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Ah, if you include studio and broadcast, for sure. Studio monitoring has gotten ridiculously good and I’d agree, except for the most esoteric and edge case high end, monitoring is neck and neck with hifi. The days of NS10s somehow creating pain to force you into a great mix in the car are long...

Something I actually know about and can come out of lurk mode - PA gear is built to fundamentally different goals. An example being frequency response. PA speakers will be built for power handling, consistent horn coverage over a specified area, throw, etc. So I need to know a coverage area to...