick note on routing and presets that might be useful.

If you’re not using outputs like Surround Back or Front Wide, you can repurpose those terminals for another set of speakers—for example, a second center or an alternate surround pair—and switch between them. If every terminal is already in use, a simple speaker selector will do the trick.

On the A1H the pre-outs are fixed, but using them often frees up the corresponding speaker outputs. For instance, if you use pre-outs for Front L/R, the built-in Front terminals can be reassigned to heights. That makes it possible to re-route outputs without extra hardware.

Each setup can have its own EQ. Within one Dirac preset you can also use multiple measurement slots—for example, Slot 1 for the main position, Slot 2 for one meter behind, Slot 3 for two meters to the right—each can be remeasured and optimized separately.

If Speaker Config 1 & 2 plus the three Dirac slots (six total) still aren’t enough, you can save and reload profiles via USB. I even keep a USB with a “no-Dirac / loud” preset for movie nights, then switch back to my usual profile afterward.
Wow - never knew that we had assignable outputs in D&M. Wonder why they did not go loud about it as it is really a great thing.

As I noted, I never had a use case for that but it is really good to know it is possible. I still have 2 channels in my system unused but not much use for them due to placement constraints. Perhaps a second center over my large LCD would be the only use.
 
This was a bit of an eye opener..
Sofa wide, 13 measuring points

Target curve +10dB in the bass - movies and infected mushroom :cool:
Support LCR - 50-150hz @-18dB
Support subs 20-160hz @ -24dB

MLP measurment LCR
Leaf seat measurement LCR
1/6 smoothing
View attachment 488917


@Fidji
I guess that’s quite a wide sofa, but the bass consistency is really impressive. Even when I measured from spots far from the main seat, it stayed within an acceptable range — some ripples, but still fine and with very little decay.
Also, “Perfect to scare people” might be a quote for the ages
 
Wow - never knew that we had assignable outputs in D&M. Wonder why they did not go loud about it as it is really a great thing.

As I noted, I never had a use case for that but it is really good to know it is possible. I still have 2 channels in my system unused but not much use for them due to placement constraints. Perhaps a second center over my large LCD would be the only use.
It seems this feature isn’t available on all D&M models — only on the higher-end ones like the A1H, A10H, and AV10.
I actually didn’t know about it when I bought my A1H, but it turned out to be a really useful feature.
If you know anyone who could make good use of it, definitely let them know! :)
 
I guess that’s quite a wide sofa, but the bass consistency is really impressive. Even when I measured from spots far from the main seat, it stayed within an acceptable range — some ripples, but still fine and with very little decay.
Also, “Perfect to scare people” might be a quote for the ages
Its a 4 seater so it is not small

Thank you for quote input <3
 
It seems this feature isn’t available on all D&M models — only on the higher-end ones like the A1H, A10H, and AV10.
I actually didn’t know about it when I bought my A1H, but it turned out to be a really useful feature.
If you know anyone who could make good use of it, definitely let them know! :)
Wonder, what would happen if you connected subs to those ch ?
It will not be seen as subs but if you put curtains and boost the target you would be able to use it for different things
Smooth out the respons/decay in the low end - also use it for better output ?
 
It seems this feature isn’t available on all D&M models — only on the higher-end ones like the A1H, A10H, and AV10.
I actually didn’t know about it when I bought my A1H, but it turned out to be a really useful feature.
If you know anyone who could make good use of it, definitely let them know! :)
You found a rare jewel - so we should all thank you for that. Likes up for kawauso. She needs at least 10 of them for this find.
 
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