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Pass Labs HPA-1 Headphone Amp Review

Rate this headphone amplifier:

  • 1. Poor (headless panther)

    Votes: 320 90.1%
  • 2. Not terrible (postman panther)

    Votes: 19 5.4%
  • 3. Fine (happy panther)

    Votes: 6 1.7%
  • 4. Great (golfing panther)

    Votes: 10 2.8%

  • Total voters
    355

Purité Audio

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Yes you would imagine two completely different amps,

Thanks Amir.
 

xnor

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This happens when design/engineering is put above the actual outcome. Such dogmatic approaches usually lead to glaring deficiencies in the final, usually overpriced as well, product.
 

Geert

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The amp under test reportedly was not designed by Nelson Pass but rather by another Pass Labs employee, as mentioned earlier in the thread

Correct, but it's under the Pass Labs umbrella that products with relatively high distortion are being designed and appreciated.

There are multiple Pass Lab amplifier reviews on Stereophile.com and there's always something going on with distortion. Like distortion rising with frequency, output level or low speaker impedance.

Take the INT-25 class A amplifier for example: "its intolerance in the treble for loads of 4 ohms and below means it will work best with loudspeakers whose impedance doesn't drop below 8 ohms at high frequencies". For a 10k amp... (The INT-150 has the same issue). Or the XA30.5 amp: "the XA30.5's decreasing linearity in the top octaves led to a somewhat disappointing result on the high-power, high-frequency intermodulation test".

Often the artifacts or on the edge of audibility, but it must be that their customers believe they get some benefits in return.
 

DSJR

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Correct, but it's under the Pass Labs umbrella that products with relatively high distortion are being designed and appreciated.

There are multiple Pass Lab amplifier reviews on Stereophile.com and there's always something going on with distortion. Like distortion rising with frequency, output level or low speaker impedance.

Take the INT-25 class A amplifier for example: "its intolerance in the treble for loads of 4 ohms and below means it will work best with loudspeakers whose impedance doesn't drop below 8 ohms at high frequencies". For a 10k amp... (The INT-150 has the same issue). Or the XA30.5 amp: "the XA30.5's decreasing linearity in the top octaves led to a somewhat disappointing result on the high-power, high-frequency intermodulation test".

Often the artifacts or on the edge of audibility, but it must be that their customers believe they get some benefits in return.
Is this where the comments in earlier posts regarding feedback use *and application* could solve this?
 

Blumlein 88

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Appears stereophile’s JA measured a different device ;)

”Pass Labs' HPA-1 offers superb measured performance that reflects equally superb audio engineering.—John Atkinson
Yes, and yet most of his measurements are not too different than Amir's. A couple of them are more different than they should be. When you tell people THD was .005% it sounds pretty good and meets spec more or less. OTOH, that is about -86 db which compared to $300 devices running about -120 db for that same number it no longer is impressive. .005% vs .0001% you see or 50 times more distortion in the expensive device versus the $300 device it sounds a lot different.
 

anchan

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With respect to the mains noise, it’s really hard to get lower than -100 dB/V with a normal linear power supply. I’ve built a few power and preamps with both linear and smps, and smps is always way quieter. This despite all the praise/scorn of linear/smps.
 

BeeKay

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Yes, and yet most of his measurements are not too different than Amir's. A couple of them are more different than they should be. When you tell people THD was .005% it sounds pretty good and meets spec more or less. OTOH, that is about -86 db which compared to $300 devices running about -120 db for that same number it no longer is impressive. .005% vs .0001% you see or 50 times more distortion in the expensive device versus the $300 device it sounds a lot different.
Dunno. It must be these guys feel about getting extinct. That business model reached its endgame. JA for sure is one of a few with credibility. Herb is for the fun of reading, Fremer - I won't even begin re him.
 

vkvedam

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lol-gif-5.gif

High end
 

Geert

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Is this where the comments in earlier posts regarding feedback use *and application* could solve this?

Sure, that's the purpose of negative feedback. But Pass deliberately chooses to use low feedback. His argument: "Negative loop feedback creates higher order distortion harmonics. So it's pretty clear that while lowering the total amount of distortion, negative feedback does increase the distortion complexity". In practise that distortion is taken care of successfully, as proven by measurements, but Pass thinks his approach sounds better.

