...Or it's the in-room response and not a nearfield, and this is appropriate roll-off for the sound power? It's also likely that the waveguide is contributing, but EQ and tuning can determine the end result before a crossover is built.
If OP wants any advice on optimizing responses with REW I'm here for it. Want to share your filters and the full VCAD/REW screens?
Want to share your filters and the full VCAD/REW screens
@Barnaby1 Asked for the files too.Looks so nice!
Would it be rude to ask for the printing files? Or any advice how to get started with Fusion?
Fusion isn’t that hard to use it’s just hard to really master.Looks so nice!
Would it be rude to ask for the printing files? Or any advice how to get started with Fusion?
Unfortunately, I haven't done any impedance measurements yet, and don´t know exactly how to do it.I may pursue this print myself, I'd be curious if you could share an impedance measurement if you have that capability.
Taking into account the amount of absorbing materials on the walls and ceiling, I would indeed aim for the flat response in HF, no tilt.The tweeter filtering looks wrong, unless you want it to drop down 10db in the top end.
Is that the LC1 or LC2? Erin measured the LC1 and it was terrible. They're raw prints too - no surface treatment, visible banding and ringing. I'd expect better all round for 2k.These were at the Austrian hifi exhibition... fully 3D printed 2 way for 2k(think it was euro).
Sounded good. Chesky Audio.
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Can't remember, but I remember clearly the designer saying that he knew it did not measure great, but it still sounded entertaining and several people liked it, my friends included.Is that the LC1 or LC2? Erin measured the LC1 and it was terrible. They're raw prints too - no surface treatment, visible banding and ringing. I'd expect better all round for 2k.