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https://www.avalonacoustics.com/models/precision/pm4/

ok thanks I have nothing else to say

f you mention listening with headphones to be able to reason about spatiality, we are talking about completely different listening with stereo but above all about what I mean by spatiality.

we can't do anything with sarcasm, that's a graph on the Hass effect. however I can reassure you and say that the 2 sec. you will never be able to get them from the concert hall, because you listen at 2/3 meters away and the microphones are very close to the performers. having said this, there...

I confirm and reiterate, the reverberation mentioned in the book is that of our room, the spatiality obtained is that of the room where the event is recorded.

reverberation is used to recreate spatiality…

Beyond measuring, take the speakers into the garden and listen to see if you can feel the ambience of the recording location

absolutely not, the recordings cited are masterpieces precisely because they were not manipulated by SW. I repeat, these masterpieces should be listened to in a set up with a balance between direct and reverberated sound. then you will have a sense of the breath of the room where it was recorded.

then try listening in free field or anechoic and see if you can hear the event environment

useful or good reflections to listen to ambience

first reflections early to control, absorb, spread

When you are lucky enough to listen to set ups in dedicated environments where the right balance between direct and reverberated sound has been achieved, in addition to the classic acoustic scene you are able to focus on the instrumentalists, they are solid and also the distances between them...

listening with headphones naturally removes the crosstalk and removes the possibility of listening to the live event, the sensation of presence and ambience is eliminated. The reflections of our room, appropriately controlled and treated, allow us to reproduce the environment where the recording...

and how would a DSP intervene to deceive the opposite ear?

I would like to read the measurements of the speakers with this processing to eliminate crosstalk

MBLs have great ability to recreate a focused and spacious acoustic scene. have greater need for acoustic treatment in the room.

according to the microphone recording

I'm perfectly agree

if the sound comes between the wall and the speakers it means that the early reflections have too much energy. In stereo, no sounds can exist outside the speakers except by playing with the phase being recorded. wide and coherent dispersion is desirable. A speaker with wide dispersion and...