1niltothe
Member
- Joined
- Jun 27, 2021
- Messages
- 36
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- 14
Over the last year I have been putting together and adjusting a listening room.
With the help of this forum and various acoustic interventions, I have been able to hear increasing detail in recorded music across many genres. To fumble for words, many recordings have to my ear an awesome 'transparent presence', whether techno or lieder or Joan Armatrading.
However, I still perceive orchestral strings - particularly large numbers playing the higher register - to sound somehow... a bit squashed or thin. It's hard to put into words, especially on Audio Science Review.
Is this something that is more to do with my end of things, or is it just part of life, how strings tend to sound when recorded?
If it's something at my end, are there things to investigate?
I mostly listen via Audirvana (Tidal HiFi). I have various diffusers, absorbers, a pair of Neumann KH310. I'm not currently doing any DRC.
As an example, into the opening movement of Abbado's famous Mahler 2, as the strings start to swell. For reference -
With the help of this forum and various acoustic interventions, I have been able to hear increasing detail in recorded music across many genres. To fumble for words, many recordings have to my ear an awesome 'transparent presence', whether techno or lieder or Joan Armatrading.
However, I still perceive orchestral strings - particularly large numbers playing the higher register - to sound somehow... a bit squashed or thin. It's hard to put into words, especially on Audio Science Review.
Is this something that is more to do with my end of things, or is it just part of life, how strings tend to sound when recorded?
If it's something at my end, are there things to investigate?
I mostly listen via Audirvana (Tidal HiFi). I have various diffusers, absorbers, a pair of Neumann KH310. I'm not currently doing any DRC.
As an example, into the opening movement of Abbado's famous Mahler 2, as the strings start to swell. For reference -