(Quotes from a interesting interview https://6moons.com/industryfeatures/distortion/distortion.html).

Since some of the measurements of Stereophile.com show better results I wonder if this also can be related to the low feedback design, in the sense that it's less efficient in tackling drifting operating setting when an amp gets older.
 

AudioSceptic

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The owner is downsizing his audio system and sent this to be tested before he sells it. So it is not an issue for him although you could say it is fortuitous that it is not a loss anyway.
It's a loss if the value plummets, but I suspect the market for this mostly ignores measurements anyway. Apart from the headphone socket, which clearly is a functional component not meant to be on display, the item looks pretty good.
 

Sokel

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With respect to the mains noise, it’s really hard to get lower than -100 dB/V with a normal linear power supply. I’ve built a few power and preamps with both linear and smps, and smps is always way quieter. This despite all the praise/scorn of linear/smps.
That's the most simple 15-0-15V PS one can imagine,not even LM7815-7915 but double LM7815 the old DIY way.
Not so hard with a little care.
(don't mind the spikes,is lot better after a little extra care)



L-R High.PNG


 

AudioSceptic

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If tests like this had been available for a long time a lot of people would have saved a lot of money.
I doubt that the majority of the market for this ever reads objective reviews, just as is the case for the other "high end" stuff that gets rave reviews in the reality-denying audio press/web.
 

AudioSceptic

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Bleib

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I doubt that the majority of the market for this ever reads objective reviews, just as is the case for the other "high end" stuff that gets rave reviews in the reality-denying audio press/web.
Could've been if objective measurements were provided decadas ago. Obviously it will never be purely science based as people like to buy to impress others, lifestyle etc etc
But there's also a part of me that thinks that people don't want to get fooled into giving cash for things that aren't really that great.
 

solderdude

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Appears stereophile’s JA measured a different device ;)

”Pass Labs' HPA-1 offers superb measured performance that reflects equally superb audio engineering.—John Atkinson

The measurements are actually quite similar when viewed at 1V out (JA measures at 1V out, Amir at 2V)
Except frequency response and PS noise that is...
For some reason (maybe the volpot position) JA measured 60kHz -0.5dB in 100kΩ load, where Amir measured 40kHz @ -0.5dB in 600Ω load (which also isn't bad)
Amir measured 120Hz hum at -100dB, JA at -110dB
No idea why, did NP alter the circuit a bit ? or is there another reason ?
 
Last edited:

Jimbob54

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Based on the interview with the designer posted a while up thread, this thing dates back 7 plus years. What was the headfi market like in those days? How many low sensitivity /low impedance planars? Or was that when hd600/800 high impedance DDs ruled the roost?

Was this performance "OK" back then? (based on amir's listening with the 650s you'd have to think not!)
 

Palladium

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With respect to the mains noise, it’s really hard to get lower than -100 dB/V with a normal linear power supply. I’ve built a few power and preamps with both linear and smps, and smps is always way quieter. This despite all the praise/scorn of linear/smps.

None of what you say comes as a surprise. There's probably more R&D in $$$ terms poured into SMPS development than the entire audio market put together.
 

FrantzM

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Hi

Here is the reality, to paraphrase a fan-favorite sports personality. We are at a point where transparent reproduction, as in transparent to most ears including audiophiles', has become a commodity. $50.oo give you transparency or if you want to be on the safe side, anything around $100.oo, the benchmark I choose because I own it, the JDS Lab Atom.

There is no reason to spend this obscene amount of money for this poor performance... It is so bad that it may sound different... Once some would be aware of the cost or pedigree (It is after a Nelson Pass OMG!!! design :rolleyes: )... Qualificatives, (Organic sound, well fleshed midrange, polite but fast bass, sublime highs, gorgeous orchestral delineation and another BS...)most of these positive, will abound... And a few units will sell. The Subjective audio press will see to that. It remains this is a poor product. Expensive and bad performing.

This is further proof that High End Audio needs to re-calibrate their sights and ways... This is the usual poor showing from them... remember the Total Crap ... err.. Dac? $15,000 for less than Apple dongle ($9.95) performance.

Peace.
 
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