i'm struggling with a few things:
* i can use massive FIRs (in equalizer APO) to make the step response look amazing, but the pre-ringing is bonkers. i believe this is just a fundamental constraint of this sort of correction?
The massive FIR correction, is it correction of the entire spectrum? the sub and KH-120 II combined?
If so, it's pretty much bound to show a step response with huge pre-ring.
Can you describe what you mean by feeling the pre-delay? Audible or tactile, or both? And if audible, how the pre-delay sounded?* ... music sounded pretty great though - really prominent visceral "chest kick" with bassdrums, in particular, and a sense of extra clarity, but i suspect i was just feeling the pre-delay bass come through before the real kick attack. it was a pretty impressive sensation though.
anyway, i settled with using a 1024-tap FIR on just the mains, to line them up better with the subs (works better than a flat delay). went from +880deg to +560deg at 20Hz, +250deg to +120deg at 100Hz.
however, after a ton of unscientific A/B testing, I think I can only hear it on one very odd techno track, the change was basically inaudible on everything else despite the measurements looking a lot better.
The only real way I know to achieve better phase flattening for the sub-main combo, is to tie them together with a complementary linear-phase crossover. Any other type attempt, like applying "global" phase correction across their summed acoustic response, is just throwing darts hoping to get lucky ime.
The sub and KH-120 II will also need to be co-located for it to work with the complementary linear-phase crossover. If you try this, I'd suggest a steep lin phase LRxover, maybe around 100Hz.
Phase linearization of the sub's low end roll-off is not a good idea ime (same goes for the KH-120's roll-off on its own)