somebodyelse
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The trouble is such 'obvious' differences often disappear when proper controls are used (levels matched with a meter at the terminals, can't peek etc.) so without the controls the rest of us can't tell whether the difference was genuine or just your brain playing tricks.This is not like "do I hear the ESS imd hump" or anything subtle, but a day and night difference. If you discover new cues and symbols in tracks you have known for 20 years, there is no point discussing if it's just in the brain any further. The sound stage is totally different between the two amps, even vocals sound different. It's silly having to defend that. To me this is like you asking me for a proof that my couch is blue. I can see the couch being blue any day of the week but now you want proof.
The freaking astrophysicists can't even agree on if anything is real or not, but you guys pretend to be robots with "standardized ears". The ugly truth is that human capabilities differ so vastly, that we outperform each other so profoundly that you could put all the math books every written into your neighbors brain and still he wouldn't turn into Einstein!
Same applies here. Not every brain is musical. Not every ear is good. Some are just waaaaaaay better. We have to live with that. Hearing capabilities (as visual capabilities, f.e. edge detection) in anyone can be greatly improved by the use of variousdrugsentheogens though.
See https://www.audiosciencereview.com/...are-measurements-everything-or-nothing.62954/ for how such exchanges usually go - that thread is where they often get moved to.