watchnerd
Grand Contributor
- Thread Starter
- #21
It's a non issue for me the room has a vaulted ceiling and some stone walls; so is not a 'cuboid box'; so no isssues as far as I can tell.
I bought ATC's on the strength of their accuracy because I had become involved in a recording project with a Grammy winning producer/engineer in the USA (that's another story for another day). Anyway I'm highly impressed with them and would say the actives, when you take into account amplification cost (tri amps in each one), are a bit of a bargain.
I think the actives are a good buy in the UK. In the USA, they're definitely very high quality, there is a $6k gap between the passive and the active version. It's a bit of an apples to oranges comparison, but $6k can buy very high quality amplification and still have money left over for an active external DSP crossover (Behringer, dbx, miniDSP, etc) that provides more options than what is built into the SCM40.
Regardless, though, I love the fact ATC, as far as I know, is the only speaker maker where you can get the exact same driver used in the pro monitors -- the SCM40 uses exactly the same midrange and woofer as the SCM25A and SCM45A, and the same midrange as the SCM50A on upwards.
That gets you much closer to hearing what the engineers heard in the studio (if they used ATC).