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And you still think that every speaker is equally fast and the solution lies in the equalizer? Well, Jean Baptiste must be turning in his grave...

This claim is absurd. It's the same as saying that all you have to do is make the exhaust louder to make the car go faster. Seriously, you don't see the difference? This is a different dynamic range of the transient - like the ADSR envelope. Not every speaker has the same efficiency, some don't...

...in theory

...but as a function of time, and that's something completely different than your usual eq. Physics and mathematics my friend, not just listening to music. Do you seriously think that all physical phenomena can be explained by an equalizer?

Do this experiment. Use a transient shaper plug-in. Set the attack fast once, slow once. Does the sound sound the same? No. It's the same with speakers, some have a fast attack, others slower. You can add high frequencies and the attack won't speed up, because the impulse matters. Now verify...

If you were a little interested in working with sound and not just playing songs, you would know that each speaker plays sounds differently. And it does not depend only on frequency. You need to educate yourself, and do not use Amir to defend your theories. You still have a lot to catch up on...

I ask those who understand what transient and speaker speed are. And that you don't know what it means is not my fault

What about transients? Is Kali IN-8 v2 speaker fast? What about step response? best regards!

Why do different stereo speakers sound different despite having the same room correction result? One set sounds natural, the second one clearly has more 3-5khz and the third one has too little around 200hz? The correction result in the room correction program is the same (flat). Which one...

Why do different stereo speakers sound different despite having the same room correction result? One set sounds natural, the second one clearly has more 3-5khz and the third one has too little around 200hz? The correction result in the room correction program is the same (flat).

@XMechanik Can I buy it as a ready-made loudspeaker? Thanks!

Third-party microphones and their calibration files already worked in the previous version of arc 3

I can't find such a topic anywhere and I think it may be very interesting and important because of the soudstage and imaging. Does anyone of you know what the best proportion of the phantom center level vs. hard panned level? Should they be at the same level in the sweetspot or maybe at a...

When I wrote "sounds materialize", I meant the impression that, for example, the vocals and snare drum are so close to the listener that we see these sounds next to the face, literally a few centimeters from the face. Other sounds are meters away. And it sounds so realistic, as if each sound...

It's not about the sound around us, it's about the sound that "materializes" so much that we feel like we can touch it. And I'm not kidding here, it's a true illusion of physical sound sources at various distances from the listener in all directions.

Once in my life I experienced holographic imaging and out of four pairs of speakers placed next to each other, only one played in 3D. The rest is a flat wall of sound. So I know speakers, room and positioning matters.

I recently compared the HEDD Type 07 (mk1) with the APS Klasik 2020. Since I have been mixing and mastering for 20 years, I have some observations about these speakers. Both, of course, with full room correction at the same time. Hedd 07 have a nicer sound, more detailed and the bass is deeper...

I recently compared the HEDD Type 07 (mk1) with the APS Klasik 2020. Since I have been mixing and mastering for 20 years, I have some observations about these speakers. Both, of course, with full room correction at the same time. Hedd 07 have a nicer sound, more detailed and the bass is deeper...

I don't want to talk nonsense, but it seems to me that there was production on hs5 but the master & mix was on ProAc's Studio 100 + Yamaha Ns10m

Great job Amir!