Since I have two B100 on order I hope you don't mind explaining in more detail about the reliability issues regarding Topping B100The B100 is a quantitatively better performer, but they both have reported reliability issues.
I can’t speak to having much experience with Topping products, but so far, absolute 100% reliability for me with the stuff I own from them (two B100s and an E70 Velvet, with an L70 on its way already).
The reliability problems of the A70 Pro cannot be transferred to the B100, as the B100 does not have any modules cast with casting compound.
yes? namely?Personally, my choice is made
The B100s don’t have a very robust production against input signals which exceed their limit. Due to the nature of using a source that functions as both, digital preamp and bass manager, the power amps directly connect to the DAC without a preamp/attenuator in the middle. If your DAC has a particularly strong output that cannot be limited (for example, Geshelli J3 Pro which has 3V/6V RCA/XLR output), it is possible to accidentally send a signal which can damage the amp. I experienced a strange design issue with the J3 Pro where pressing the power button to change the LED colors (no, I am not kidding) sent a full voltage (3V) pop (yes, just a pop, not a constant signal) to the amps, and that killed the B100s, which I was fortunately enough to receive replacements for under warranty. If you’re using a preamp or attenuator between the DAC and your B100s, you may well be fine. If you’re relying on your DAC or source for digital volume control, so it hooks straight up to the amps without anything in the middle, be sure that the voltage can be adjusted down. The WiiM Ultra, for example, has adjustable voltage output. I use a separate, external DSP for room correction, and it has digital out, which is why I need to use a separate DAC and not my WiiM’s. Due to these issues, I’m selling my Geshelli and got a different DAC to replace it which has only 2V/4V output level.Since I have two B100 on order I hope you don't mind explaining in more detail about the reliability issues regarding Topping B100
I know that other Topping amplifiers have reported reliability issues but I have not been able to find any about Topping B100
Could you help me?
As others have written here
Yes, of course.Do you have any JBL Studio 230s to talk about it ?
Do you know their qualities (or defects) ?
The end of the line
' is only useful if you need it and the conditions for its proper use are met With respect, the vast majority of actual sonic differences between electronic audio devices, today, can be heard through speakers as "high end" as the KEF Coda II budget speaker from 1981. And much of the rest is about amplifiers being able to drive tougher loads, or having a lower noise floor for sensitive speakers.yes? namely?
I appreciate your expertise a lot, dear ICIETDIYEUR, but i doubt that you will grasp all the subtleties of the acoustic experience and the differences between audio devices with your JBL studio 230.
Or do you have even higher quality speakers that are not in your signature?
These graphs were made on different equipment, so they cannot be compared. On my graph, the maximum power is measured via the AUX port of the Cosmos ADC Grade 0, the sensitivity of which is 0dBFS at 43Vrms. The measured power of 70.5W is achieved at 22.8Vrms, which is half of the entire range. This graph is just an illustration that the peak load of 70.5W corresponds to 1% distortion, but anything less than 10W has nothing to do with the real distortion of the amplifier, since it is measured at -30dBFS, so the noise and distortion level on my graph is higher than on the graph made via the APx555 - where there is an automatic adjustment of the measurement range so that it always corresponds to 0dBFS.People hi
How should these graphs be read/interpreted ?
That's an opinion, but I don't share it.the vast majority of actual sonic differences between electronic audio devices, today, can be heard through speakers as "high end" as the KEF Coda II budget speaker from 1981
I didn't say that the Coda II is somehow perfect though, or that better speakers aren't to be aimed for.That's an opinion, but I don't share it.
A loudspeaker has so many faults in itself that you should always use those that best realize the compromise between the fewest faults and the most advantages.
If possible, no phase errors, time-correct behavior, as linear a frequency response as possible in the free field from 20hz to 20khz. Linear dispersion behavior, clean impulse response, no compression up to high levels.
These are markers that are rarely achieved in reality, but should be aimed for.
However, if you assume that other electronic devices are more or less flawless anyway and that any differences are inaudible, then the 40-year-old KEF bookshelf loudspeaker will of course also suffice.
Shameless disingenuity. How much does Topping pay you to nonsensically shit on other products? Do we need to start a post counter to tally up how many times you screech about the same old crap?Hello howard416.
Don't worry about me, I PERFECTLY understand the graphs I have shown here![]()
Post as many facts as you want, but it's the bias and spin that is revolting.@ howard416.
Hi.
For my part, I don't understand two things about you:
- Why are you against real, measurable, and therefore objective facts that can be verified by everyone ?