• Welcome to ASR. There are many reviews of audio hardware and expert members to help answer your questions. Click here to have your audio equipment measured for free!

A new Kef speaker? The Kef LS Luxe



1787345658264.png

1787345836189.png


I'm guessing the same OEM made both of these.
 
I can't get past the whole ugly plastic egg thing. I can't help but think that they are "different" for the sake of being different. The Klipsch The Nines II are much more appeaing and a bit less expensive.
Idk...The Kef look infinitely better to me. Very alien in appearance, especially from the back. Definitely a statement piece and conversation starter (if you care about that) reflective of the price. Knowing Kef, it probably has benefits (based on the white paper), too. Definitely not for everyone, though.
 
Last edited:
With all the discussion here about their appearance I feel like it gets a bit lost that the outer design is completely submissioned to the acoustic performance. I doubt you would get those close to perfect dispersion graphs with any other form for this speaker. Even the ribs on the back are optimized for heat dissipation.

What I want to say is: I don’t think KEF intentionally choosed this design based on looks but rather worked out the optimal design for the performance and then looked how they can improve the appearance within that constrain. And I applaud them for this, in the Hi FI world it’s all too tempting for a company to focus on appearance. When looking on the social media reaction to these most of the commentary is some flavor of ,,ugh what an ugly egg“, performance is rather of secondary concern.
 
Stupid q does it come with port bungs if one wants to use subwoofers or is the special veco and currant amp tuning not amicable to such things ? Looks to me that it would need to a setting for blocked ports to adjust for a different closed tuning ?
 
Stupid q does it come with port bungs if one wants to use subwoofers or is the special veco and currant amp tuning not amicable to such things ? Looks to me that it would need to a setting for blocked ports to adjust for a different closed tuning ?
It has a setting for the use of a (KEF) subwoofer without a bung.
 
ergo "digital bung processing".
Quod erat demonstrandum
 
Last edited:
Screenshot 2026-08-22 225517.png


So... Motional feedback? I had some 1990s high-end Sony bookshelf speakers with electrostatic tweeters and motional feedback drivers, they were pretty good as I recall.
 
The only thing stopping me from buying this are concerns about reliability. I only care for the dsp engine and Amps since I want to connect them to my Avr, so I don’t care if any streaming module etc. Dies. However I want to keep them for many years and I wonder if I regret it.

Do you guys think KEF would try to repair them if a amp dies even after warranty?

Do you think KEF analysed the points of failure on earlier active models and removed them?

I mean genelec shows it’s possible to have really reliable active speakers and I wonder if, for my use case, KEF is there yet in terms of reliability.
 
It has a setting for the use of a (KEF) subwoofer without a bung.

My idea comes from the fact that no port is resonance free not even kefs well designed ones . And ”something” is always leaking out from a port in the midrange ?

I think many of the good attributes of my LS60/KC92 kombo is that it’s all closed boxes no ports anywhere.
 
My idea comes from the fact that no port is resonance free not even kefs well designed ones . And ”something” is always leaking out from a port in the midrange ?

I think many of the good attributes of my LS60/KC92 kombo is that it’s all closed boxes no ports anywhere.
All I can say is that I have the Reference 1 meta and LS 50 meta and I don’t hear any port noise at all. KEF spend a lot of time optimizing the ports geometry to get it as silent as possible. you can read for yourself In their 2014 reference white paper (the generation before meta).
 
Philips Motional Feedback - Developed in 1969–1970 by the acoustic R&D and NatLab teams at Philips in Eindhoven, Netherlands. Engineer Piet Gouw is widely credited as the leading figure behind its commercial realization (often called "Papa MFB"). The system uses a tiny sensor on the speaker cone to feed movement data back into the amplifier for precise bass control.
 
Back
Top Bottom